Cover of 黄金風景 (Ōgonfūkei)

Part 1 of 2 · JLPT N2

黄金風景 Ōgonfūkei, part 1: A Childhood Cruelty Returns

by Dazai Osamu · 1,313 characters · from A Scene in Gold

In this part

The narrator confesses that as a boy he bullied Okei, a maid in his family's house whom he took to be slow-witted, once making her cut soldiers out of a picture book all day and then kicking her in a fit of temper. Nearly twenty years later, ill and poor and renting a cheap house at Funabashi, he is recognised by a policeman checking the household register, who speaks with the accent of the narrator's home region and says he once ran a carriage business in K.

AI translation · independently checked

海うみの岸辺きしべに緑みどりなす樫かしの木き、その樫かしの木きに黄金おうごんの細ほそき鎖くさりのむすばれて   ―プウシキン―By the shore of the sea stands a green oak, and to that oak a slender chain of gold is made fast. — Pushkin

私わたくしは子供こどものときには、余あまり質たちのいい方ほうではなかった。As a child, I was not of a particularly good disposition.

女中じょちゅうをいじめた。I tormented the maids.

私わたくしは、のろくさいことは嫌きらいで、それゆえ、のろくさい女中じょちゅうを殊ことにもいじめた。I could not bear slowness, and for that reason I tormented the slow maids most of all.

お慶けいは、のろくさい女中じょちゅうである。Okei was a slow maid.

林檎りんごの皮かわをむかせても、むきながら何なにを考かんがえているのか、二に度ども三さん度ども手てを休やすめて、おい、とその度たび毎ごとにきびしく声こえを掛かけてやらないと、片手かたてに林檎りんご、片手かたてにナイフを持もったまま、いつまでも、ぼんやりしているのだ。Even when I set her to peeling an apple, she would stop twice, three times, heaven knows what she was thinking as she peeled, and unless I called out sharply, "Hey!" each time, she would stand there in a daze forever, the apple in one hand and the knife in the other.

足たりないのではないか、と思おもわれた。It seemed to me she might be simple.

台所だいどころで、何なにもせずに、ただのっそりつっ立たっている姿すがたを、私わたくしはよく見みかけたものであるが、子供心こどもごころにも、うすみっともなく、妙みょうに疳かんにさわって、おい、お慶けい、日ひは短みじかいのだぞ、などと大人おとなびた、いま思おもっても脊筋せすじの寒さむくなるような非道ひどうの言葉ことばを投なげつけて、それで足たりずに一度いちどはお慶よろこびをよびつけ、私わたくしの絵本えほんの観兵式かんぺいしきの何百なんびゃく人にんとなくうようよしている兵隊へいたい、馬うまに乗のっている者ものもあり、旗はた持もっている者ものもあり、銃じゅう担になっている者ものもあり、そのひとりひとりの兵隊へいたいの形かたちを鋏はさみでもって切きり抜ぬかせ、不器用ぶきようなお慶よろこびは、朝あさから昼飯ひるめしも食くわず日暮ひぐれ頃ころまでかかって、やっと三さん十人じゅうにんくらい、それも大将たいしょうの鬚ひげを片方かたほう切きり落おとしたり、銃じゅう持もつ兵隊へいたいの手てを、熊くまの手てみたいに恐おそろしく大おおきく切きり抜ぬいたり、そうしていちいち私わたくしに怒鳴どなられ、夏なつのころであった、お慶よろこびは汗あせかきなので、切きり抜ぬかれた兵隊へいたいたちはみんな、お慶よろこびの手ての汗あせで、びしょびしょ濡ぬれて、私わたくしは遂ついに癇癪かんしゃくをおこし、お慶よろこびを蹴けった。I often caught sight of her in the kitchen, doing nothing, merely standing there like a lump, and even to my child's mind the sight was faintly unsightly and grated strangely on my nerves, so that I would fling cruel words at her, grown-up words that send a chill down my spine even now, such as "Hey, Okei, the days are short, you know!" Not content with that, I once summoned her and made her cut out with scissors, one by one, the figures of the soldiers swarming by the hundreds at the military review in my picture book, some on horseback, some bearing flags, some shouldering rifles. Clumsy Okei worked from morning until nearly dusk without even eating her midday meal, and managed at last about thirty of them; even then she would snip off half of the general's moustache, or cut the hand of a soldier holding a rifle frightfully large, like a bear's paw, and each time I shouted at her. It was summertime, and Okei sweated easily, so the soldiers she had cut out were all soaked through with the sweat of her hands, and at last I lost my temper and kicked her.

