白昼夢江戸川乱歩

Part 2 of 3 · JLPT N2

白昼夢 Hakuchūmu, part 2: The Orator Confesses to Murder

by Edogawa Ranpo · 1,370 characters · from A Dream in Broad Daylight

In this part

The orator tells the jeering crowd how jealousy drove him to stab his coquettish wife in the neck as she smiled at him from her mirror. He says he cut her body into five pieces and kept them under running water until they turned to waxy 'adipocere'. The listeners laugh and heckle as if it were a stale, well-rehearsed act, but the man shouts that he really did kill her, and the narrator feels a growing, nameless terror.

AI translation · independently checked

「いや、もうとっくにくッついていたかも知しれないのだ」"No, they may well have been together long before then!"

そこで又また、前まえにもました高笑たかわらいが起おこった。At that, a burst of laughter louder than before went up once again.

「俺おれは心配しんぱいで心配しんぱいで」彼かれはそういって歌舞伎かぶき役者やくしゃの様ように首くびを振ふって「商売しょうばいも手てにつかなんだ。"I was worried, worried sick," he said, tossing his head like a kabuki actor, "I couldn't put my mind to my trade.

俺おれは毎晩まいばん寝床ねどこの中なかで女房にょうぼうに頼たのんだ。手てを合あわせて頼たのんだ」笑声しょうせい「どうか誓ちかって呉くれ。俺おれより外ほかの男おとこには心こころを移うつさないと誓ちかって呉くれ……併しかし、あの女おんなはどうしても私わたくしの頼たのみを聞きいては呉くれない。Every night, lying in bed, I begged my wife. I pressed my palms together and begged her." Laughter. "'Swear to me, I beg you. Swear you'll never give your heart to any man but me.' ... And yet that woman would never, ever grant my request.

まるで商売人しょうばいにんの様ような巧たくみな嬌態きょうたいで、手練手管てれんてくだで、その場ばその場ばをごまかすばかりです。だが、それが、その手練てれん手管てくだが、どんなに私わたくしを惹ひきつけたか……」With artful coquetry, just like a woman of the trade, with all her wiles and tricks, she would simply slip out of it each time. But those very wiles, those tricks of hers, how they bewitched me ..."

誰だれかが「ようよう、御馳走ごちそうさまッ」と叫さけんだ。Someone shouted, "Oho, spare us the sweet talk!"

そして、笑声しょうせい。And then, laughter.

「みなさん」男おとこはそんな半畳はんじょうなどを無視むしして続つづけた。"Ladies and gentlemen," the man went on, ignoring such heckling.

「あなた方かたが、若もし私わたくしの境遇きょうぐうにあったら一体いったいどうしますか。これが殺ころさないでいられましょうか!」"If you were in my position, what on earth would you do? Could any man keep from killing her?"

「……あの女おんなは耳隠みみかくしがよく似合にあいました。自分じぶんで上手じょうずに結ゆうのです……鏡台きょうだいの前まえに坐すわっていました。結ゆい上あげた所ところです。綺麗きれいにお化粧けしょうした顔かおが私わたくしの方ほうをふり向むいて、赤あかい脣くちびるでニッコリ笑わらいました」"... That woman looked lovely with her hair in the ear-covering style. She did it up beautifully herself ... She was sitting before her dressing table. She had just finished putting up her hair. Her face, so prettily made up, turned towards me, and her red lips broke into a bright smile."

男おとこはここで一ひとつ肩かたを揺ゆり上あげて見みえを切きった。Here the man gave his shoulders a heave and struck a pose.

濃こい眉まゆが両方りょうほうから迫せまって凄すごい表情ひょうじょうに変かわった。His thick eyebrows drew together from either side, and his face took on a fearsome look.

赤あかい脣くちびるが気味きみ悪わるくヒン曲まがった。His red lips twisted in an eerie way.

「……俺おれは今いまだと思おもった。この好このもしい姿すがたを永久えいきゅうに俺おれのものにして了しまうのは今いまだと思おもった」"... I thought, it's now. Now is the time, I thought, to make this lovely figure mine for ever and ever."

「用意よういしていた千枚通せんまいどおしを、あの女おんなの匂におやかな襟足えりあしへ、力ちからまかせにたたき込こんだ。笑顔えがおの消きえぬうちに、大おおきい糸切歯いときりばが脣くちびるから覗のぞいたまんま……死しんで了しまった」"I took the awl I had ready and drove it with all my strength into the fragrant nape of that woman's neck. Before the smile had left her face, with her big eye-teeth still peeping out between her lips ... she died."

