Cover of ああ華族様だよ と私は嘘を吐くのであった (Aa Kazokusamada yo to Watakushi wa Uso o Haku Node Ata)

Part 1 of 2 · JLPT N2

ああ華族様だよ と私は嘘を吐くのであった Aa Kazokusamada yo to Watakushi wa Uso o Haku Node Ata, part 1: A Night Out in Yokohama's Chinatown

by Watanabe On · 1,360 characters · from A Nobleman, of Course," I Lied

In this part

The narrator goes out in Yokohama for the first time, guided by his neighbour Alexander, a handsome, penniless former dancer of the Russian imperial court who now plays the cello in a Ginza restaurant. They drink at the International bar in Chinatown, where Alexander teases the blonde waitress Marusha about her love for a Japanese novelist and dances with her. Then they wait until midnight at the Bungalow dance hall, where a very drunk, ageing dancer insists on teaching the narrator to dance.

AI translation · independently checked

居留地きょりゅうち女おんなの間あいだではAmong the Women of the Foreign Settlement

その晩ばん、私わたくしは隣室りんしつのアレキサンダー君くんに案内あんないされて、始はじめて横浜よこはまへ遊あそびに出でかけた。That evening, guided by Alexander, who lived in the room next to mine, I went out to amuse myself in Yokohama for the first time.

アレキサンダー君くんは、そんな遊あそび場所ばしょに就ついてなら、日本人にほんじんの私わたくしなんぞよりも、遙はるかに詳つまびらかに心得こころえていた。When it came to places of that sort, Alexander knew them far more thoroughly than a mere Japanese like me.

アレキサンダー君くんは、その自みずから名告なのるところに依よれば、旧きゅう露国ろこく帝室ていしつ付つけ舞踏ぶとう師しで、革命かくめい後ご上海しゃんはいから日本にっぽんへ渡わたって来きたのだが、踊おどりを以もって生業せいぎょうとすることが出来できなくなって、今いまでは銀座ぎんざ裏うらの、西洋せいよう料理店りょうりてん某ぼうでセロを弾ひいていると云いう、つまり街頭がいとうで、よく見みかける羅紗らしゃ売うりより僅わずかばかり上等じょうとうな類たぐいのコーカサス人じんである。By his own account, Alexander had once been a dancer attached to the imperial court of old Russia; after the revolution he had crossed over to Japan from Shanghai, but finding he could no longer make his living by dancing, he now played the cello at a certain Western restaurant in a back street of Ginza. In short, he was a Caucasian of a class only slightly better than the woollen-cloth peddlers one so often sees in the streets.

それでも、遉さすがにコーカサス生うまれの故ゆえか、髪かみも眼めも真黒まっくろで却々なかなか眉目秀麗はんさむな男おとこだったので、貧乏びんぼうなのにも拘かかわらず、居留地きょりゅうち女おんなの間あいだでは、格別かくべつ可愛かわいがられているらしい。Even so, perhaps because he had been born in the Caucasus after all, his hair and eyes were jet black and he was quite a handsome fellow, so that, poor as he was, he seemed to be especially petted among the women of the foreign settlement.

――アレキサンダー君くんは、露西亜ろしあ語ごの他ほかに、拙つたない日本語にほんごと、同おなじ位くらい拙つたない英語えいごとを喋しゃべることが出来できる。Besides Russian, Alexander could speak clumsy Japanese and English that was just as clumsy.

桜木町さくらぎちょうの駅えきに降おりたのが、かれこれ九時くじ時分じぶんだったので、私達わたしたちは、先まず暗くらい波止場はとばの方ほうを廻まわって、山下町やましたちょうの支那しな街がいへ行いった。It was somewhere around nine o'clock when we got off at Sakuragichō Station, so we first went round by the dark waterfront and then on to the Chinese quarter of Yamashitachō.

そして、誰だれでも知しっているインタアナショナル酒場ばあでビールを飲のんだ。There we drank beer at the International, the bar everyone knows.

ここの家いえはどう云いう理由りゆうか、エビス・ビールを看板かんばんにしているが、私わたくしはずっと前まえに、矢張やはりその界隈かいわいにあるハムブルグ酒場さかばで、大変たいへん美味おいしいピルゼンのビールを飲のんだことがあった。For some reason this place advertised Yebisu Beer, but long before, at the Hamburg, a bar in the same neighbourhood, I had once drunk a wonderfully good Pilsen beer.

