Cover of 狐 (Kitsune)

Part 4 of 5 · JLPT N3

狐 Kitsune, part 4: A Bedtime Question About Foxes

by Niimi Nankichi · 1,329 characters · from The Fox in the New Clogs

In this part

Bunroku gets home and quietly starts to worry that a fox really has possessed him. At bedtime his mother asks about the festival, but he asks her instead whether putting on new clogs at night makes a fox possess you, and what she would do if he turned into a fox. She laughs, then teases him with a very serious face: she and his father would give up being human and become foxes too.

AI translation · independently checked

文六ぶんろくちゃんの屋敷やしきの外そと囲がこいになっている槙まきの生垣いけがきのところに来きました。He came to the hedge of maki trees that ran around the outside of Bunroku's house and yard.

背せ戸口どぐちの方ほうの小ちいさい木戸きどをあけて中なかにはいりながら、文六ぶんろくちゃんは、じぶんの小ちいさい影法師かげぼうしを見みてふと、ある心配しんぱいを感かんじました。As he opened the little wicket gate by the back door and went in, Bunroku caught sight of his own small shadow, and all at once he felt a certain worry.

――ひょっとすると、じぶんはほんとうに狐きつねにつかれているかもしれない、ということでした。It was this: perhaps a fox really had got into him.

そうすると、お父とうさんやお母かあさんはじぶんをどうするだろうということでした。And if that were so, what would his father and mother do with him?

六ろくSix

お父とうさんが樽屋たるやさんの組合くみあいへいつて、今晩こんばんはまだ帰かえらないので、文六ぶんろくちゃんとお母かあさんはさきに寝やすむことになりました。His father had gone to the barrel-makers' guild and had not yet come home that evening, so Bunroku and his mother went to bed first.

文六ぶんろくちゃんは初等科しょとうか三さん年生ねんせいなのにまだお母かあさんといっしょに寝ねるのです。Bunroku was in his third year of primary school, yet he still slept with his mother.

ひとり子ごですからしかたないのです。He was an only child, so it could not be helped.

「さあ、お祭まつりの話はなしを、母かあちゃんにきかしておくれ」"Now then, tell Mama all about the festival."

とお母かあさんは、文六ぶんろくちゃんのねまきのえりを合あわせてやりながらいいました。said his mother, as she straightened the collar of Bunroku's nightclothes.

文六ぶんろくちゃんは、学校がっこうから帰かえれば学校がっこうのことを、町まちにゆけば町まちのことを、映画えいがを見みてくれば映画えいがのことをお母かあさんにきかれるのです。Whenever Bunroku came home from school, his mother asked him about school; whenever he went into town, she asked him about the town; and whenever he had seen a film, she asked him about the film.

文六ぶんろくちゃんは話はなしが下手へたですから、ちぎれちぎれに話はなしをします。Bunroku was not good at telling things, so he told them in bits and pieces.

それでもお母かあさんは、とても面白おもしろがって、よろこんで文六ぶんろくちゃんの話はなしをきいてくれるのでした。Even so, his mother always found it great fun and listened happily to everything he told her.

「神子みこさんね、あれよく見みたら、お多福たふく湯ゆのトネ子こだったよ」"You know the shrine maiden? When I looked real close, it was Toneko from the Otafuku-yu."

と文六ぶんろくちゃんは話はなしました。Bunroku told her.

お母かあさんは、そうかい、といって、面白おもしろそうに笑わらって、His mother said, "Is that so?" and laughed as if she found it very funny,

「それから、もう誰だれが出でたかわからなかったかい」"And after that, couldn't you tell who else came on?"

とききました。she asked.

文六ぶんろくちゃんはおもいだそうとするように、眼めを大おおきく見みひらいて、じっとしていましたが、やがて、祭まつりの話はなしはやめて、こんなことをいいだしました。Bunroku opened his eyes wide and lay very still, as though trying to remember, but after a while he dropped the subject of the festival and began to say something like this.

「母かあちゃん、夜よる、新あたらしい下駄げたおろすと、狐きつねにつかれる?」"Mama, if you put on new clogs at night, does a fox get into you?"

お母かあさんは、文六ぶんろくちゃんが何なにをいい出だしたかと思おもって、しばらく、あっけにとられて文六ぶんろくちゃんの顔かおを見みていましたが、今晩こんばん、文六ぶんろくちゃんの身みの上うえに、おおよそどんなことが起おこったか、けんとうがつきました。His mother wondered what on earth Bunroku was talking about, and for a little while she simply stared at his face in astonishment; but then she had a fair idea of what must have happened to him that evening.

「誰だれがそんなことをいった?」"Who told you a thing like that?"

文六ぶんろくちゃんはむきになって、じぶんのさきの問といをくりかえしました。Bunroku, very much in earnest, asked his question over again.

「ほんと?」"Is it true?"

「嘘うそだよ、そんなこと。昔むかしの人ひとがそんなことをいっただけだよ」"No, that's not true. It's just something people used to say in the old days."

「嘘うそだね?」"It's not true?"

「嘘うそだとも」"Of course it isn't."

「きっとだね」"For sure?"

「きっと」"For sure."

しばらく文六ぶんろくちゃんは黙だまっていました。For a while Bunroku said nothing.

黙だまっている間あいだに、大おおきい眼玉めだまが二に度どぐるりぐるりとまわりました。While he was silent, his big eyes rolled round and round, twice.

