Kの昇天梶井基次郎

Part 4 of 4 · JLPT N2

Kの昇天 Kē no Shōten, part 4: The Night K Rose to the Moon

by Kajii Motojirō · 1,024 characters · from K on the Moonlit Shore

In this part

The narrator says his explanation of K's death rests only on intuition, then reconstructs that night from the almanac's times for moonrise, the moon's highest point and low tide. He imagines K following his shadow into the sea while his soul climbed towards the moon. He suggests that K, a swimmer, drowned because his body never regained feeling as the waves tossed it back and forth.

AI translation · independently checked

K君くんは、影かげは阿片あへんのごときものだ、と言いっていました。K used to say that shadows were something like opium.

もし私わたくしの直感ちょっかんが正鵠せいこくを射抜いぬいていましたら、影かげがK君くんを奪うばったのです。If my intuition has struck the very centre of the mark, then it was his shadow that took K away.

しかし私わたくしはその直感ちょっかんを固執こしつするのでありません。Yet I do not insist upon that intuition.

私自身わたしじしんにとってもその直感ちょっかんは参考さんこうにしか過すぎないのです。Even for me it is no more than a point of reference.

ほんとうの死因しいん、それは私わたくしにとっても五ご里り霧中むちゅうであります。The true cause of his death is, even to me, lost in a fog.

しかし私わたくしはその直感ちょっかんを土台どだいにして、その不幸ふこうな満月まんげつの夜よるのことを仮かりに組くみ立たててみようと思おもいます。Nevertheless, I would like to take that intuition as my foundation and try to piece together, provisionally, the events of that unhappy night of the full moon.

その夜よるの月齢げつれいは十五じゅうご・二にであります。The moon's age that night was fifteen point two days.

月つきの出でが六ろく時じ三十分さんじゅっぷん。Moonrise was at half past six.

十一じゅういち時じ四十七よんじゅうなな分ふんが月つきの南中なんちゅうする時刻じこくと本暦ほんれきには記載きさいされています。The almanac records eleven forty-seven as the hour at which the moon crossed the meridian.

私わたくしはK君くんが海うみへ歩あゆみ入いったのはこの時刻じこくの前後ぜんごではないかと思おもうのです。I believe that it was at about this hour that K walked into the sea.

私わたくしがはじめてK君くんの後姿うしろすがたを、あの満月まんげつの夜よるに砂浜すなはまに見出みいだしたのもほぼ南中なんちゅうの時刻じこくだったのですから。For it was also at almost exactly the moon's meridian hour that I first came upon K, seen from behind, on the sand on that night of the full moon.

そしてもう一歩いっぽ想像そうぞうを進すすめるならば、月つきが少すこし西にしへ傾かたむきはじめた頃ころと思おもいます。And if I may carry my imagining one step further, I think it was when the moon had begun to lean a little towards the west.

もしそうとすればK君くんのいわゆる一尺いっしゃくないし二に尺しゃくの影かげは北側きたがわといってもやや東ひがしに偏へんした方向ほうこうに落おちるわけで、K君くんはその影かげを追おいながら海岸線かいがんせんを斜しゃに海うみへ歩あゆみ入いったことになります。If that is so, the shadow of a foot or two that K spoke of would have fallen towards the north, though inclined slightly to the east, and so K, following that shadow, must have walked into the sea at a slant across the shoreline.

K君くんは病やまいと共ともに精神せいしんが鋭するどく尖とがり、その夜よるは影かげがほんとうに「見みえるもの」になったのだと思おもわれます。It seems that, together with his illness, K's mind had grown keenly sharpened, and that on that night his shadow had truly become "something one can see."

肩かたが現あらわれ、頸くびが顕あらわれ、微かすかな眩暈めまいのごときものを覚おぼえると共ともに、「気配けはい」のなかからついに頭あたまが見みえはじめ、そしてある瞬間しゅんかんが過すぎて、K君くんの魂たましいは月光げっこうの流ながれに逆さからいながら、徐々じょじょに月つきの方ほうへ登のぼってゆきます。The shoulders appeared, the neck appeared, and as he felt something like a faint giddiness, the head at last began to emerge from the "presence"; then a certain moment passed, and K's soul, going against the stream of moonlight, rose little by little towards the moon.

K君くんの身体からだはだんだん意識いしきの支配しはいを失うしない、無意識むいしきな歩あゆみは一歩いっぽ一歩いっぽ海うみへ近ちかづいて行いくのです。K's body gradually slipped from the control of his consciousness, and his unconscious steps drew nearer to the sea, one step after another.

影かげの方ほうの彼かれはついに一箇いっこの人格じんかくを持もちました。He who was the shadow had at last taken on a personality of his own.

K君くんの魂たましいはなお高たかく昇天しょうてんしてゆきます。K's soul ascends higher still towards heaven.

そしてその形骸けいがいは影かげの彼かれに導みちびかれつつ、機械きかい人形にんぎょうのように海うみへ歩あゆみ入いったのではないでしょうか。And was it not, then, that his empty shell, led by his shadow self, walked into the sea like a mechanical doll?

次ついで干潮かんちょう時じの高たかい浪なみがK君くんを海中かいちゅうへ仆たおします。Next, a high wave at low tide knocks K down into the sea.

