
Part 2 of 2 · JLPT N2
黄金風景 Ōgonfūkei, part 2: Okei's Family by the Sea
In this part
The policeman reveals that his wife is Okei, the maid the narrator tormented as a boy, and says they will come to thank him. When the family appears at his door, the narrator brusquely puts them off and flees, killing time in town. Returning, he overhears Okei and her husband praising his kindness as a child, weeps, and accepts his defeat as a good thing that gives him hope for tomorrow.
AI translation · independently checked
Kとは、私の生れた村の名前である。K is the name of the village where I was born.
「ごらんの通り」私は、にこりともせずに応じた。"As you see," I answered, without so much as a smile.
「私も、いまは落ちぶれました」"I too have come down in the world now."
「とんでもない」お巡りは、なおも楽しげに笑いながら、「小説をお書きなさるんだったら、それはなかなか出世です」"Not at all," said the policeman, still laughing cheerfully. "If you write novels, sir, why, that is quite a rise in the world."
私は苦笑した。I gave a wry smile.
「ところで」とお巡りは少し声をひくめ、「お慶がいつもあなたのお噂をしています」"By the way," the policeman said, lowering his voice a little, "Okei is always talking about you."
「おけい?」すぐには呑みこめなかった。"Okei?" I could not take it in at once.
「お慶ですよ。お忘れでしょう。お宅の女中をしていた――」"Okei, sir. You will have forgotten her. She was a maid in your household—"
思い出した。I remembered.
ああ、と思わずうめいて、私は玄関の式台にしゃがんだまま、頭をたれて、その二十年まえ、のろくさかったひとりの女中に対しての私の悪行が、ひとつひとつ、はっきり思い出され、ほとんど座に耐えかねた。Ah, I groaned in spite of myself, and as I crouched there on the step of the entrance hall with my head hanging, every one of the wrongs I had done twenty years before to a slow, sluggish maid came back to me, one after another, quite clearly, until I could scarcely bear to stay where I sat.
「幸福ですか?」ふと顔をあげてそんな突拍子ない質問を発する私のかおは、たしかに罪人、被告、卑屈な笑いをさえ浮べていたと記憶する。"Are you happy?" Lifting my face all at once to put such an absurd question, I remember that I wore the face of a criminal, of a man in the dock, and even had a servile smile upon it.
「ええ、もう、どうやら」くったくなく、そうほがらかに答えて、お巡りはハンケチで額の汗をぬぐって、「かまいませんでしょうか。こんどあれを連れて、いちどゆっくりお礼にあがりましょう」"Oh yes, well, after a fashion," the policeman answered brightly, without a care, and wiped the sweat from his forehead with his handkerchief. "Would it be all right, sir? One of these days I should like to bring her along and come to thank you properly."
私は飛び上るほど、ぎょっとした。I was so startled I nearly leapt up.
いいえ、もう、それには、とはげしく拒否して、私は言い知れぬ屈辱感に身悶えしていた。No, no, there is no need for that, I refused fiercely, writhing with an inexpressible sense of humiliation.
けれども、お巡りは、朗かだった。But the policeman remained cheerful.
「子供がねえ、あなた、ここの駅につとめるようになりましてな、それが長男です。それから男、女、女、その末のが八つでことし小学校にあがりました。"Our boy, you know, sir, has taken a post at the station here; that is the eldest. Then there is a boy, a girl, and another girl, and the youngest is eight and started primary school this year.
もう一安心。お慶も苦労いたしました。なんというか、まあ、お宅のような大家にあがって行儀見習いした者は、やはりどこか、ちがいましてな」すこし顔を赤くして笑い、「おかげさまでした。We can breathe easy now. Okei has had her share of hardship too. How shall I put it—someone who has gone into service in a great house like yours to learn manners is, after all, different somehow," he said, laughing and reddening a little. "We owe it all to you.
