
Part 2 of 3 · JLPT N3
箱の中のあなた Hako no Naka no Anata, part 2: A Walk to the Lonely Cliff
In this part
The man asks to photograph the woman, and she suggests a park on the edge of town with a better view of the sea, so they go there. On the steep path he attacks her; she fights him off and kills him with a stone, then covers up the evidence and pushes his body off the cliff. The paper treats it as an accident, and the town soon begins to forget it.
AI translation · independently checked
「ありがとう。そうだ、ひとつ今度はあなたをうつさせて下さい」男は、急にはしゃぐような声をだした。"Thank you. Oh, I know—now let me take one of you," the man said, his voice suddenly almost giddy.
「どうですか。ぜひ、この美しい景色といっしょに」"What do you say? Please, together with this beautiful view."
「あの、……」せいいっぱいの努力で彼女はいった。"Um…" It took all her effort to speak.
「あの、こんなところ、そんなにいい景色ではありませんわ」"Um, a place like this—it isn't really such a nice view."
「ほう?」"Oh?"
男は、露骨に興味をしめす顔になった。The man's face showed open interest.
「もっといい景色があるというんですか」"You mean there's a better view?"
「この先に行くと、海が見下せる公園があります。……あの、もう町はずれなんですけど、そこのほうが」If you go on ahead from here, there's a park that looks down over the sea. …Um, it's already on the edge of town, but over there would be…
「へえ、そいつは知らなかった。そうですか。じゃ、つれて行って下さい」"Well, I didn't know that. Is that right? Then please take me there."
公園といっても、春になると桜や梅がいっせいに花をひらくというだけの、その他にはなにもない高地だった。It was called a park, but it was only a stretch of high ground where cherry and plum trees all came into bloom together in spring, and there was nothing else.
ただ、夕暮れの淡い銀灰色の靄のなかに沈んで行く町と海が、より広く見渡せるだけのことで。It was simply that from there you could see further across the town and the sea as they sank into the pale silver-grey haze of evening.
だが、そこにはいつも人かげがなかった。But there was never a soul there.
彼女は、背を硬くして先に立った。She went ahead of him, her back stiff.
古い神社の裏をまわり、近道は急な傾斜だった。They went around behind an old shrine, and the shortcut was a steep slope.
大きな砂利が靴の裏ですべって、やっと両側の叢が尽きかけるあたりまできたとき、慣れない男は、やはり少し喘ぎはじめていた。Large pieces of gravel slid under their shoes, and by the time they finally reached the point where the long grass on either side was about to give out, the man, who was not used to it, had, as might be expected, begun to pant a little.
「ああ、早いなあなた、ちょっと待って下さいよ」"Ah, you're fast. Wait a moment, please."
その声をきき、彼女が立ち止った直後だった。It happened just after she heard his voice and stopped.
男の手が彼女の肩をつかみ、仰向けに彼女を叢のなかに押し倒した。The man's hand seized her shoulder and pushed her down onto her back in the long grass.
「いや! 私、そういうこときらいなんです! いやなんです!」絞りだすような叫び声とともに、彼女は男をつきとばした。"No! I hate that kind of thing! I don't want it!" With a cry that seemed wrung out of her, she shoved the man away.
だが、男はひるみをみせなかった。But the man did not falter.
男の顔が視野いっぱいに迫って、彼女はきちがいのようにその顔に向けて抵抗した。His face pressed in until it filled her vision, and she fought against it like a madwoman.
彼女にあったものは、ただ必死な、猛烈な、一つの嫌悪だった。All that was in her was a single desperate, violent disgust.
気づいたとき、彼女は右手にしっかりと大きな石を握りしめて、ぜいぜいと呼吸をきらしていた。When she came to herself, she was gripping a large stone tightly in her right hand and gasping for breath.
男は足もとに倒れていた。The man lay collapsed at her feet.
こめかみから血の筋を滴らせて、男の目はぽかんと空を見ていた。A thread of blood trickled from his temple, and his eyes stared blankly at the sky.
男は動かなかった。The man did not move.
まだ胸がはずんでいた。Her heart was still pounding.
でも、もう恐怖感はなかった。But she no longer felt any fear.
彼女は、やっぱり、私はいざとなると理性的な女なのだ、理性的でしかないのだ、と思った。She thought: just as I suspected, when it comes to it I am a rational woman—I am nothing but rational.
これはしようがないのだ。There was nothing to be done about it.
彼女は、男のポケットから落ちたタバコの箱を戻し、脱げた靴をはかせ、ずるずると引きずって崖の尖端に置くと、そこまでの軌跡や二人の争いの跡を注意ぶかく消した。She put back the packet of cigarettes that had fallen from his pocket, put his shoes back on where they had come off, dragged him heavily to the very edge of the cliff and left him there, then carefully erased the trail to that spot and the marks of their struggle.
