Cover of やまなし (Yamanashi)

Part 2 of 2 · JLPT N3

やまなし(二、十二月) Yamanashi, part 2: Bubbles, Moonlight and a Falling Pear

by Miyazawa Kenji · 1,141 characters · from The Wild Pear in the Stream

In this part

On a bright December night the crab brothers stay up and argue over whose bubbles are bigger until their father tells them to go to bed. A dark object splashes into the stream. The children fear it is a kingfisher, but it is a ripe wild pear, and the three crabs follow its lovely scent downstream. The father says that in a few days it will sink and turn into wine by itself, and the family goes home as the narrator ends the magic-lantern show.

AI translation · independently checked

蟹かにの子供こどもらはもうよほど大おおきくなり、底そこの景色けしきも夏なつから秋あきの間あいだにすっかり変かわりました。The crab children had grown quite big by now, and between summer and autumn the scenery on the stream bed had changed completely.

白しろい柔やわらかな円石まるいしもころがって来き、小ちいさな錐きりの形かたちの水晶すいしょうの粒つぶや、金雲母きんうんものかけらもながれて来きてとまりました。Soft, round white stones had come rolling in, and tiny grains of crystal shaped like gimlets and flakes of gold mica had drifted down and come to rest there.

そのつめたい水みずの底そこまで、ラムネの瓶びんの月光げっこうがいっぱいに透すきとおり天井てんじょうでは波なみが青あおじろい火ひを、燃もしたり消けしたりしているよう、あたりはしんとして、ただいかにも遠とおくからというように、その波なみの音おとがひびいて来くるだけです。The moonlight shone clear and full all the way down to that cold bottom, like light through the glass of a soda bottle. Up on the ceiling the waves seemed to be lighting and putting out pale blue fires. All around it was hushed, and the only sound was the echo of those waves, as if it came from very far away.

蟹かにの子供こどもらは、あんまり月つきが明あかるく水みずがきれいなので睡ねむらないで外そとに出でて、しばらくだまって泡あわをはいて天上てんじょうの方ほうを見みていました。The moon was so bright and the water so clear that the crab children did not go to sleep. They came outside instead, and for a while they blew bubbles in silence and gazed up toward the heavens.

『やっぱり僕ぼくの泡あわは大おおきいね。』"See? My bubbles really are bigger."

『兄にいさん、わざと大おおきく吐はいてるんだい。僕ぼくだってわざとならもっと大おおきく吐はけるよ。』"You're blowing them big on purpose, that's why! If I did it on purpose, I could blow even bigger ones."

『吐はいてごらん。おや、たったそれきりだろう。いいかい、兄にいさんが吐はくから見みておいで。そら、ね、大おおきいだろう。』"Go on, blow one, then. Huh, is that all? Okay, watch your big brother blow one. There, see? Isn't it big?"

『大おおきかないや、おんなじだい。』"It's not big! It's just the same!"

『近ちかくだから自分じぶんのが大おおきく見みえるんだよ。そんなら一緒いっしょに吐はいてみよう。いいかい、そら。』"Yours only looks bigger to you because it's close. All right then, let's blow together. Ready? Go!"

『やっぱり僕ぼくの方ほう大おおきいよ。』"Mine's still bigger."

『本当ほんとうかい。じゃ、も一ひとつはくよ。』"Really? Okay, I'll blow another one."

『だめだい、そんなにのびあがっては。』"No fair, stretching yourself up like that!"

またお父とうさんの蟹かにが出でて来きました。Then Father Crab came out again.

『もうねろねろ。遅おそいぞ、あしたイサドへ連つれて行いかんぞ。』"Bed now, bed! It's late. Keep this up and I won't take you to Isado tomorrow."

『お父とうさん、僕ぼくたちの泡あわどっち大おおきいの』"Dad, whose bubbles are bigger?"

『それは兄にいさんの方ほうだろう』"Your big brother's, I'd say."

『そうじゃないよ、僕ぼくの方ほう大おおきいんだよ』弟おとうとの蟹かには泣なきそうになりました。"No they're not, mine are bigger!" The little crab was close to tears.

そのとき、トブン。Just then: ker-plunk!

黒くろい円まるい大おおきなものが、天井てんじょうから落おちてずうっとしずんで又また上うえへのぼって行いきました。Something big, round and black dropped from the ceiling, sank all the way down, and then rose back up again.

キラキラッと黄金きんのぶちがひかりました。Golden spots flashed and glittered.

『かわせみだ』子供こどもらの蟹かには頸くびをすくめて云いいました。"A kingfisher!" said the crab children, ducking their heads.

お父とうさんの蟹かには、遠とおめがねのような両方りょうほうの眼めをあらん限かぎり延のばして、よくよく見みてから云いいました。Father Crab stretched out both his telescope-like eyes as far as they would go, took a long, careful look, and said:

『そうじゃない、あれはやまなしだ、流ながれて行いくぞ、ついて行いって見みよう、ああいい匂においだな』"No, it isn't. That's a wild pear. It's drifting away. Let's follow it and see. Ah, what a lovely smell!"

なるほど、そこらの月つきあかりの水みずの中なかは、やまなしのいい匂においでいっぱいでした。Sure enough, the moonlit water all around was full of the wild pear's lovely smell.

