Part 2 of 3 · JLPT N2
白昼夢 Hakuchūmu, part 2: The Orator Confesses to Murder
In this part
The orator tells the jeering crowd how jealousy drove him to stab his coquettish wife in the neck as she smiled at him from her mirror. He says he cut her body into five pieces and kept them under running water until they turned to waxy 'adipocere'. The listeners laugh and heckle as if it were a stale, well-rehearsed act, but the man shouts that he really did kill her, and the narrator feels a growing, nameless terror.
AI translation · independently checked
「いや、もうとっくにくッついていたかも知れないのだ」"No, they may well have been together long before then!"
そこで又、前にもました高笑いが起った。At that, a burst of laughter louder than before went up once again.
「俺は心配で心配で」彼はそういって歌舞伎役者の様に首を振って「商売も手につかなんだ。"I was worried, worried sick," he said, tossing his head like a kabuki actor, "I couldn't put my mind to my trade.
俺は毎晩寝床の中で女房に頼んだ。手を合せて頼んだ」笑声「どうか誓って呉れ。俺より外の男には心を移さないと誓って呉れ……併し、あの女はどうしても私の頼みを聞いては呉れない。Every night, lying in bed, I begged my wife. I pressed my palms together and begged her." Laughter. "'Swear to me, I beg you. Swear you'll never give your heart to any man but me.' ... And yet that woman would never, ever grant my request.
まるで商売人の様な巧みな嬌態で、手練手管で、その場その場をごまかすばかりです。だが、それが、その手練手管が、どんなに私を惹きつけたか……」With artful coquetry, just like a woman of the trade, with all her wiles and tricks, she would simply slip out of it each time. But those very wiles, those tricks of hers, how they bewitched me ..."
誰かが「ようよう、御馳走さまッ」と叫んだ。Someone shouted, "Oho, spare us the sweet talk!"
そして、笑声。And then, laughter.
「みなさん」男はそんな半畳などを無視して続けた。"Ladies and gentlemen," the man went on, ignoring such heckling.
「あなた方が、若し私の境遇にあったら一体どうしますか。これが殺さないでいられましょうか!」"If you were in my position, what on earth would you do? Could any man keep from killing her?"
「……あの女は耳隠しがよく似合いました。自分で上手に結うのです……鏡台の前に坐っていました。結い上げた所です。綺麗にお化粧した顔が私の方をふり向いて、赤い脣でニッコリ笑いました」"... That woman looked lovely with her hair in the ear-covering style. She did it up beautifully herself ... She was sitting before her dressing table. She had just finished putting up her hair. Her face, so prettily made up, turned towards me, and her red lips broke into a bright smile."
男はここで一つ肩を揺り上げて見えを切った。Here the man gave his shoulders a heave and struck a pose.
濃い眉が両方から迫って凄い表情に変った。His thick eyebrows drew together from either side, and his face took on a fearsome look.
赤い脣が気味悪くヒン曲った。His red lips twisted in an eerie way.
「……俺は今だと思った。この好もしい姿を永久に俺のものにして了うのは今だと思った」"... I thought, it's now. Now is the time, I thought, to make this lovely figure mine for ever and ever."
「用意していた千枚通しを、あの女の匂やかな襟足へ、力まかせにたたき込んだ。笑顔の消えぬうちに、大きい糸切歯が脣から覗いたまんま……死んで了った」"I took the awl I had ready and drove it with all my strength into the fragrant nape of that woman's neck. Before the smile had left her face, with her big eye-teeth still peeping out between her lips ... she died."
賑かな広告の楽隊が通り過ぎた。A noisy advertising band went by.
大喇叭が頓狂な音を出した。A big trumpet let out a ridiculous blare.
「ここはお国を何百里、離れて遠き満洲の」子供等が節に合せて歌いながら、ゾロゾロとついて行った。"Here, so many hundred leagues from home, in far-off Manshū ..." A crowd of children trailed after it, singing along to the tune.
「諸君、あれは俺のことを触廻っているのだ。真柄太郎は人殺しだ、人殺しだ、そういって触廻っているのだ」"Gentlemen, that band is going round telling everyone about me. 'Magara Tarō is a murderer, a murderer!' That's what they're going round announcing."
又笑い声が起った。Laughter broke out again.
楽隊の太鼓の音丈けが、男の演説の伴奏ででもある様に、いつまでもいつまでも聞えていた。Only the beat of the band's drum went on and on, sounding as though it were an accompaniment to the man's speech.
「……俺は女房の死骸を五つに切り離した。いいかね、胴が一つ、手が二本、足が二本、これでつまり五つだ。……惜しかったけれど仕方がない。……よく肥ったまっ白な足だ」"... I cut my wife's corpse into five pieces. Listen, now: one trunk, two arms, two legs, that makes five, you see. ... It was a pity, but it couldn't be helped. ... Such plump, snow-white legs they were."
「……あなた方はあの水の音を聞かなかったですか」男は俄に声を低めて云った。"... Did none of you hear the sound of that water?" the man said, suddenly lowering his voice.
