Part 4 of 4 · JLPT N2
Kの昇天 Kē no Shōten, part 4: The Night K Rose to the Moon
In this part
The narrator says his explanation of K's death rests only on intuition, then reconstructs that night from the almanac's times for moonrise, the moon's highest point and low tide. He imagines K following his shadow into the sea while his soul climbed towards the moon. He suggests that K, a swimmer, drowned because his body never regained feeling as the waves tossed it back and forth.
AI translation · independently checked
K君は、影は阿片のごときものだ、と言っていました。K used to say that shadows were something like opium.
もし私の直感が正鵠を射抜いていましたら、影がK君を奪ったのです。If my intuition has struck the very centre of the mark, then it was his shadow that took K away.
しかし私はその直感を固執するのでありません。Yet I do not insist upon that intuition.
私自身にとってもその直感は参考にしか過ぎないのです。Even for me it is no more than a point of reference.
ほんとうの死因、それは私にとっても五里霧中であります。The true cause of his death is, even to me, lost in a fog.
しかし私はその直感を土台にして、その不幸な満月の夜のことを仮に組み立ててみようと思います。Nevertheless, I would like to take that intuition as my foundation and try to piece together, provisionally, the events of that unhappy night of the full moon.
その夜の月齢は十五・二であります。The moon's age that night was fifteen point two days.
月の出が六時三十分。Moonrise was at half past six.
十一時四十七分が月の南中する時刻と本暦には記載されています。The almanac records eleven forty-seven as the hour at which the moon crossed the meridian.
私はK君が海へ歩み入ったのはこの時刻の前後ではないかと思うのです。I believe that it was at about this hour that K walked into the sea.
私がはじめてK君の後姿を、あの満月の夜に砂浜に見出したのもほぼ南中の時刻だったのですから。For it was also at almost exactly the moon's meridian hour that I first came upon K, seen from behind, on the sand on that night of the full moon.
そしてもう一歩想像を進めるならば、月が少し西へ傾きはじめた頃と思います。And if I may carry my imagining one step further, I think it was when the moon had begun to lean a little towards the west.
もしそうとすればK君のいわゆる一尺ないし二尺の影は北側といってもやや東に偏した方向に落ちるわけで、K君はその影を追いながら海岸線を斜に海へ歩み入ったことになります。If that is so, the shadow of a foot or two that K spoke of would have fallen towards the north, though inclined slightly to the east, and so K, following that shadow, must have walked into the sea at a slant across the shoreline.
K君は病と共に精神が鋭く尖り、その夜は影がほんとうに「見えるもの」になったのだと思われます。It seems that, together with his illness, K's mind had grown keenly sharpened, and that on that night his shadow had truly become "something one can see."
肩が現われ、頸が顕われ、微かな眩暈のごときものを覚えると共に、「気配」のなかからついに頭が見えはじめ、そしてある瞬間が過ぎて、K君の魂は月光の流れに逆らいながら、徐々に月の方へ登ってゆきます。The shoulders appeared, the neck appeared, and as he felt something like a faint giddiness, the head at last began to emerge from the "presence"; then a certain moment passed, and K's soul, going against the stream of moonlight, rose little by little towards the moon.
K君の身体はだんだん意識の支配を失い、無意識な歩みは一歩一歩海へ近づいて行くのです。K's body gradually slipped from the control of his consciousness, and his unconscious steps drew nearer to the sea, one step after another.
影の方の彼はついに一箇の人格を持ちました。He who was the shadow had at last taken on a personality of his own.
K君の魂はなお高く昇天してゆきます。K's soul ascends higher still towards heaven.
そしてその形骸は影の彼に導かれつつ、機械人形のように海へ歩み入ったのではないでしょうか。And was it not, then, that his empty shell, led by his shadow self, walked into the sea like a mechanical doll?
次いで干潮時の高い浪がK君を海中へ仆します。Next, a high wave at low tide knocks K down into the sea.
もしそのとき形骸に感覚が蘇えってくれば、魂はそれと共に元へ帰ったのであります。Had feeling returned to the shell at that moment, his soul would have come back to its place along with it.
哀れなるかな、イカルスが幾人も来ては落っこちる。"Alas, how pitiful! Icarus after Icarus comes, only to come tumbling down."
K君はそれを墜落と呼んでいました。K used to call that "falling."
もし今度も墜落であったなら、泳ぎのできるK君です。Had it been a fall this time as well, K, after all, could swim.