それから、カメラをそっと自分のハンドバッグにしまって身づくろいを直した。Then she quietly put the camera away in her handbag and straightened her clothes.
そして、そっと横たわった男の背中を押してやった。And she gently gave the man's back a push where he lay.
男は突き出た岩角にぶつかりながら落ちて行って、やがて、かすかに鈍い水の音がひびいた。He fell, striking the jutting corners of rock, and before long a faint, dull sound of water echoed up.
翌日、夕刊の地方版に、旅行客があやまって三十メートルの崖からすべり落ちて死んだという記事がのった。The next day, the local section of the evening paper carried a report that a tourist had accidentally slipped and fallen to his death from a thirty-metre cliff.
記事は簡単な三、四行のもので、旅行者の顔写真もなかった。The article was a brief three or four lines, and there was not even a photograph of the traveller's face.
そこはここ数年、市民たちのあいだで、「魔の断崖」と呼ばれている場所で、だが、そんな危険な箇所をもつ公園での観光客の事故については、もっぱらかれらのふところを財源とし、かれらの足が遠のくのをおそれる市当局の圧力もあってか、新聞も警察も、今度もそれ以上は深くふれず事をすまそうとしていた。For some years now the spot had been called "the Devil's Cliff" among the townspeople, yet when it came to accidents involving tourists in a park with such a dangerous place, perhaps partly because of pressure from the city authorities, who relied on the visitors' wallets for their revenue and feared that they might stop coming, the newspapers and the police were once again trying to settle the matter without looking any deeper.
その事件は、男の水死体の検屍がすみ、身もとの照会も終り、噂話もすみ、一週間もたつころには、そろそろ人びとから忘れられようとしていた。Once the inquest on the drowned man's body was done, his identity confirmed and the gossip exhausted, the incident, a week or so later, was gradually beginning to be forgotten.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 露骨ろこつ | open, undisguised, blatantOften slightly negative: showing feelings too plainly. | N1 |
| 見下せるみおろす | to look down over (a view), to overlookdictionary form: 見下ろすRead みくだす, the same kanji means 'to look down on, despise'. | N2 |
| 町はずれまちはずれ | edge of town, outskirtsdictionary form: 町外れ | — |
| 靄もや | haze, mistThinner than 霧 (きり, fog). | — |
| 人かげひとかげ | sign of a person, figuredictionary form: 人影人かげがない = not a soul around. | — |
| 喘ぎあえぐ | to pant, gasp for breathdictionary form: 喘ぐ | — |
| 押し倒したおしたおす | to push someone down (onto their back); here part of an attempted assaultdictionary form: 押し倒す | — |
| ひるみひるみ | flinching, falteringdictionary form: 怯みNoun from the verb 怯む (ひるむ, to flinch). | — |
| 嫌悪けんお | disgust, loathing | — |
| 理性的りせいてき | rational, governed by reason | — |
| 身づくろいみづくろい | tidying one's clothes and appearancedictionary form: 身繕い | — |
| 夕刊ゆうかん | evening edition of a newspaperThe morning edition is 朝刊 (ちょうかん). | N2 |
| ふところふところ | (here) one's purse, money (i.e. what tourists spend)dictionary form: 懐Literally the breast of a kimono, where money was kept. | — |
| 検屍けんし | examination of a body, inquestNow usually written 検死. | — |
Grammar
〜させて下さい N4 please let me ~
The causative て-form plus 下さい asks for permission to do something yourself. The man politely asks to be allowed to photograph her.
ひとつ今度はあなたをうつさせて下さい
now let me take one of you
〜といっても N3 although it is called ~, actually…
This introduces a label and then corrects the impression it gives. The place is called a park, but it is really just bare high ground.
公園といっても、春になると桜や梅がいっせいに花をひらくというだけの、その他にはなにもない高地だった。
It was called a park, but it was only a stretch of high ground where cherry and plum trees all came into bloom together in spring, and there was nothing else.
〜かける N2 to be about to ~, half-~
Verb stem + かける means an action has begun but is not finished, or is just about to happen. 尽きかける means the grass is on the verge of giving out.
やっと両側の叢が尽きかけるあたりまできたとき
when they finally reached the point where the grass on either side was about to give out
〜でしかない N2 nothing but ~, merely ~
This strongly limits something to a single quality. She sees herself as only rational and capable of nothing else.
理性的でしかないのだ
I am nothing but rational
〜てやる N4 to do ~ (for/to someone lower)
Normally this means doing a favour for someone of lower status. Here it gives the deadly push a chilling tone of gentle helpfulness.
そっと横たわった男の背中を押してやった。
she gently gave the man's back a push where he lay.
〜ようとしていた N3 was about to ~, was on the point of ~
Volitional form + としていた means something was about to happen or was on the verge of happening. Combined with the passive, 忘れられようとしていた means the incident was on the verge of being forgotten.
そろそろ人びとから忘れられようとしていた。
it was gradually beginning to be forgotten.