たしかに肩かたを蹴けった筈はずなのに、お慶けいは右みぎの頬ほおをおさえ、がばと泣なき伏ふし、泣なき泣なきいった。I am quite sure I kicked her shoulder, yet Okei clutched her right cheek, flung herself down sobbing, and said through her tears:

「親おやにさえ顔かおを踏ふまれたことはない。一生いっしょうおぼえております」うめくような口調くちょうで、とぎれ、とぎれそういったので、私わたくしは、流石さすがにいやな気きがした。"Not even my own parents ever trod on my face. I shall remember this as long as I live." She said it in a moaning voice, in broken pieces, and even I felt wretched.

そのほかにも、私わたくしはほとんどそれが天命てんめいでもあるかのように、お慶けいをいびった。Besides that, I persecuted Okei almost as though it were a mission Heaven had given me.

いまでも、多少たしょうはそうであるが、私わたくしには無智むちな魯鈍ろどんの者ものは、とても堪忍かんにんできぬのだ。It is still somewhat so even now: ignorant, dull-witted people are something I simply cannot abide.

一昨いっさく年ねん、私わたくしは家いえを追おわれ、一夜いちやのうちに窮迫きゅうはくし、巷ちまたをさまよい、諸所しょしょに泣なきつき、その日ひその日ひのいのち繋つなぎ、やや文筆ぶんぴつでもって、自活じかつできるあてがつきはじめたと思おもったとたん、病やまいを得えた。The year before last I was driven from my home, fell into destitution overnight, wandered the streets, went pleading tearfully to one place after another, and kept myself alive from one day to the next; and just when I thought I was beginning to see some prospect of supporting myself, after a fashion, by my pen, I fell ill.

ひとびとの情じょうで一夏ひとなつ、千葉県ちばけん船橋町ふなばしまち、泥どろの海うみのすぐ近ちかくに小ちいさい家いえを借かり、自炊じすいの保養ほようをすることができ、毎夜まいよ毎夜まいよ、寝巻ねまきをしぼる程ほどの寝汗ねあせとたたかい、それでも仕事しごとはしなければならず、毎朝々々まいあさまいあさのつめたい一いち合ごうの牛乳ぎゅうにゅうだけが、ただそれだけが、奇妙きみょうに生いきているよろこびとして感かんじられ、庭にわの隅すみの夾竹桃きょうちくとうの花はなが咲さいたのを、めらめら火ひが燃もえているようにしか感かんじられなかったほど、私わたくしの頭あたまもほとほと痛いたみ疲つかれていた。Through the kindness of others I was able, for one summer, to rent a small house close by the muddy sea at Funabashi in Chiba Prefecture and to recuperate there, cooking for myself. Night after night I fought night sweats heavy enough to wring out my nightclothes, and still I had to work; the single cold cup of milk each morning, that alone, came strangely to feel like the joy of being alive. My head was so utterly sore and weary that when the oleander in the corner of the garden came into bloom, I could see it only as fire flaring up.

そのころのこと、戸籍こせき調しらべの四十よんじゅうに近ちかい、痩やせて小柄こがらのお巡まわりが玄関げんかんで、帳簿ちょうぼの私わたくしの名前なまえと、それから無精髯ぶしょうひげのばし放題ほうだいの私わたくしの顔かおとを、つくづく見比みくらべ、おや、あなたは……のお坊ぼっちゃんじゃございませんか?It was around that time that a policeman checking the household registers, a thin, small man of nearly forty, stood at my entrance and looked long and hard from my name in his ledger to my face, overgrown with untended stubble. "Why, aren't you the young master of the ... family?"

そう言いうお巡まわりのことばには、強つよい故郷こきょうの訛なまりがあったので、「そうです」私わたくしはふてぶてしく答こたえた。The policeman's speech carried a strong accent from my home region, so "I am," I answered insolently.

「あなたは?」"And you?"