溺れることはなかったはずです。He surely would not have drowned.
K君の身体は仆れると共に沖へ運ばれました。As K's body fell, it was carried out towards the open sea.
感覚はまだ蘇えりません。Feeling does not yet return.
次の浪が浜辺へ引き摺りあげました。The next wave dragged it up onto the beach.
感覚はまだ帰りません。Still feeling does not come back.
また沖へ引き去られ、また浜辺へ叩きつけられました。Once more it was drawn away out to sea, and once more it was flung against the beach.
しかも魂は月の方へ昇天してゆくのです。And all the while his soul is ascending towards the moon.
ついに肉体は無感覚で終わりました。In the end the flesh came to its end without feeling.
干潮は十一時五十六分と記載されています。Low tide is recorded as eleven fifty-six.
その時刻の激浪に形骸の翻弄を委ねたまま、K君の魂は月へ月へ、飛翔し去ったのであります。Leaving his empty shell to be tossed about by the raging waves of that hour, K's soul flew away, to the moon, to the moon.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 阿片あへん | opiumOften written アヘン in modern Japanese. | — |
| 正鵠せいこく | the bull's-eye; the essential pointUsed in the set phrase 正鵠を射る, "to hit the mark"; here intensified with 射抜く, "to shoot right through". | — |
| 固執こしつ | to insist on, cling stubbornly toAlso read こしゅう. Usually takes に; the older を construction appears here. | — |
| 五里霧中ごりむちゅう | completely in the dark, utterly baffledA four-character idiom; literally "in a fog five ri deep". | — |
| 南中なんちゅう | (of a heavenly body) crossing the meridian, reaching its highest pointAn astronomical term; in Japan the moon is then due south. | — |
| 歩み入ったあゆみいる | to walk into, step intodictionary form: 歩み入る歩む is a more literary verb than 歩く. | — |
| 気配けはい | a presence; a sign or sense that something is thereUsed here in quotation marks for the shadowy self that is only half felt. | N2 |
| 昇天しょうてん | ascension to heavenAlso a euphemism for dying; the key word of the story's title. | — |
| 形骸けいがい | an empty shell; a body without its spiritOften used figuratively for something that has lost its substance. | — |
| 干潮かんちょう | low tideIts opposite is 満潮 (まんちょう), high tide. | — |
| 仆しますたおす | to knock down, throw downdictionary form: 仆すAn old kanji; the modern spelling is 倒す. | N3 |
| 蘇えってよみがえる | to revive, come back (of feeling or life)dictionary form: 蘇るThe okurigana 蘇える is old-fashioned; it is usually written 蘇る or 甦る today. | N2 |
| 翻弄ほんろう | being tossed about, toyed withOften appears in the passive, as in 波に翻弄される. | — |
| 委ねたゆだねる | to entrust, leave to (the mercy of)dictionary form: 委ねる | — |
Grammar
〜のごとき N1 like ~, such as ~
A literary form of 〜のような that comes before a noun. Here it softens the claim: shadows are not opium, but something resembling it.
影は阿片のごときものだ
shadows are something like opium
〜に過ぎない N2 no more than ~, merely ~
〜に過ぎない means 'is no more than ~, is merely ~'. The text uses にしか過ぎない, adding しか for extra emphasis on the limitation. This combination is common but strictly redundant and is considered nonstandard.
その直感は参考にしか過ぎないのです
that intuition is no more than a point of reference
〜ことになる N3 it follows that ~, it turns out that ~
This pattern presents a conclusion that follows logically from what came before. The narrator uses it to infer K's path from the angle of the shadow.
K君はその影を追いながら海岸線を斜に海へ歩み入ったことになります
it follows that K, following that shadow, walked into the sea at a slant across the shoreline
〜と共に N2 as ~, together with ~
After a verb in the dictionary form, it means that two things happen at the same time or change together. After a noun, as in 病と共に, it means "along with".
微かな眩暈のごときものを覚えると共に
as he felt something like a faint giddiness
〜つつ N2 while ~
A written-style equivalent of 〜ながら that attaches to the verb stem. Here it is combined with a passive: 導かれつつ means "while being led".
影の彼に導かれつつ
while being led by his shadow self
〜はずだ N4 should be, must surely ~
The speaker uses it for a confident expectation based on reasoning. Here, after a hypothetical, it means K surely would not have drowned, since he could swim.
溺れることはなかったはずです
He surely would not have drowned.