賑にぎやかな広告こうこくの楽隊がくたいが通とおり過すぎた。A noisy advertising band went by.

大喇叭おおらっぱが頓狂とんきょうな音おとを出だした。A big trumpet let out a ridiculous blare.

「ここはお国くにを何百なんびゃく里り、離はなれて遠とおき満洲まんしゅうの」子供こども等らが節ふしに合あわせて歌うたいながら、ゾロゾロとついて行いった。"Here, so many hundred leagues from home, in far-off Manshū ..." A crowd of children trailed after it, singing along to the tune.

「諸君しょくん、あれは俺おれのことを触廻ふれまわっているのだ。真柄太郎まがらたろうは人殺ひとごろしだ、人殺ひとごろしだ、そういって触廻ふれまわっているのだ」"Gentlemen, that band is going round telling everyone about me. 'Magara Tarō is a murderer, a murderer!' That's what they're going round announcing."

又また笑わらい声ごえが起おこった。Laughter broke out again.

楽隊がくたいの太鼓たいこの音おと丈だけが、男おとこの演説えんぜつの伴奏ばんそうででもある様ように、いつまでもいつまでも聞きこえていた。Only the beat of the band's drum went on and on, sounding as though it were an accompaniment to the man's speech.

「……俺おれは女房にょうぼうの死骸しがいを五いつつに切きり離はなした。いいかね、胴どうが一ひとつ、手てが二本にほん、足あしが二に本ぽん、これでつまり五いつつだ。……惜おしかったけれど仕方しかたがない。……よく肥ふとったまっ白しろな足あしだ」"... I cut my wife's corpse into five pieces. Listen, now: one trunk, two arms, two legs, that makes five, you see. ... It was a pity, but it couldn't be helped. ... Such plump, snow-white legs they were."

「……あなた方かたはあの水みずの音おとを聞きかなかったですか」男おとこは俄にわかに声こえを低ひくめて云いった。"... Did none of you hear the sound of that water?" the man said, suddenly lowering his voice.

首くびを前まえにつき出だし、目めをキョロキョロさせながら、さも一大事いちだいじを打開うちあけるのだといわぬばかりに、「三七二十一日さんしちにじゅういちにちの間あいだ、私わたくしの家いえの水道すいどうはザーザーと開あけっぱなしにしてあったのですよ。五いつつに切きった女房にょうぼうの死体したいをね、四斗樽しとだるの中なかへ入いれて、冷ひやしていたのですよ。これがね、みなさん」ここで彼かれの声こえは聞きこえない位くらいに低ひくめられた。Thrusting his head forward, his eyes darting this way and that, as if to say he was about to reveal a matter of the gravest importance, he went on: "For three times seven, twenty-one days, the tap in my house was left wide open, gushing and splashing. My wife's body, cut into five, you see, I put into a great sake barrel and kept it cool. And this, ladies and gentlemen," and here his voice dropped until it could scarcely be heard,

「秘訣ひけつなんだよ。秘訣ひけつなんだよ。死骸しがいを腐くさらせない。……屍蝋しろうというものになるんだ」"is the secret. That's the secret. It keeps the corpse from rotting. ... It turns into something called adipocere."

「屍蝋しろう」……ある医書いしょの「屍蝋しろう」の項こうが、私わたくしの目めの前まえに、その著者ちょしゃの黴かびくさい絵姿えすがたと共ともに浮うかんで来きた。"Adipocere." ... The entry on "adipocere" in a certain medical book rose before my eyes, together with a musty portrait of its author.

一体いったい全体ぜんたい、この男おとこは何なにを云いわんとしているのだ。What in the world was this man trying to say?

何なんとも知しれぬ恐怖きょうふが、私わたくしの心臓しんぞうを風船玉ふうせんだまの様ように軽かるくした。A terror I could not name made my heart feel as light as a toy balloon.

「……女房にょうぼうの脂あぶらぎった白しろい胴体どうたいや手足てあしが、可愛かわいい蝋細工ろうざいくになって了しまった」"... My wife's white trunk and limbs, so rich with fat, had become lovely waxwork."