お巡まわりは痩やせた顔かおにくるしいばかりにいっぱいの笑わらいをたたえて、The policeman's thin face filled with a smile so broad it seemed almost painful, and he said:

「やあ。やはりそうでしたか。お忘わすれかもしれないけれど、かれこれ二十にじゅう年ねんちかくまえ、私わたくしはKで馬車ばしゃやをしていました」"Well, well. So it is you after all. You may not remember me, but nearly twenty years ago now, I drove a carriage in K."

Vocabulary

WordMeaningJLPT
女中じょちゅうmaid, female household servantOld-fashioned word for a live-in maid. It is avoided today in favour of お手伝いさん.—
のろくさいのろくさいslow, sluggish, dawdlingColloquial and scornful. It comes from のろい (slow) plus 〜くさい, which adds a sense of distaste.—
ぼんやりぼんやりabsent-mindedly, in a dazeOften used as ぼんやりする, 'to be vacant or lost in thought'.N3
足りないたりる(in the negative) not all there, simple-minded (lit. 'insufficient')dictionary form: 足りるLiterally 'not enough'. Used of a person, it is a blunt euphemism for low intelligence.N4
疳にさわってかんにさわるto get on one's nerves, to irritatedictionary form: 疳にさわるToday usually written 癇に障る.—
不器用ぶきようclumsy, unskilful with one's handsThe opposite of 器用 (deft).—
癇癪かんしゃくtemper, fit of anger癇癪をおこす means 'to lose one's temper, throw a tantrum'.—
流石さすがeven so, as might be expected (here: even someone like me)The kanji spelling is ateji and is usually written in kana today.N2
いびったいびるto torment, to bully (someone weaker)dictionary form: いびるSuggests petty, persistent harassment, such as a mother-in-law picking on a bride.—
堪忍かんにんするto put up with, to tolerate, to forgivedictionary form: 堪忍するIn Kansai speech, 堪忍して also means 'forgive me'.—
窮迫きゅうはくするto be reduced to dire povertydictionary form: 窮迫するA formal, written word.—
寝汗ねあせnight sweatsA classic symptom of tuberculosis in literature of this period.—
戸籍こせきfamily register (official household record)戸籍調べ was a door-to-door police check of who lived in each household.N1
ふてぶてしくふてぶてしいinsolent, brazen, surlydictionary form: ふてぶてしいDescribes a defiant attitude that shows no shame.—

Grammar

〜させる (causative) N4 to make / have someone do

むく (peel) becomes むかせる, 'make her peel'. In the next sentences 切り抜く becomes 切り抜かせ, showing the narrator ordering Okei to do tasks. With 〜ても it means 'even when I made her peel'.

林檎の皮をむかせても

Even when I set her to peeling an apple

〜たものである N3 used to (habitual past, with nostalgia or reflection)

Past tense plus ものだ/ものである looks back on something that happened repeatedly in the past. Here it frames the narrator's memory of often seeing Okei idle in the kitchen.

台所で、何もせずに、ただのっそりつっ立っている姿を、私はよく見かけたものであるが

I often caught sight of her standing in the kitchen, doing nothing, merely standing there like a lump, but

〜はずなのに N3 even though it should have been that…

筈 (はず) expresses the speaker's firm belief, and のに adds a contrast with what actually happened. The narrator is sure he kicked her shoulder, yet she holds her cheek.

たしかに肩を蹴った筈なのに

Though I am quite sure I kicked her shoulder

〜さえ〜ない N3 not even…

さえ marks an extreme case: even the most likely people, her parents, never did this. It stresses how outrageous the narrator's act was.

親にさえ顔を踏まれたことはない

Not even my own parents ever trod on my face

〜かのように N2 as if…, as though…

It attaches to a clause to compare an action with something that is not literally true. The narrator bullied Okei as though it were his destiny.

私はほとんどそれが天命でもあるかのように、お慶をいびった

I persecuted Okei almost as though it were a mission Heaven had given me

〜たとたん N3 just as…, the moment that…

It follows the past form of a verb and shows that something happened right at the moment the first action occurred, often unexpectedly. Here, the very moment the narrator thought he could finally support himself, he fell ill.

自活できるあてがつきはじめたと思ったとたん、病を得た

Just when I thought I was beginning to see some prospect of supporting myself, I fell ill