もしそのとき形骸けいがいに感覚かんかくが蘇よみがえってくれば、魂たましいはそれと共ともに元もとへ帰かえったのであります。Had feeling returned to the shell at that moment, his soul would have come back to its place along with it.

哀あわれなるかな、イカルスが幾いく人にんも来きては落おっこちる。"Alas, how pitiful! Icarus after Icarus comes, only to come tumbling down."

K君くんはそれを墜落ついらくと呼よんでいました。K used to call that "falling."

もし今度こんども墜落ついらくであったなら、泳およぎのできるK君くんです。Had it been a fall this time as well, K, after all, could swim.

溺おぼれることはなかったはずです。He surely would not have drowned.

K君くんの身体からだは仆たおれると共ともに沖おきへ運はこばれました。As K's body fell, it was carried out towards the open sea.

感覚かんかくはまだ蘇よみがえりません。Feeling does not yet return.

次つぎの浪なみが浜辺はまべへ引ひき摺ずりあげました。The next wave dragged it up onto the beach.

感覚かんかくはまだ帰かえりません。Still feeling does not come back.

また沖おきへ引ひき去さられ、また浜辺はまべへ叩たたきつけられました。Once more it was drawn away out to sea, and once more it was flung against the beach.

しかも魂たましいは月つきの方ほうへ昇天しょうてんしてゆくのです。And all the while his soul is ascending towards the moon.

ついに肉体にくたいは無感覚むかんかくで終おわりました。In the end the flesh came to its end without feeling.

干潮かんちょうは十一じゅういち時じ五十六分ごじゅうろっぷんと記載きさいされています。Low tide is recorded as eleven fifty-six.

その時刻じこくの激浪げきろうに形骸けいがいの翻弄ほんろうを委ゆだねたまま、K君くんの魂たましいは月つきへ月つきへ、飛翔ひしょうし去さったのであります。Leaving his empty shell to be tossed about by the raging waves of that hour, K's soul flew away, to the moon, to the moon.

Vocabulary

WordMeaningJLPT
阿片あへんopiumOften written アヘン in modern Japanese.—
正鵠せいこくthe bull's-eye; the essential pointUsed in the set phrase 正鵠を射る, "to hit the mark"; here intensified with 射抜く, "to shoot right through".—
固執こしつto insist on, cling stubbornly toAlso read こしゅう. Usually takes に; the older を construction appears here.—
五里霧中ごりむちゅうcompletely in the dark, utterly baffledA four-character idiom; literally "in a fog five ri deep".—
南中なんちゅう(of a heavenly body) crossing the meridian, reaching its highest pointAn astronomical term; in Japan the moon is then due south.—
歩み入ったあゆみいるto walk into, step intodictionary form: 歩み入る歩む is a more literary verb than 歩く.—
気配けはいa presence; a sign or sense that something is thereUsed here in quotation marks for the shadowy self that is only half felt.N2
昇天しょうてんascension to heavenAlso a euphemism for dying; the key word of the story's title.—
形骸けいがいan empty shell; a body without its spiritOften used figuratively for something that has lost its substance.—
干潮かんちょうlow tideIts opposite is 満潮 (まんちょう), high tide.—
仆しますたおすto knock down, throw downdictionary form: 仆すAn old kanji; the modern spelling is 倒す.N3
蘇えってよみがえるto revive, come back (of feeling or life)dictionary form: 蘇るThe okurigana 蘇える is old-fashioned; it is usually written 蘇る or 甦る today.N2
翻弄ほんろうbeing tossed about, toyed withOften appears in the passive, as in 波に翻弄される.—
委ねたゆだねるto entrust, leave to (the mercy of)dictionary form: 委ねる—

Grammar

〜のごとき N1 like ~, such as ~

A literary form of 〜のような that comes before a noun. Here it softens the claim: shadows are not opium, but something resembling it.

影は阿片のごときものだ

shadows are something like opium

〜に過ぎない N2 no more than ~, merely ~

〜に過ぎない means 'is no more than ~, is merely ~'. The text uses にしか過ぎない, adding しか for extra emphasis on the limitation. This combination is common but strictly redundant and is considered nonstandard.

その直感は参考にしか過ぎないのです

that intuition is no more than a point of reference

〜ことになる N3 it follows that ~, it turns out that ~

This pattern presents a conclusion that follows logically from what came before. The narrator uses it to infer K's path from the angle of the shadow.

K君はその影を追いながら海岸線を斜に海へ歩み入ったことになります

it follows that K, following that shadow, walked into the sea at a slant across the shoreline

〜と共に N2 as ~, together with ~

After a verb in the dictionary form, it means that two things happen at the same time or change together. After a noun, as in 病と共に, it means "along with".

微かな眩暈のごときものを覚えると共に

as he felt something like a faint giddiness

〜つつ N2 while ~

A written-style equivalent of 〜ながら that attaches to the verb stem. Here it is combined with a passive: 導かれつつ means "while being led".

影の彼に導かれつつ

while being led by his shadow self

〜はずだ N4 should be, must surely ~

The speaker uses it for a confident expectation based on reasoning. Here, after a hypothetical, it means K surely would not have drowned, since he could swim.

溺れることはなかったはずです

He surely would not have drowned.