独逸どいつへ行いこうと思おもっていた頃ころで、そこの酒場さかばに居合いあわせた軍艦ぐんかんエムデン号ごうの乗組員のりくみいんだったと称しょうする変へんな独逸人どいつじんに、ハイデルベルヒの大学だいがくへ入はいる第だい一いちの資格しかくは、ビールを四打よんだーす飲のめることだと唆そそのかされて、私わたくしはピルズナア・ビールを二打にだーす飲のんだのであった。It was back when I was planning to go to Germany: a strange German who happened to be in the bar, and who claimed to have been a crewman on the warship Emden, egged me on by saying that the first qualification for entering the university at Heidelberg was being able to drink four dozen beers, and so I drank two dozen Pilsners.

『そのエムデンは店みせの人ひとです、つまりサクラですね。――』"That Emden man, he is man of the shop. A shill, you see."

と、アレキサンダー君くんはハムブルクを斥しりぞけた。With that, Alexander dismissed the Hamburg.

『それに、あすこには、こんな別嬪べっぴんさん一人ひとりもいませんです。つまらないですね。』"And also, over there is not even one beauty like this, no sir. Is very dull."

アレキサンダー君くんは、さう云いいながら、私達わたしたちの卓子テーブルを囲かこんで集あつまった、各かく自国じこく籍せきの異ことなるらしい四五人しごにんの女給じょきゅうの中なかで、一番いちばん器量きりょう良よしの細ほそい眼めをした、金髪きんぱつの少女しょうじょの頤おとがいを指ゆびでつついたものだ。As he said this, Alexander poked with his finger at the chin of the prettiest of the four or five waitresses, apparently each of a different nationality, who had gathered round our table: a blonde girl with narrow eyes.

『マルウシャ! 日本人にほんじんの小説しょうせつを書かく人ひとに惚ほれています。――マルウシャ、云いいなさい!』"Marusha! She is in love with Japanese man who writes novels. Marusha, you tell him!"

その少女しょうじょの噂うわさは、私わたくしも既すでに聞きいていた。I had already heard the gossip about this girl.

彼女かのじょは私わたくしに、××氏しから貰もらったのだと云いう手巾はんかちを見みせたりした。She showed me, among other things, a handkerchief she said Mr. ×× had given her.

それから彼女かのじょは、アレキサンダー君くんと組くんで踊おどった。Then she paired up with Alexander and danced.

ストーヴの傍かたわらにいた家族かぞくの者ものらしい老夫婦ろうふうふが、ヴァイオリンと竪琴ハープとでそれに和わした。An old couple by the stove, who seemed to be members of the family, accompanied them on violin and harp.

私わたくしはエビス・ビールが我慢がまん出来できなかったので、酒さけ台だいのところに立たって火酒うぉとかを飲のんだ。As I could not stand the Yebisu beer, I went and stood at the counter and drank vodka.

若わかい時分じぶんには、可かなりの美人びじんだったらしい面影おもかげを留とめている女主人おんなしゅじんが、酒さけをつぎ乍ながら私わたくしの話はなし相手あいてになってくれた。The proprietress, whose face kept traces suggesting she had been quite a beauty in her youth, poured my drinks and kept me company in conversation.

いいよ 君きみが死しねば僕ぼくだって死しぬよAll Right, If You Die, I'll Die Too

私達わたしたちは予定よてい通とおり、恰度ちょうど一いち時間じかんを費ついやして、インタアナショナルを出でた。Just as planned, we spent exactly one hour there and left the International.

真暗まっくらな河岸かし通とおりに青あおい街灯がいとうが惨みじめに凍こごえて、烈はげしい海うみの香かおりをふくんだ夜風よかぜが吹ふきまくっていた。Along the pitch-dark riverside street the blue street lamps froze miserably, and a night wind full of the sharp smell of the sea was blowing hard.

元町もとまちへ抜ぬけて、バンガロオへ寄よって、そこで十二じゅうに時じになるのを待まった。We came out into Motomachi, dropped in at the Bungalow, and there waited for midnight to come.