お慶も、あなたのお噂、しじゅうして居ります。こんどの公休には、きっと一緒にお礼にあがります」急に真面目な顔になって、「それじゃ、きょうは失礼いたします。お大事に」Okei talks about you all the time too. On my next day off we shall certainly come together to thank you." His face turned suddenly serious. "Well then, I shall take my leave for today. Look after yourself."
それから、三日たって、私が仕事のことよりも、金銭のことで思い悩み、うちにじっとして居れなくて、竹のステッキ持って、海へ出ようと、玄関の戸をがらがらあけたら、外に三人、浴衣着た父と母と、赤い洋服着た女の子と、絵のように美しく並んで立っていた。Then, three days later, when I was brooding less over my work than over money, and could not bear to sit still at home, and had taken my bamboo walking stick to go out to the sea, I rattled open the front door, and there outside stood three people—a father and mother in summer kimono and a little girl in a red Western dress—lined up as beautifully as a picture.
お慶の家族である。It was Okei's family.
私は自分でも意外なほどの、おそろしく大きな怒声を発した。I let out a terribly loud, angry shout that surprised even me.
「来たのですか。きょう、私これから用事があって出かけなければなりません。お気の毒ですが、またの日においで下さい」"So you've come. I have business today and must go out now. I am sorry for your trouble, but please come another day."
お慶は、品のいい中年の奥さんになっていた。Okei had become a refined, middle-aged wife.
八つの子は、女中のころのお慶によく似た顔をしていて、うすのろらしい濁った眼でぼんやり私を見上げていた。The eight-year-old had a face very like Okei's in her days as a maid, and gazed up at me vacantly with dull, clouded, rather simple-looking eyes.
私はかなしく、お慶がまだひとことも言い出さぬうち、逃げるように、海浜へ飛び出した。I felt wretched, and before Okei had said a single word, I rushed off to the beach as if in flight.
竹のステッキで、海浜の雑草を薙ぎ払い薙ぎ払い、いちどもあとを振りかえらず、一歩、一歩、地団駄踏むような荒んだ歩きかたで、とにかく海岸伝いに町の方へ、まっすぐに歩いた。Slashing and slashing at the weeds of the beach with my bamboo stick, never once looking back, step by step, with a wild gait as if stamping my feet in rage, I walked straight on along the shore towards the town.
私は町で何をしていたろう。What did I do in town?
ただ意味もなく、活動小屋の絵看板見あげたり、呉服屋の飾窓を見つめたり、ちえっちえっと舌打ちしては、心のどこかの隅で、負けた、負けた、と囁く声が聞えて、これはならぬと烈しくからだをゆすぶっては、また歩き、三十分ほどそうしていたろうか、私はふたたび私の家へとって返した。I simply gazed up, to no purpose, at the painted signboards of a picture house, stared into the show window of a draper's, clicked my tongue again and again, and each time I heard a voice whispering in some corner of my heart, You've lost, you've lost, I would shake myself violently, telling myself this would not do, and walk on again; after perhaps half an hour of this, I turned back once more towards my own house.
うみぎしに出て、私は立止った。Coming out onto the shore, I stopped short.
見よ、前方に平和の図がある。Behold—before me lay a picture of peace.
お慶親子三人、のどかに海に石の投げっこしては笑い興じている。Okei, her husband and child, the three of them, were idly throwing stones into the sea, laughing and making merry.
声がここまで聞えて来る。Their voices carried all the way to where I stood.
「なかなか」お巡りは、うんと力こめて石をほうって、「頭のよさそうな方じゃないか。あのひとは、いまに偉くなるぞ」"He's a fine one," said the policeman, putting all his strength into throwing a stone. "Looks a clever gentleman, doesn't he? He'll be a great man before long, you'll see."
「そうですとも、そうですとも」お慶の誇らしげな高い声である。"Indeed he will, indeed he will," came Okei's high, proud voice.
「あのかたは、お小さいときからひとり変って居られた。目下のものにもそれは親切に、目をかけて下すった」"Ever since he was little he was different from the others. Even to those beneath him he was so kind, and he looked after us."