三疋さんびきはぼかぼか流ながれて行いくやまなしのあとを追おいました。The three of them went after the wild pear as it bobbed along downstream.

その横よこあるきと、底そこの黒くろい三みっつの影法師かげぼうしが、合あわせて六むっつ踊おどるようにして、やまなしの円まるい影かげを追おいました。Their sideways scuttling bodies and their three black shadows on the bottom, six in all, chased the round shadow of the pear as if they were dancing.

間まもなく水みずはサラサラ鳴なり、天井てんじょうの波なみはいよいよ青あおい焔ほのおをあげ、やまなしは横よこになって木きの枝えだにひっかかってとまり、その上うえには月光げっこうの虹にじがもかもか集あつまりました。Soon the water began to murmur and swish, and the waves on the ceiling sent up ever brighter blue flames. The pear rolled onto its side, caught on a branch and stopped, and above it a rainbow of moonlight gathered in soft, billowing clouds.

『どうだ、やっぱりやまなしだよ、よく熟じゅくしている、いい匂においだろう。』"There, what did I tell you? It's a wild pear. It's nice and ripe. Doesn't it smell good?"

『おいしそうだね、お父とうさん』"It looks delicious, Dad."

『待まて待まて、もう二日ふつかばかり待まつとね、こいつは下したへ沈しずんで来くる、それからひとりでにおいしいお酒さけができるから、さあ、もう帰かえって寝ねよう、おいで』"Wait, wait. In two more days or so it'll sink down here, and then it'll turn into lovely wine all by itself. Come on now, let's go home to bed. Come along."

親子おやこの蟹かには三疋さんびき自分じぶん等らの穴あなに帰かえって行いきます。Father and sons, all three crabs, go back to their own hole.

波なみはいよいよ青あおじろい焔ほのおをゆらゆらとあげました、それは又また金剛石こんごうせきの粉こなをはいているようでした。The waves sent up their pale blue flames, swaying higher and higher. It also looked as though they were breathing out diamond dust.

**

私わたくしの幻燈げんとうはこれでおしまいであります。And that is the end of my magic-lantern show.

Vocabulary

WordMeaningJLPT
景色けしきscenery, viewHere it means the landscape of the stream bed as the crabs see it.N4
水晶すいしょうrock crystal, quartz—
透とおりすきとおるto be transparent; to shine clear throughdictionary form: 透きとおるThe modern spelling is 透き通る.N2
天井てんじょうceilingFrom the crabs' point of view, the water surface is the 'ceiling'.N1
泡あわbubble, foamN3
わざとわざとon purpose, deliberatelyN3
のびあがってのびあがるto stretch oneself up, stand on tiptoedictionary form: 伸び上がる—
かわせみかわせみkingfisherdictionary form: 翡翠In the May scene a kingfisher dives in and snatches a fish, which is why the children are afraid.—
すくめてすくめるto duck, draw in (the neck or shoulders)dictionary form: 竦めるThe set phrase 首をすくめる means to duck one's head in fear. 頸 is an older kanji for 首.—
あらん限りあらんかぎりas far as possible, with all one's mightThis is a literary phrase meaning 'to whatever extent there is'.—
熟してじゅくすto ripendictionary form: 熟す—
ひとりでにひとりでにby itself, naturally, on its ownN2
影法師かげぼうしshadow (of a person or figure)This is a slightly old-fashioned, poetic word for a shadow shape.—
金剛石こんごうせきdiamondThis is an old word; modern Japanese says ダイヤモンド.—

Grammar

〜てごらん / 〜ておいで N4 go ahead and try ~ / go and ~

〜てごらん is a gentle command meaning 'try doing ~', used by adults or older siblings to children. 〜ておいで (from おいでなさい) softly tells someone to do something, here 'watch'.

吐いてごらん。

Go on, blow one.

〜かない (〜くはない) N2 isn't ~ (colloquial)

大きかない is a casual, childish contraction of 大きくはない. The final や and だい add a pouting, emphatic tone.

大きかないや、おんなじだい。

It's not big! It's just the same!

〜ん (negative) + ぞ N3 won't ~ (gruff masculine speech)

ん replaces ない in older or rough speech, so 行かん = 行かない. The particle ぞ adds a firm, warning tone typical of a stern father.

あしたイサドへ連れて行かんぞ。

I won't take you to Isado tomorrow.

〜そうになる N3 to be about to ~, come close to ~

The verb stem plus そうになる describes something that almost happens. Here the younger crab nearly bursts into tears.

弟の蟹は泣きそうになりました。

The little crab was close to tears.

〜たり〜たりする N5 doing ~ and ~ (alternately)

Two contrasting actions are paired to show them repeating back and forth. Here the waves seem to light fires and put them out, over and over.

波が青じろい火を、燃したり消したりしているよう

the waves seemed to be lighting and putting out pale blue fires

〜であります N1 is (formal, oratorical)

であります is a very formal, speech-like copula, like a presenter addressing an audience. It frames the whole story as a lantern-slide performance.

私の幻燈はこれでおしまいであります。

And that is the end of my magic-lantern show.