首を前につき出し、目をキョロキョロさせながら、さも一大事を打開けるのだといわぬばかりに、「三七二十一日の間、私の家の水道はザーザーと開けっぱなしにしてあったのですよ。五つに切った女房の死体をね、四斗樽の中へ入れて、冷していたのですよ。これがね、みなさん」ここで彼の声は聞えない位に低められた。Thrusting his head forward, his eyes darting this way and that, as if to say he was about to reveal a matter of the gravest importance, he went on: "For three times seven, twenty-one days, the tap in my house was left wide open, gushing and splashing. My wife's body, cut into five, you see, I put into a great sake barrel and kept it cool. And this, ladies and gentlemen," and here his voice dropped until it could scarcely be heard,
「秘訣なんだよ。秘訣なんだよ。死骸を腐らせない。……屍蝋というものになるんだ」"is the secret. That's the secret. It keeps the corpse from rotting. ... It turns into something called adipocere."
「屍蝋」……ある医書の「屍蝋」の項が、私の目の前に、その著者の黴くさい絵姿と共に浮んで来た。"Adipocere." ... The entry on "adipocere" in a certain medical book rose before my eyes, together with a musty portrait of its author.
一体全体、この男は何を云わんとしているのだ。What in the world was this man trying to say?
何とも知れぬ恐怖が、私の心臓を風船玉の様に軽くした。A terror I could not name made my heart feel as light as a toy balloon.
「……女房の脂ぎった白い胴体や手足が、可愛い蝋細工になって了った」"... My wife's white trunk and limbs, so rich with fat, had become lovely waxwork."
「ハハハハハ、お極りを云ってらあ。お前それを、昨日から何度おさらいするんだい」誰かが不作法に怒鳴った。"Ha-ha-ha-ha-ha, there he goes with his usual routine! How many times have you rehearsed that since yesterday, eh?" someone bellowed rudely.
「オイ、諸君」男の調子がいきなり大声に変った。"Listen here, gentlemen!" The man's tone suddenly rose to a roar.
「俺がこれ程云うのが分らんのか。君達は、俺の女房は家出をした家出をしたと信じ切っているだろう。ところがな、オイ、よく聞け、あの女はこの俺が殺したんだよ。どうだ、びっくりしたか。ワハハハハハハ」"Can't you understand, when I've told you this much? You're all quite convinced my wife ran away from home, ran away from home, aren't you? Well, listen, listen well: it was I, I myself, who killed that woman. How's that? Shocked, are you? Wa-ha-ha-ha-ha-ha!"
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 女房にょうぼう | wifeInformal, rather old-fashioned word a man uses for his own wife. | N2 |
| 嬌態きょうたい | coquettish behaviour; flirtatious airsLiterary word. 嬌 suggests feminine charm. | — |
| 手練手管てれんてくだ | wiles; tricks used to manipulate someoneFour-character idiom, originally used of courtesans handling their clients. | — |
| 半畳はんじょう | heckling; jeering remarksFrom theatre-goers throwing their half-mat cushions onto the stage. Often used as 半畳を入れる. | — |
| 境遇きょうぐう | situation; circumstances in life | N1 |
| 耳隠しみみかくし | 'ear-hiding' hairstyleA fashionable 1920s women's hairstyle with the hair waved down over the ears. | — |
| 見えを切ったみえをきる | to strike a dramatic posedictionary form: 見えを切るFrom the frozen dramatic pose (見得) of kabuki actors. Also means to show off. | — |
| 千枚通しせんまいどおし | awl; paper punchLiterally 'goes through a thousand sheets'. A spike for punching holes in stacks of paper. | — |
| 襟足えりあし | nape of the neck; the hairline at the back of the neckTraditionally seen as a point of feminine beauty. | — |
| 触廻ってふれまわる | to go around announcing; to spread news everywheredictionary form: 触れ回る | — |
| 四斗樽しとだる | large barrel holding four to (about 72 litres)The standard size of a sake cask. 斗 is an old unit of volume. | — |
| 秘訣ひけつ | secret; the key trick | — |
| 屍蝋しろう | adipocere; corpse waxA waxy substance a body can turn into when kept in water or damp ground. Literally 'corpse wax'. | — |
| 家出いえで | running away from homeUsed with をする. | N1 |
Grammar
〜なんだ N1 did not (old/dialect negative past)
なんだ is an older, western-flavoured equivalent of なかった. 手につかなんだ means 手につかなかった, 'I couldn't concentrate on it'.
商売も手につかなんだ。
I couldn't put my mind to my trade.
〜ないでいられましょうか N2 how could one keep from ...? (rhetorical)
〜ないでいる means 'to stay without doing'. With the potential form and a rhetorical か, it says that not doing it was impossible: of course he had to kill her.
これが殺さないでいられましょうか!
Could any man keep from killing her?
〜ぬうちに N3 before ... (while not yet ...)
ぬ is the classical negative, the same as ない. 〜ないうちに marks something happening before a change takes place, here before the smile fades.
笑顔の消えぬうちに
before the smile had left her face
〜といわぬばかりに N1 as if to say ...
Usually written 〜と言わんばかりに. It describes behaviour that all but says something aloud. Here his manner announces that he is revealing a great secret.
さも一大事を打開けるのだといわぬばかりに
as if to say he was about to reveal a matter of the gravest importance
〜んとする N1 to try to ...; to be about to ...
ん is the classical volitional (〜む) attached to the ない-stem, so 云わんとする means 'to try to say'. The form is literary and stiff.
この男は何を云わんとしているのだ。
What was this man trying to say?
〜て了う (〜てしまう) N4 to do completely / irreversibly
了う is an old kanji spelling of しまう. It stresses that an action is final, here making her his 'for ever'. Later in the passage it adds a sense of finality and regret to her death.
永久に俺のものにして了うのは今だと思った
Now is the time, I thought, to make her mine for ever and ever.