Cover of 箱の中のあなた (Hako no Naka no Anata)

Part 1 of 3 · JLPT N3

箱の中のあなた Hako no Naka no Anata, part 1: A Photograph on the Hilltop

by Yamakawa Masao · 1,309 characters · from The Stranger in the Viewfinder

In this part

On a hilltop at sunset, a smooth-talking tourist from the city asks a painfully shy woman in her thirties to take his photograph. She cannot look men in the face, but through the camera's viewfinder she can finally gaze at him as a small, harmless figure she can possess. As she presses the shutter, a sudden despairing resolve sweeps through her.

AI translation · independently checked

「あの、失礼しつれいですが」"Um, excuse me, but—"

なめらかな都会とかいふうの男おとこの声こえがいった。said a man's voice, smooth and city-sounding.

彼女かのじょは、臆病おくびょうと疑惑ぎわくとがいっしょになったようなぎごちない様子ようすで、立たち止どまった。She stopped awkwardly, with an air in which timidity and suspicion seemed to have merged into one.

丘おかの上うえは、すばらしい夕焼ゆうやけで赤あかく染そまっていた。The hilltop was dyed red by a magnificent sunset.

馬うまの背せのような地面じめんに、まばらな木きが細長ほそながい影かげをつくっていた。Across ground shaped like a horse's back, the sparse trees cast long, thin shadows.

「いい景色けしきですねえ、ほんとに。……これ、なんの木きです?」"What a lovely view, really. ...What kind of tree is this?"

なれなれしく、この地方ちほうだけに生はえている緑みどりいろの炎ほのおのような形かたちの樹きをさして、男おとこは訊きく。The man asked familiarly, pointing to one of the trees, shaped like green flames, that grew only in this region.

男おとこは、首くびからカメラを吊つるしていた。A camera hung from the man's neck.

態度たいどといい、口調くちょうといい、男おとこはわざわざ東京とうきょうあたりからやってきた観光客かんこうきゃくの一人ひとりにちがいなかった。From his manner and from his way of talking alike, he was surely one of the tourists who had come all the way from somewhere like Tokyo.

……この地方ちほうは、初夏しょかから観光かんこうシーズンにはいって、駅前えきまえには歓迎かんげいの大おおきなアーチが立たつ。...In this region the tourist season starts in early summer, and a large welcome arch goes up in front of the station.

今年ことしも、もう十日とおかあまり、彼女かのじょは毎日まいにちそれを見みてきていた。This year, too, she had been seeing it every day for more than ten days already.

「すみませんが」と、男おとこはいった。"Excuse me," said the man.

「ここで、写真しゃしんを一いち枚まいとってくれませんか」"Would you take a picture for me here?"

棒ぼうのように直立ちょくりつしたまま、だが彼女かのじょは、その男おとこの首くびから上うえ、やさしい声こえの流ながれだす唇くちびるさえ、ろくに見みることができなかった。She stood bolt upright, stiff as a pole, yet she could barely look at any part of him above the neck, not even the lips from which that gentle voice flowed.

彼女かのじょは、男おとこの顔かおを、いままでまっすぐに見みられたことがなかった。She had never yet been able to look a man straight in the face.

その内気うちきさ、臆病おくびょうさが、結局けっきょくのところ、三十さんじゅう才さいを過すぎた今日きょうまで、彼女かのじょに一人ひとり暮ぐらしをさせていたのかもしれない。Perhaps it was that shyness, that timidity, which in the end had kept her living alone until now, when she was past thirty.

首くびすじのあたりまで真赤まっかにして、極度きょくどの緊張きんちょうに、彼女かのじょは呼吸こきゅうがつまるような気きがしていた。Flushed crimson right down to the nape of her neck, she felt as though the extreme tension would choke off her breath.

男おとこは、明あかるい声こえでいった。The man spoke in a cheerful voice.

「じつはね、記念きねんに、この風景ふうけいをバックに、ぼくを入いれて一いち枚まいうつしていただきたいんです。なに、セットはぼくがしますし、シャッターさえ押おして下くだされば、いいんですから。……お願ねがいします」"The thing is, I'd like you to take one of me with this scenery behind me, as a souvenir. Oh, I'll set everything up; all you have to do is press the shutter, that's all. ...Please."

彼女かのじょは、こわばった顔かおでちょっと道みちをふりかえった。Her face stiff, she glanced back along the path.

誰だれも通とおらなかった。No one was coming by.

「すみませんが」"Excuse me, but..."

男おとこはやさしい声こえでくりかえした。the man repeated in a gentle voice.

彼女かのじょは手てをのばした。She held out her hands.

おそるおそるカメラを手てに受うけると、ぎくしゃくと胸むねに抱かかえこんで、彼女かのじょはけんめいにその少すこしぼやけた男おとこの映像えいぞうを、小ちいさな箱はこの中なかの暗くらいガラス板いたの上うえにとらえるのに熱中ねっちゅうした。Timidly taking the camera into her hands, she clutched it clumsily to her chest and threw herself into the task of catching the man's slightly blurred image on the dark glass plate inside the little box.

やっと焦点しょうてんがあった。At last it came into focus.

彼女かのじょは、大おおきく呼吸こきゅうを吐はいた。She let out a long breath.

美うつくしい、小ちいさな世界せかいだった。It was a beautiful little world.

血ちのような夕陽ゆうひに染そまりながらぽつんと一人ひとりの男おとこが立たち、にこやかなポーズで笑わらっていた。Steeped in a setting sun the colour of blood, a lone man stood there, smiling in a cheerful pose.