それからいいました。Then he said,

「もし、ほんとだったらどうする?」"But if it was true, what would you do?"

「どうするって、何なにを?」"What would I do? About what?"

とお母かあさんがききかえしました。his mother asked back.

「もし、僕ぼくが、ほんとに狐きつねになっちゃったらどうする?」"If I really did turn into a fox, what would you do?"

お母かあさんは、しんからおかしいように笑わらいだしました。His mother burst out laughing, as if she found it truly funny.

「ね、ね、ね」"Tell me, tell me, tell me!"

と文六ぶんろくちゃんは、ちょっとてれくさいような顔かおをして、お母かあさんの胸むねを両手りょうてでぐんぐん押おしました。said Bunroku, looking a little embarrassed, and he pushed hard against his mother's chest with both hands.

「そうさね」と、お母かあさんはちょっと考かんがえていてからいいました。"Well now," said his mother, after thinking for a moment.

「そしたら、もう、家いえにおくわけにゃいかないね」"Then I suppose we couldn't keep you in the house any more."

文六ぶんろくちゃんは、それをきくと、さびしい顔かおつきをしました。When Bunroku heard this, a lonely look came over his face.

「そしたら、どこへゆく?」"Then where would I go?"

「鴉根山からすねやまの方ほうにゆけば、今いまでも狐きつねがいるそうだから、そっちへゆくさ」"They say there are still foxes over Karasune-yama way, so you'd go there, I expect."

「母かあちゃんや父とうちゃんはどうする?」"And what would you and Papa do?"

するとお母かあさんは、大人おとなが子供こどもをからかうときにするように、たいへんまじめな顔かおで、しかつべらしく、Then his mother, the way grown-ups do when they are teasing children, put on a very serious face and said solemnly,

「父とうちゃんと母かあちゃんは相談そうだんをしてね、かあいい文六ぶんろくが、狐きつねになってしまったから、わしたちもこの世よに何なんのたのしみもなくなってしまったで、人間にんげんをやめて、狐きつねになることにきめますよ」"Papa and Mama would talk it over, and we'd say: our darling Bunroku has turned into a fox, so there's nothing left in this world to make us happy; we'll stop being people and become foxes too. That's what we'd decide."

Vocabulary

WordMeaningJLPT
生垣いけがきhedge (a fence of living plants)生 'living' + 垣 'fence'. 槙 (maki) is a podocarpus, often used for hedges.—
背戸口せどぐちback door, back entranceOld-fashioned; 背戸 is the back of a house.—
影法師かげぼうし(a person's) shadow, silhouetteLiterary word for a shadow cast by a person.—
つかれているつかれるto be possessed (by a spirit or animal)dictionary form: 憑かれる狐につかれる = to be bewitched by a fox, a common folk belief. Different from 疲れる 'to be tired'.—
組合くみあいguild, association, unionN3
ひとり子ひとりごonly childdictionary form: 一人子Today ひとりっ子 is more common.—
ちぎれちぎれちぎれちぎれin bits and pieces, disjointedlyFrom ちぎれる 'to be torn off'.—
神子みこshrine maiden (dancer at a shrine)Usually written 巫女.—
おろすおろすto use (something new) for the first timedictionary form: 下ろす新しい下駄をおろす = to wear new clogs for the first time.N3
あっけにとられてあっけにとられるto be taken aback, dumbfoundeddictionary form: 呆気に取られる—
けんとうがつきましたけんとうがつくto have a rough idea, to guessdictionary form: 見当がつく—
むきになってむきになるto get very earnest or worked up (about something)dictionary form: 向きになる—
てれくさいてれくさいembarrassed, self-consciousdictionary form: 照れくさい—
しかつべらしくしかつべらしいsolemnly, with a straight facedictionary form: しかつべらしいOld-fashioned; the modern form is しかつめらしい.—

Grammar

ひょっとすると〜かもしれない N3 perhaps, possibly

ひょっとすると introduces a guess and かもしれない ends it, so together they express a nagging possibility. Here it shows Bunroku's half-formed fear.

ひょっとすると、じぶんはほんとうに狐につかれているかもしれない

perhaps a fox really had got into him

〜ことになる N4 it is arranged / it turns out that

〜ことになる describes an outcome decided by circumstances rather than by one person's choice. Because the father is out, going to bed first is simply how things work out.

文六ちゃんとお母さんはさきに寝むことになりました

Bunroku and his mother went to bed first

〜ば〜を (repeated) N4 whenever X, then Y

The conditional ば is repeated in a list to show a habit: each time Bunroku does something, his mother asks about it.

学校から帰れば学校のことを、町にゆけば町のことを

whenever he came home from school, about school; whenever he went into town, about the town

〜とも N2 of course, certainly

Sentence-final とも after a plain form gives a strong, reassuring agreement. The mother uses it to comfort Bunroku firmly.

嘘だとも

Of course it isn't.

〜わけにゃいかない (= わけにはいかない) N3 cannot (for social or moral reasons)

わけにはいかない means something is not possible because of circumstances, not ability. にゃ is a casual contraction of には.

もう、家におくわけにゃいかないね

I suppose we couldn't keep you in the house any more.

〜で (dialect = から) N3 because, so

In this regional speech, で after a plain form gives a reason, like standard から. It links the loss of all joy to the decision to become foxes.

わしたちもこの世に何のたのしみもなくなってしまったで

there's nothing left in this world to make us happy, so