
Part 2 of 4 · JLPT N1
名人伝 Meijinden, part 2: Rivalry, Remorse and a New Goal
In this part
Kishō's archery quickly becomes miraculous: he can chain a hundred arrows nock to arrowhead, and he shoots three lashes off his wife's eye without her noticing. Wanting to be the best in the world, he decides to kill his teacher Hiei and ambushes him in open country, but Hiei knocks his last arrow aside with a thorn. Shame wells up in Kishō, the two weep and embrace, and Hiei, wary of his pupil, sends him west to the master Kan'yō on Mount Kaku.
AI translation · independently checked
目の基礎訓練に五年もかけた甲斐があって紀昌の腕前の上達は、驚くほど速い。The five long years he had spent on the groundwork of training his eyes paid off, and Kishō's skill advanced with astonishing speed.
奥儀伝授が始まってから十日の後、試みに紀昌が百歩を隔てて柳葉を射るに、既に百発百中である。Ten days after the teaching of the inner secrets began, Kishō tried shooting at willow leaves from a hundred paces, and already every shot found its mark.
二十日の後、いっぱいに水を湛えた盃を右肱の上に載せて剛弓を引くに、狙いに狂いの無いのはもとより、杯中の水も微動だにしない。After twenty days, he drew a powerful bow with a cup brimming with water set on his right elbow, and his aim was faultless; what is more, the water in the cup did not stir in the slightest.
一月の後、百本の矢をもって速射を試みたところ、第一矢が的に中れば、続いて飛来った第二矢は誤たず第一矢の括に中って突き刺さり、更に間髪を入れず第三矢の鏃が第二矢の括にガッシと喰い込む。After a month, he tried rapid shooting with a hundred arrows. When the first arrow struck the target, the second flew in after it and struck the nock of the first without fail, lodging there; then, without a hair's breadth of delay, the head of the third bit hard into the nock of the second.
矢矢相属し、発発相及んで、後矢の鏃は必ず前矢の括に喰入るが故に、絶えて地に墜ちることがない。Arrow joined arrow and shot followed shot, and because the head of each later arrow always sank into the nock of the one before, not one ever dropped to the ground.
瞬く中に、百本の矢は一本のごとくに相連なり、的から一直線に続いたその最後の括はなお弦を銜むがごとくに見える。In the blink of an eye the hundred arrows were linked as if they were a single arrow. The last nock, at the end of the straight line running back from the target, still looked as though it held the bowstring in its mouth.
傍で見ていた師の飛衛も思わず「善し!」と言った。His master Hiei, who had been watching at his side, cried out despite himself, "Well done!"
二月の後、たまたま家に帰って妻といさかいをした紀昌がこれを威そうとて烏号の弓に綦衛の矢をつがえきりりと引絞って妻の目を射た。Two months later, Kishō happened to go home and quarrel with his wife. To frighten her, he fitted one of the famed Kiei arrows to the legendary bow Crow's Cry, drew it taut and shot at her eye.
矢は妻の睫毛三本を射切ってかなたへ飛び去ったが、射られた本人は一向に気づかず、まばたきもしないで亭主を罵り続けた。The arrow severed three of her eyelashes and flew off into the distance, but the woman it was aimed at noticed nothing at all; without so much as blinking, she went on berating her husband.
けだし、彼の至芸による矢の速度と狙いの精妙さとは、実にこの域にまで達していたのである。Indeed, through his consummate art, the speed of his arrows and the precision of his aim had truly reached such heights.
もはや師から学び取るべき何ものも無くなった紀昌は、ある日、ふと良からぬ考えを起した。With nothing left that he could learn from his master, Kishō one day suddenly conceived an ill thought.
彼がその時独りつくづくと考えるには、今や弓をもって己に敵すべき者は、師の飛衛をおいて外に無い。As he pondered it alone and at length, he reasoned that there was now no one who could rival him with the bow except his own master, Hiei.