旅行者りょこうしゃは茜色あかねいろの光ひかりにくっきり映はえ、その光ひかりは、ちょっとぐずぐずしていれば跡方あとかたなく消きえてしまいそうに思おもえた。The traveller stood out sharply in the madder-red light, and it seemed to her that the light would vanish without a trace if she lingered even a little.

まっすぐな鼻はな、薄うすい女おんなのような唇くちびる、ひきしまった精悍せいかんな腰こしつき。A straight nose, thin lips like a woman's, the lean, taut, vigorous set of his hips.

……のしかかるような動物どうぶつの圧力あつりょく、圧倒的あっとうてきな恐怖きょうふそのものだったそれまでの「男性だんせい」は、どこかに消きえ、ガラス板いたの上うえに縮小しゅくしょうされ、定着ていちゃくされた男おとこは、いまは輪郭りんかくの明瞭めいりょうな、小ちいさな愛あいらしい一箇いっこの人形にんぎょうとなって、はじめて彼女かのじょは彼かれを所有しょゆうすることができていたのだった。...The "male" that until then had been an overbearing animal pressure, overwhelming terror itself, had vanished somewhere; shrunk and fixed upon the glass plate, the man had now become a small, lovable doll with clear outlines, and for the first time she was able to possess him.

うっとりと、彼女かのじょは飽あかず眺ながめつづけた。Entranced, she went on gazing, never tiring of it.

それは、ゆるされた貴重きちょうな時間じかんだった。It was a precious time, one that she was allowed.

こうでもしなければ、私わたくしは「彼かれ」をとっくりと見みることもできない。Unless I do something like this, I can't even take a good long look at "him."

全身ぜんしんが熱あつく燃もえあがって、彼女かのじょは、胸むねがはやくもある期待きたいにわななきはじめたのがわかった。Her whole body blazed up with heat, and she knew that her heart had already begun to tremble with a certain expectation.

「まだですか」と、男おとこがいった。"Not yet?" said the man.

「……え。いま……」と、彼女かのじょは答こたえた。"...Oh. Just a—" she answered.

そのとき、ある絶望ぜつぼうのような決意けついが、すばやく彼女かのじょのなかを走はしった。At that moment a resolve, something like despair, flashed swiftly through her.

彼女かのじょは、自分じぶんが、もはやどうしてもそれを避さけられなくなっているのを確認かくにんしたのだった。She had realised, beyond doubt, that she could no longer avoid it, no matter what.

しずかな風景ふうけいのなかに、シャッターが、突然とつぜん、死しんだ小鳥ことりが水みずに落おちたような音おとを立たてた。Into the quiet scenery, the shutter suddenly made a sound like a dead little bird dropping into water.

Vocabulary

WordMeaningJLPT
臆病おくびょうtimidity, cowardiceAlso used as a na-adjective; 臆病さ in a later sentence is the noun form with 〜さ.N1
疑惑ぎわくsuspicion, doubtStronger and more formal than 疑い.N1
ぎごちないぎごちないawkward, stiffAlso spelled ぎこちない, which is the more common form today.—
なれなれしくなれなれしいoverly familiar, too friendlydictionary form: なれなれしいSlightly negative: friendliness that oversteps distance with a stranger.N1
内気うちきshy, reservedHere with 〜さ to make the noun 'shyness'.—
緊張きんちょうtension, nervousnessN3
おそるおそるおそるおそるtimidly, fearfullydictionary form: 恐る恐るDescribes doing something hesitantly, half afraid.—
焦点しょうてんfocus (of a lens)焦点が合う = to come into focus.N2
茜色あかねいろmadder red, deep sunset redFrom 茜, the madder plant used for red dye; a classic word for evening skies.—
跡方あとかたtrace, vestigedictionary form: 跡形Usually written 跡形; almost always in 跡形もなく 'without a trace'.—
所有しょゆうpossession, ownership所有する = to own, to possess.—
飽かずあくwithout tiring (of it)dictionary form: 飽くLiterary negative 〜ず of 飽く; modern 飽きずに.—
とっくりととっくりcarefully, at length, thoroughlydictionary form: とっくりOld-fashioned adverb; modern じっくり is similar.—
わななきわななくto tremble, quiverdictionary form: わななくLiterary verb, used for trembling from fear or strong emotion.—

Grammar

〜といい〜といい N1 both A and B; whether in A or B

Two nouns are listed as evidence for a judgement about the whole. Here the man's manner and his tone of voice both point to his being a city tourist.

態度といい、口調といい、男はわざわざ東京あたりからやってきた観光客の一人にちがいなかった。

From his manner and from his way of talking alike, he was surely one of the tourists who had come all the way from somewhere like Tokyo.

〜にちがいない N3 must be, surely

Expresses strong certainty based on evidence. With past ちがいなかった, it gives the woman's confident conclusion at that moment.

観光客の一人にちがいなかった

he was surely one of the tourists

〜さえ〜ば N2 if only, as long as (just)

さえ marks the single thing that is enough, and the conditional 〜ば states that it is all that is needed. The man reassures her that pressing the shutter is her only task.

シャッターさえ押して下されば、いいんですから。

all you have to do is press the shutter, that's all.

〜ていただきたい N3 I would like you to (humble request)

The humble いただく ('receive') with 〜たい makes a polite request to have someone do something for the speaker. It suits the man's courteous but breezy tone.

ぼくを入れて一枚うつしていただきたいんです。

I'd like you to take one of me.

〜でもしなければ N2 unless one does something like ~

でも softens the action to 'something like this', and しなければ sets the negative condition. The sentence then states what would be impossible otherwise, showing how desperate her situation feels.

こうでもしなければ、私は「彼」をとっくりと見ることもできない。

Unless I do something like this, I can't even take a good long look at "him."