Part 3 of 4 · JLPT N2
Kの昇天 Kē no Shōten, part 3: Climbing the Moonlight, and the Drowning
In this part
K explains that on moonlit nights his shadow seems to take on a life of its own while his soul climbs the moonbeams towards the moon, though, like Icarus, he always falls back. The two men become friends, and K shows a lasting fascination with silhouettes and shadow-pictures. Learning of K's drowning, the narrator feels at once that K has gone up to the moon, and he confirms that the day before the body washed ashore was a full moon.
AI translation · independently checked
「先刻あなたはシューベルトの『ドッペルゲンゲル』を口笛で吹いてはいなかったですか」"A little while ago, were you not whistling Schubert's 'Doppelgänger'?"
「ええ。吹いていましたよ」"Yes, I was whistling it."
と私は答えました。So I answered.
やはり聞こえてはいたのだ、と私は思いました。So he had heard it after all, I thought.
「影と『ドッペルゲンゲル』。私はこの二つに、月夜になれば憑かれるんですよ。この世のものでないというような、そんなものを見たときの感じ。――その感じになじんでいると、現実の世界が全く身に合わなく思われて来るのです。だから昼間は阿片喫煙者のように倦怠です」"Shadows and the 'Doppelgänger'. Whenever there is a moonlit night, I am possessed by these two things. It is the feeling you have when you see something that seems not to belong to this world. Once I grow used to that feeling, the real world comes to seem as though it no longer fits me at all. That is why, in the daytime, I am as listless as an opium smoker."
とK君は言いました。So K said.
自分の姿が見えて来る。One's own figure begins to appear.
不思議はそればかりではない。Nor is that the only marvel.
だんだん姿があらわれて来るに随って、影の自分は彼自身の人格を持ちはじめ、それにつれてこちらの自分はだんだん気持が杳かになって、ある瞬間から月へ向かって、スースーッと昇って行く。As the figure gradually takes shape, the self in the shadow begins to have a personality of its own, and meanwhile the self on this side grows more and more remote in feeling, until at a certain moment it goes rising, softly and swiftly, towards the moon.
それは気持で何物とも言えませんが、まあ魂とでも言うのでしょう。It is a feeling, and one cannot say what it is, but I suppose one might call it the soul.
それが月から射し下ろして来る光線を溯って、それはなんとも言えぬ気持で、昇天してゆくのです。That soul climbs back up the rays of light pouring down from the moon and, with a feeling beyond all words, ascends into heaven.
K君はここを話すとき、その瞳はじっと私の瞳に魅り非常に緊張した様子でした。When K spoke of this part, his eyes gazed fixedly into mine, as though entranced, and he seemed extremely tense.
そしてそこで何かを思いついたように、微笑でもってその緊張を弛めました。Then, as if something had occurred to him just then, he eased that tension with a smile.
「シラノが月へ行く方法を並べたてるところがありますね。これはその今一つの方法ですよ。でも、ジュール・ラフォルグの詩にあるように"There is a scene where Cyrano lists one way after another of getting to the moon, isn't there? This is yet another of those ways. But, as it says in a poem by Jules Laforgue,
哀れなるかな、イカルスが幾人も来ては落っこちる。Alas, how many Icaruses come, only to fall back down.
私も何遍やってもおっこちるんですよ」I, too, fall down however many times I try."
そう言ってK君は笑いました。Having said this, K laughed.
その奇異な初対面の夜から、私達は毎日訪ね合ったり、一緒に散歩したりするようになりました。From that strange night of our first meeting, we came to visit each other every day and to go for walks together.
月が欠けるに随って、K君もあんな夜更けに海へ出ることはなくなりました。As the moon waned, K no longer went out to the sea so late at night.
ある朝、私は日の出を見に海辺に立っていたことがありました。One morning I happened to be standing by the shore to watch the sunrise.
そのときK君も早起きしたのか、同じくやって来ました。K, perhaps having also risen early, came along just the same.
そして、ちょうど太陽の光の反射のなかへ漕ぎ入った船を見たとき、And when we saw a boat that had rowed right into the reflection of the sunlight,
「あの逆光線の船は完全に影絵じゃありませんか」"Isn't that boat against the light a perfect shadow-picture?"
と突然私に反問しました。he suddenly asked me in return.
K君の心では、その船の実体が、逆に影絵のように見えるのが、影が実体に見えることの逆説的な証明になると思ったのでしょう。In K's mind, I suppose, the fact that the real boat looked, conversely, like a shadow-picture served as a paradoxical proof that a shadow could look like a real thing.
「熱心ですね」"You are very devoted to it,"
と私が言ったら、K君は笑っていました。I said, and K laughed.
K君はまた、朝海の真向から昇る太陽の光で作ったのだという、等身のシルウェットを幾枚か持っていました。K also had several life-size silhouettes which he said he had made by the light of the sun rising straight ahead out of the morning sea.
そしてこんなことを話しました。And he told me something like this.
「私が高等学校の寄宿舎にいたとき、よその部屋でしたが、一人美少年がいましてね、それが机に向かっている姿を誰が描いたのか、部屋の壁へ、電燈で写したシルウェットですね。その上を墨でなすって描いてあるのです。それがとてもヴィヴィッドでしてね、私はよくその部屋へ行ったものです」"When I was living in the dormitory of my high school, there was a beautiful boy, in another room, and someone had drawn his figure as he sat at his desk; it was a silhouette cast on the wall of the room by the electric lamp, you see. Over it they had traced the outline in ink. It was very vivid, and I often used to go to that room."