天下第一の名人となるためには、どうあっても飛衛を除かねばならぬと。To become the greatest master under heaven, he would have to remove Hiei, whatever the cost.
秘かにその機会を窺っている中に、一日たまたま郊野において、向うからただ一人歩み来る飛衛に出遇った。While he was secretly waiting for his chance, he happened one day, out in the open country beyond the city, to meet Hiei walking toward him entirely alone.
とっさに意を決した紀昌が矢を取って狙いをつければ、その気配を察して飛衛もまた弓を執って相応ずる。Kishō made up his mind on the spot, took an arrow and aimed; sensing it, Hiei too took up his bow in answer.
二人互いに射れば、矢はその度に中道にして相当り、共に地に墜ちた。The two shot at each other, and every time their arrows met halfway and fell to the ground together.
地に落ちた矢が軽塵をも揚げなかったのは、両人の技がいずれも神に入っていたからであろう。That the fallen arrows did not raise even a wisp of dust was surely because the skill of both men had passed into the realm of the divine.
さて、飛衛の矢が尽きた時、紀昌の方はなお一矢を余していた。Now, when Hiei had used up his arrows, Kishō still had one left.
得たりと勢込んで紀昌がその矢を放てば、飛衛はとっさに、傍なる野茨の枝を折り取り、その棘の先端をもってハッシと鏃を叩き落した。"I have him!" thought Kishō, and he eagerly let that arrow fly. In an instant Hiei broke off a branch of the wild rose beside him and, with the tip of a thorn, smartly struck the arrowhead down.
ついに非望の遂げられないことを悟った紀昌の心に、成功したならば決して生じなかったに違いない道義的慚愧の念が、この時忽焉として湧起った。Kishō realised at last that his outrageous ambition could not be fulfilled, and at that moment a sense of moral shame suddenly welled up in his heart, a shame he would surely never have felt had he succeeded.
飛衛の方では、また、危機を脱し得た安堵と己が伎倆についての満足とが、敵に対する憎しみをすっかり忘れさせた。On Hiei's side, the relief of having escaped danger and his satisfaction with his own skill made him forget his hatred for his enemy completely.
二人は互いに駈寄ると、野原の真中に相抱いて、しばし美しい師弟愛の涙にかきくれた。The two ran to each other, embraced in the middle of the field, and for a while were lost in beautiful tears of love between master and pupil.
(こうした事を今日の道義観をもって見るのは当らない。美食家の斉の桓公が己のいまだ味わったことのない珍味を求めた時、厨宰の易牙は己が息子を蒸焼にしてこれをすすめた。十六歳の少年、秦の始皇帝は父が死んだその晩に、父の愛妾を三度襲うた。すべてそのような時代の話である。)(It is not fair to judge such things by present-day morals. When Duke Kan of Sei, a great lover of fine food, demanded a delicacy he had never yet tasted, his head cook Ekiga roasted his own son and served him up. On the very night his father died, the sixteen-year-old Shikōtei of Shin forced himself on his father's favourite concubine three times. All of this is a tale from an age of that kind.)
涙にくれて相擁しながらも、再び弟子がかかる企みを抱くようなことがあっては甚だ危いと思った飛衛は、紀昌に新たな目標を与えてその気を転ずるにしくはないと考えた。Even as he wept in his pupil's arms, Hiei thought it would be very dangerous if his pupil were ever to harbour such a scheme again, and he decided that nothing would be better than to give Kishō a new goal and so turn his mind elsewhere.
彼はこの危険な弟子に向って言った。He said to this dangerous pupil:
もはや、伝うべきほどのことはことごとく伝えた。"I have now handed down to you everything that is worth handing down.
儞がもしこれ以上この道の蘊奥を極めたいと望むならば、ゆいて西の方大行の嶮に攀じ、霍山の頂を極めよ。If you wish to go further and reach the deepest mysteries of this art, then go west, climb the crags of the Taikō range, and make your way to the summit of Mount Kaku.