「ハハハハハ、お極きまりを云いってらあ。お前まえそれを、昨日きのうから何度なんどおさらいするんだい」誰だれかが不作法ぶさほうに怒鳴どなった。"Ha-ha-ha-ha-ha, there he goes with his usual routine! How many times have you rehearsed that since yesterday, eh?" someone bellowed rudely.

「オイ、諸君しょくん」男おとこの調子ちょうしがいきなり大声おおごえに変かわった。"Listen here, gentlemen!" The man's tone suddenly rose to a roar.

「俺おれがこれ程ほど云いうのが分わからんのか。君達きみたちは、俺おれの女房にょうぼうは家出いえでをした家出いえでをしたと信しんじ切きっているだろう。ところがな、オイ、よく聞きけ、あの女おんなはこの俺おれが殺ころしたんだよ。どうだ、びっくりしたか。ワハハハハハハ」"Can't you understand, when I've told you this much? You're all quite convinced my wife ran away from home, ran away from home, aren't you? Well, listen, listen well: it was I, I myself, who killed that woman. How's that? Shocked, are you? Wa-ha-ha-ha-ha-ha!"

Vocabulary

WordMeaningJLPT
女房にょうぼうwifeInformal, rather old-fashioned word a man uses for his own wife.N2
嬌態きょうたいcoquettish behaviour; flirtatious airsLiterary word. 嬌 suggests feminine charm.—
手練手管てれんてくだwiles; tricks used to manipulate someoneFour-character idiom, originally used of courtesans handling their clients.—
半畳はんじょうheckling; jeering remarksFrom theatre-goers throwing their half-mat cushions onto the stage. Often used as 半畳を入れる.—
境遇きょうぐうsituation; circumstances in lifeN1
耳隠しみみかくし'ear-hiding' hairstyleA fashionable 1920s women's hairstyle with the hair waved down over the ears.—
見えを切ったみえをきるto strike a dramatic posedictionary form: 見えを切るFrom the frozen dramatic pose (見得) of kabuki actors. Also means to show off.—
千枚通しせんまいどおしawl; paper punchLiterally 'goes through a thousand sheets'. A spike for punching holes in stacks of paper.—
襟足えりあしnape of the neck; the hairline at the back of the neckTraditionally seen as a point of feminine beauty.—
触廻ってふれまわるto go around announcing; to spread news everywheredictionary form: 触れ回る—
四斗樽しとだるlarge barrel holding four to (about 72 litres)The standard size of a sake cask. 斗 is an old unit of volume.—
秘訣ひけつsecret; the key trick—
屍蝋しろうadipocere; corpse waxA waxy substance a body can turn into when kept in water or damp ground. Literally 'corpse wax'.—
家出いえでrunning away from homeUsed with をする.N1

Grammar

〜なんだ N1 did not (old/dialect negative past)

なんだ is an older, western-flavoured equivalent of なかった. 手につかなんだ means 手につかなかった, 'I couldn't concentrate on it'.

商売も手につかなんだ。

I couldn't put my mind to my trade.

〜ないでいられましょうか N2 how could one keep from ...? (rhetorical)

〜ないでいる means 'to stay without doing'. With the potential form and a rhetorical か, it says that not doing it was impossible: of course he had to kill her.

これが殺さないでいられましょうか!

Could any man keep from killing her?

〜ぬうちに N3 before ... (while not yet ...)

ぬ is the classical negative, the same as ない. 〜ないうちに marks something happening before a change takes place, here before the smile fades.

笑顔の消えぬうちに

before the smile had left her face

〜といわぬばかりに N1 as if to say ...

Usually written 〜と言わんばかりに. It describes behaviour that all but says something aloud. Here his manner announces that he is revealing a great secret.

さも一大事を打開けるのだといわぬばかりに

as if to say he was about to reveal a matter of the gravest importance

〜んとする N1 to try to ...; to be about to ...

ん is the classical volitional (〜む) attached to the ない-stem, so 云わんとする means 'to try to say'. The form is literary and stiff.

この男は何を云わんとしているのだ。

What was this man trying to say?

〜て了う (〜てしまう) N4 to do completely / irreversibly

了う is an old kanji spelling of しまう. It stresses that an action is final, here making her his 'for ever'. Later in the passage it adds a sense of finality and regret to her death.

永久に俺のものにして了うのは今だと思った

Now is the time, I thought, to make her mine for ever and ever.