私は立ったまま泣いていた。I stood there weeping.
けわしい興奮が、涙で、まるで気持よく溶け去ってしまうのだ。The harsh agitation melted away in my tears, quite pleasantly.
負けた。I have lost.
これは、いいことだ。This is a good thing.
そうなければ、いけないのだ。It must be so.
かれらの勝利は、また私のあすの出発にも、光を与える。Their victory will shed light, too, on my setting out tomorrow.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 落ちぶれましたおちぶれる | to come down in the world; to be ruineddictionary form: 落ちぶれるUsed of a fall in social or financial status. | — |
| 出世しゅっせ | success in life; rising in the worldOften career or social advancement; 出世する = to get ahead. | N1 |
| 噂うわさ | talk about someone; rumour〜の噂をする = to talk about someone (not necessarily gossip). | N3 |
| 女中じょちゅう | maid; housemaidPrewar word for a live-in female servant; now dated. | — |
| 悪行あくぎょう | wicked deeds; misdeeds行 is read ぎょう here, as in 行儀. | — |
| 突拍子ないとっぴょうしもない | outlandish; abrupt and out of placedictionary form: 突拍子もないUsually 突拍子もない; the text drops も. | — |
| 卑屈ひくつ | servile; abjectな-adjective. | — |
| くったくなくくったくない | carefree; without a worrydictionary form: 屈託ない屈託 means worry or preoccupation; 屈託のない笑顔 = a carefree smile. | — |
| 屈辱感くつじょくかん | sense of humiliation〜感 forms nouns for feelings: 安心感, 劣等感. | — |
| 身悶えみもだえする | to writhe (in agony or anguish)dictionary form: 身悶えする | — |
| うすのろうすのろ | dim-witted; dull and slowInsulting; links to のろくさい (sluggish) in the same story. | — |
| 地団駄じだんだをふむ | to stamp one's feet in frustrationdictionary form: 地団駄を踏むSet phrase expressing anger or vexation. | — |
| 舌打ちしたうち | clicking one's tongue (in annoyance)ちえっ is the sound of disgust that goes with it. | — |
| 目をかけてめをかける | to look after; to favour (someone below you)dictionary form: 目をかけるUsed of a superior taking kindly notice of an inferior. | — |
Grammar
〜ほど N3 so much that ...; to the extent of ...
ほど after a verb gives the degree of a feeling by comparing it to an action. Here the shock was great enough to make him almost leap up.
私は飛び上るほど、ぎょっとした。
I was so startled I nearly leapt up.
〜たまま N4 while still in the state of ...
Past form + まま means a state continues unchanged while something else happens. He stays crouched on the step as the memories flood back.
私は玄関の式台にしゃがんだまま、頭をたれて
crouched there on the step of the entrance hall, my head hanging
〜ぬうち(に) N3 before ... (happens)
ぬ is the classical negative, equivalent to ない. 〜ないうちに means 'before something happens', here 'before Okei had said a word'.
お慶がまだひとことも言い出さぬうち、逃げるように、海浜へ飛び出した。
before Okei had said a single word, I rushed off to the beach as if in flight.
〜ては N3 repeatedly doing ... and then ...
Verb て-form + は marks an action that recurs, each time followed by the next one. It shows the narrator's restless cycle of clicking his tongue and shaking himself.
これはならぬと烈しくからだをゆすぶっては、また歩き
I would shake myself violently, telling myself this would not do, and walk on again
〜とも N2 of course; certainly
Sentence-final とも after a plain or polite form gives an emphatic agreement. Repeating it stresses Okei's eager pride.
「そうですとも、そうですとも」
"Indeed he will, indeed he will."
お〜なさる N3 honorific form of a verb
お + verb stem + なさる raises the person doing the action. The policeman uses it to speak respectfully of the narrator's writing.
小説をお書きなさるんだったら、それはなかなか出世です
If you write novels, sir, why, that is quite a rise in the world.