そこには甘蠅老師とて古今を曠しゅうする斯道の大家がおられるはず。There, I believe, you will find the venerable Master Kan'yō, a great master of this way without equal in all of history.
老師の技に比べれば、我々の射のごときはほとんど児戯に類する。Compared with the old master's art, archery such as ours is little better than child's play.
儞の師と頼むべきは、今は甘蠅師の外にあるまいと。Now there can be no one but Master Kan'yō for you to seek as your teacher."
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 百発百中ひゃっぱつひゃくちゅう | a hundred shots, a hundred hits; never missingFour-character idiom, also used figuratively for predictions that always come true. | — |
| 間髪を入れずかんぱつをいれず | instantly, without a moment's delay (literally 'not letting even a hair in between'; traditionally read かん、はつをいれず, though かんぱつ is now common)Literally 'not letting even a hair in between'. Often misread as かんぱつ with a break in the middle. | — |
| 括やはず | nock (the notched end of an arrow)Usually written 筈 or 矢筈. | — |
| 鏃やじり | arrowhead | — |
| 罵りののしる | to abuse verbally, to rail atdictionary form: 罵る | N1 |
| けだしけだし | indeed; probably; it would seemLiterary adverb from kanbun style that introduces the narrator's explanation or judgement. | — |
| 己おのれ | oneself, he himselfLiterary reflexive. In the form 己が (おのが) it means 'one's own'. | — |
| 窺ってうかがう | to watch for (an opportunity), to spy ondictionary form: 窺う機会を窺う is a set phrase: to bide one's time. | — |
| 神に入ってしんにいる | to reach a superhuman, divine level of skilldictionary form: 神に入るIdiom; 入る is read いる here, not はいる. | — |
| 慚愧ざんき | deep shame, remorseFormal. Common in the phrase 慚愧に堪えない, 'I am deeply ashamed'. | — |
| 企みたくらみ | scheme, plotHas a negative nuance. Compare the neutral 企画 (plan, project). | — |
| 蘊奥うんのう | the innermost secrets (of an art)Also read うんおう. Close in meaning to 奥義 (おうぎ) in the passage's opening sentences. | — |
| 児戯じぎ | child's play児戯に類する means 'is no better than child's play'. | — |
Grammar
〜だにしない N1 not even ~
だに is a literary particle meaning 'even', and it combines with a negative. 微動だにしない means 'does not move even slightly'.
杯中の水も微動だにしない
the water in the cup does not stir in the slightest
〜が故に N1 because ~
Because ~. A formal, literary way to give a reason. It attaches to the plain form of verbs and adjectives, and to nouns with の or である. 故に means 'for that reason'.
後矢の鏃は必ず前矢の括に喰入るが故に、絶えて地に墜ちることがない
because the head of each later arrow always sinks into the nock of the one before, none ever falls to the ground
〜をおいて(ほかに)ない N1 no one/nothing but ~
This pattern singles out one person or thing as the only possibility. Here it says that Hiei is the only rival left.
今や弓をもって己に敵すべき者は、師の飛衛をおいて外に無い
there is now no one who could rival him with the bow except his master Hiei
〜ねばならぬ N2 must ~
This is the literary form of 〜なければならない. ね is the classical negative of the verb, and ならぬ is the classical form of ならない.
どうあっても飛衛を除かねばならぬ
he must get rid of Hiei, whatever it takes
〜に違いない N3 surely ~, must be ~
It expresses strong certainty. Here it is attached to a hypothetical: had he succeeded, he certainly would not have felt shame.
成功したならば決して生じなかったに違いない道義的慚愧の念
a sense of moral shame that would surely never have arisen had he succeeded
〜にしくはない N1 nothing is better than ~; it is best to ~
しく comes from the classical verb 如く, 'to equal'. Nothing equals doing this, so it is the best course of action.
紀昌に新たな目標を与えてその気を転ずるにしくはないと考えた
he decided that nothing would be better than to give Kishō a new goal and turn his mind elsewhere