アレキサンダー君くんが、このダンス場じょうの看板かんばん時間じかんまで踊おどり度たいと云いうので、踊おどりの出来できない私わたくしは、ぼんやりウイスキーを舐なめるばかりで、旺さかんなホールの光景こうけいを見物けんぶつしながら待まっていたわけである。Alexander said he wanted to dance until the hall closed for the night, so I, who could not dance, simply waited, absently sipping whisky and watching the lively scene on the floor.

へべれけに酔よっぱらった大たいそう年としをとり過すぎた踊子ダンサーが、私わたくしの傍かたわらへ来きて、ポートワインをねだるので、振舞ふるまってやると、やがて彼女かのじょは、ダンス位くらい出来できなくては可哀相かわいそうだから、教おしえてやると云いって、私わたくしの両手りょうてを掴つかんで立たち上あがるのであった。A dancer, roaring drunk and a great deal too old, came over beside me and begged for a glass of port, so I treated her; before long she announced that it was a pity for a man not to manage even a dance, that she would teach me, and she seized both my hands and stood up.

Vocabulary

WordMeaningJLPT
居留地きょりゅうちforeign settlement (district where foreigners lived)Historical term for the treaty-port areas such as Yokohama's Yamate and Yamashitachō.—
心得てこころえるto know well, to be familiar withdictionary form: 心得るImplies practical, experienced knowledge.N2
名告るなのるto call oneself, to give one's name asdictionary form: 名乗る名告る is an older spelling of 名乗る.—
生業せいぎょうlivelihood, occupationWritten style; also read なりわい.—
羅紗らしゃwoollen clothFrom Portuguese raxa. Russian cloth peddlers were a familiar sight in prewar Japan.—
眉目秀麗びもくしゅうれいhandsome, good-looking (of a man)A four-character compound; here the author glosses it as ハンサム.—
拙いつたないclumsy, unskilful—
波止場はとばwharf, waterfront—
唆かされてそそのかすto egg on, to temptdictionary form: 唆すHere in the passive: 'was egged on'. 唆かす is an old okurigana spelling.—
サクラさくらshill, planted customerSlang: someone who poses as a customer to draw others in.N3
別嬪べっぴんbeautiful woman, a beautyColloquial and a little old-fashioned; さん adds a jokey politeness.—
器量良しきりょうよしgood-looking woman器量 means looks or features (of a woman).—
面影おもかげtrace (of former looks), lingering image面影を留める: to still show traces of how one used to look.—
へべれけへべれけdead drunkColloquial.—

Grammar

〜に依れば N3 according to ~

依れば is an older way of writing よれば. Combined with その自ら名告るところ ('what he himself claims'), it marks the following as Alexander's own claim, which the narrator does not vouch for.

その自ら名告るところに依れば、旧露国帝室付舞踏師で

by his own account, he had been a dancer attached to the court of old Russia

〜にも拘らず N2 in spite of ~, although

Attaches to a noun, or to a clause nominalised with の (here 貧乏なの + にも拘らず). Means 'despite' or 'in spite of'. It introduces a fact that would lead you to expect the opposite of what follows.

貧乏なのにも拘らず、居留地女の間では、格別可愛がられているらしい

poor as he was, he seemed to be especially petted among the women of the settlement

〜のであった N2 it was that ~ (literary explanatory past)

The past form of のだ, typical of written narration. It rounds off an episode, presenting the outcome with a slightly wry or reflective tone.

私はピルズナア・ビールを二打飲んだのであった

and so I drank two dozen Pilsners

〜度い (=〜たい) N5 want to ~

度い is an old way of writing the desire ending たい with a kanji. 踊り度い is simply 踊りたい, 'wants to dance'.

アレキサンダー君が、このダンス場の看板時間まで踊り度いと云うので

since Alexander said he wanted to dance until the hall closed

〜るばかり N3 do nothing but ~, only ~

Dictionary form plus ばかり means the person does only that one thing. Here it stresses the narrator's idle, passive waiting.

ぼんやりウイスキーを舐めるばかりで

doing nothing but absently sipping whisky

〜ませんです N5 (non-standard) polite negative

Standard Japanese uses ません on its own. Adding です makes it doubly polite, which marks Alexander's speech as a foreigner's broken Japanese.

こんな別嬪さん一人もいませんです

is not even one beauty like this, no sir