そんなことまで話すK君でした。K even told me things like that.
聞きただしてはみなかったのですが、あるいはそれがはじまりかもしれませんね。I never questioned him about it, but perhaps that was where it began.
私があなたのお手紙で、K君の溺死を読んだとき、最も先に私の心象に浮かんだのは、あの最初の夜の、奇異なK君の後姿でした。When I read of K's drowning in your letter, the very first image that rose in my mind was K's strange figure from behind, on that first night.
そして私はすぐ、And at once I
「K君は月へ登ってしまったのだ」"K has gone up to the moon,"
と感じました。felt.
そしてK君の死体が浜辺に打ちあげられてあった、その前日は、まちがいもなく満月ではありませんか。And the day before K's body was found washed up on the beach, was it not, without any doubt, a full moon?
私はただ今本暦を開いてそれを確かめたのです。I have just now opened the almanac and confirmed it.
私がK君と一緒にいました一と月ほどの間、そのほかにこれと言って自殺される原因になるようなものを、私は感じませんでした。During the month or so that I was with K, I sensed nothing else in particular that might have become a reason for him to take his own life.
でも、その一と月ほどの間に私がやや健康を取り戻し、こちらへ帰る決心ができるようになったのに反し、K君の病気は徐々に進んでいたように思われます。Yet it seems to me that, during that month or so, while I recovered my health somewhat and became able to resolve to return here, K's illness was gradually advancing.
K君の瞳はだんだん深く澄んで来、頬はだんだんこけ、あの高い鼻柱が目に立って硬く秀でてまいったように覚えています。I remember that K's eyes grew ever deeper and clearer, his cheeks grew ever more hollow, and that high bridge of his nose came to stand out, hard and finely chiselled.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 憑かれるつかれる | to be possessed (by a spirit or obsession)Sounds the same as 疲れる (to be tired); the kanji 憑 suggests a spirit clinging to someone. | — |
| 倦怠けんたい | listlessness, wearinessLiterary; used here like an adjective with です. Common in 倦怠感 (a sense of fatigue). | — |
| 杳かはるか | far off, remote, dimRare kanji; usually written 遥か. | — |
| 溯ってさかのぼる | to go back up (a stream), to trace backdictionary form: 溯るUsually written 遡る; also used for going back in time. | N2 |
| 昇天しょうてん | ascension to heavenKey word of the title; also a polite euphemism for death. | — |
| 奇異きい | strange, oddFormal な-adjective. | — |
| 影絵かげえ | shadow-picture, silhouetteAlso shadow puppetry made with the hands. | — |
| 反問はんもん | asking a question back, a counter-question | — |
| 逆説的ぎゃくせつてき | paradoxical逆説 means paradox; 〜的 forms な-adjectives. | — |
| 溺死できし | death by drowningThe verb is 溺れる (おぼれる), to drown. | — |
| 心象しんしょう | mental imageLiterary; compare 心象風景 (a landscape of the mind). | — |
| 本暦ほんれき | almanac, official calendarAn older term for a calendar showing moon phases and similar details. | — |
| こけこける | to become hollow, sunken (of cheeks)dictionary form: こけるTypically appears as 頬がこける. | — |
| 秀でてひいでる | to stand out; to be finely formeddictionary form: 秀でるUsually means 'to excel'; here it describes a prominent, well-shaped feature. | — |
Grammar
〜に随って(従って) N2 as ~, in step with ~
This pattern links two changes that happen together: as the first progresses, so does the second. It follows the dictionary form of a verb.
月が欠けるに随って、K君もあんな夜更けに海へ出ることはなくなりました。
As the moon waned, K no longer went out to the sea so late at night.
〜とでも言う N2 might be called ~, something like ~
でも softens the naming and marks it as a rough approximation. Combined with のでしょう, it expresses the speaker's hesitant choice of a word.
まあ魂とでも言うのでしょう。
I suppose one might call it the soul.
よく〜たものです N3 used to (often) ~
This pattern looks back nostalgically on a habit in the past. It attaches to the past tense of a verb.
私はよくその部屋へ行ったものです
I often used to go to that room.
〜ではありませんか N3 is it not ~? (rhetorical emphasis)
This is not a real question. The speaker presents a striking fact and invites the reader to share their surprise or conviction.
その前日は、まちがいもなく満月ではありませんか。
The day before, was it not, without any doubt, a full moon?
〜のに反し N2 whereas ~, in contrast to ~
This sets two opposite situations side by side. Here the narrator's recovery is contrasted with the worsening of K's illness. It is a formal, written style.
こちらへ帰る決心ができるようになったのに反し、K君の病気は徐々に進んでいたように思われます。
Whereas I became able to resolve to return here, K's illness seems to have been gradually advancing.
〜てしまった N4 has (irrevocably) done ~
This form stresses that an action is complete and cannot be undone. It often carries a sense of loss or regret, as it does here with K's death.
K君は月へ登ってしまったのだ
K has gone up to the moon.