Cover of オツベルと象 (Otsuberu to Zō)

Part 3 of 4 · JLPT N2

オツベルと象(第五日曜) Otsuberu to Zō, part 3: The Moon, the Letter, and the Charge

by Miyazawa Kenji · 1,565 characters · from The White Elephant Who Wandered into Otsuberu's Threshing Shed

In this part

Otsuberu treats the elephant more and more cruelly until the elephant collapses and says goodbye to the moon. The moon tells him to write to his friends, and a child in red brings him paper and an inkstone and carries his letter to the mountains. The wild elephants storm toward Otsuberu's mansion; Otsuberu calmly barricades the shed and the gate, while his terrified farmhands tie white cloths to their arms to show they surrender.

AI translation · independently checked

オツベルかね、そのオツベルは、おれも云いおうとしてたんだが、居いなくなったよ。Otsuberu, you say? Well, that Otsuberu, and I was just about to tell you, he's gone.

まあ落おちついてききたまえ。Now, now, settle down and listen.

前まえにはなしたあの象ぞうを、オツベルはすこしひどくし過すぎた。Otsuberu was a little too rough on that elephant I told you about.

しかたがだんだんひどくなったから、象ぞうがなかなか笑わらわなくなった。The way he treated him got worse and worse, until the elephant hardly smiled anymore.

時じには赤あかい竜りゅうの眼めをして、じっとこんなにオツベルを見みおろすようになってきた。Sometimes he'd get the eyes of a red dragon and stare down at Otsuberu, hard and still, like this.

ある晩ばん象ぞうは象ぞう小屋ごやで、三把さんばの藁わらをたべながら、十とお日かの月つきを仰あおぎ見みて、One night in the elephant hut, the elephant was eating his three bundles of straw, and he looked up at the ten-day moon

「苦くるしいです。サンタマリア。」と云いったということだ。and said, "I'm suffering. Santa Maria." That's how the story goes.

こいつを聞きいたオツベルは、ことごと象ぞうにつらくした。When Otsuberu heard that, he was hard on the elephant at every turn.

ある晩ばん、象ぞうは象ぞう小屋ごやで、ふらふら倒たおれて地じべたに座すわり、藁わらもたべずに、十一じゅういち日にちの月つきを見みて、One night in the elephant hut, the elephant staggered, dropped down to sit on the bare ground, didn't even eat his straw, looked at the eleven-day moon,

「もう、さようなら、サンタマリア。」と斯こう言いった。and said, "It's goodbye now, Santa Maria."

「おや、何なんだって? さよならだ?」月つきが俄にわかに象ぞうに訊きく。"Well, what's this? Goodbye, you say?" the moon suddenly asked the elephant.

「ええ、さよならです。サンタマリア。」"Yes, goodbye. Santa Maria."

「何なんだい、なりばかり大おおきくて、からっきし意気地いくじのないやつだなあ。仲間なかまへ手紙てがみを書かいたらいいや。」月つきがわらって斯こう云いった。"What's this? All that size and not an ounce of backbone! Why not write a letter to your friends?" the moon said with a laugh.

「お筆ふでも紙かみもありませんよう。」象ぞうは細ほそういきれいな声こえで、しくしくしくしく泣なき出だした。"But I haven't got a brush or any paper, no I haven't." And in a thin, pretty little voice, the elephant began to sob and sob and sob.

「そら、これでしょう。」すぐ眼めの前まえで、可愛かあいい子こどもの声こえがした。"Here, this is what you want, isn't it?" came a sweet child's voice right in front of his eyes.

象ぞうが頭あたまを上あげて見みると、赤あかい着物きものの童子どうじが立たって、硯すずりと紙かみを捧ささげていた。When the elephant lifted his head and looked, there stood a child in a red robe, holding up an inkstone and paper.

象ぞうは早速さっそく手紙てがみを書かいた。The elephant wrote a letter right away.

「ぼくはずいぶん眼めにあっている。みんなで出でて来きて助たすけてくれ。」"I'm having an awful time. Please all come out here and help me."

童子どうじはすぐに手紙てがみをもって、林はやしの方ほうへあるいて行いった。The child took the letter at once and walked off toward the forest.

赤衣せきいの童子どうじが、そうして山やまに着ついたのは、ちょうどひるめしごろだった。It was right around lunchtime when the child in red, going along like that, reached the mountains.

このとき山やまの象ぞうどもは、沙羅樹さらじゅの下したのくらがりで、碁ごなどをやっていたのだが、額ひたいをあつめてこれを見みた。At that moment the elephants of the mountains were playing go and such in the shade under the sal trees, but they put their heads together and read it.

「ぼくはずいぶん眼めにあっている。みんなで出でてきて助たすけてくれ。」"I'm having an awful time. Please all come out here and help me."

象ぞうは一いっせいに立たちあがり、まっ黒くろになって吠ほえだした。The elephants all leapt to their feet at once, a solid mass of black, and started to roar.

「オツベルをやっつけよう」議長ぎちょうの象ぞうが高たかく叫さけぶと、"Let's crush Otsuberu!" the chairman elephant cried out loudly,

「おう、でかけよう。グララアガア、グララアガア。」みんながいちどに呼応こおうする。and "Yeah, let's go! Grrraa-gaaa! Grrraa-gaaa!" they all answered at once.

さあ、もうみんな、嵐あらしのように林はやしの中なかをなきぬけて、グララアガア、グララアガア、野原のはらの方ほうへとんで行いく。And off they go now, every one of them, crying their way through the forest like a storm, Grrraa-gaaa, grrraa-gaaa, racing off toward the open fields.

どいつもみんなきちがいだ。Every last one of them was raving mad.

小ちいさな木きなどは根ねこぎになり、藪やぶや何なんかもめちゃめちゃだ。Little trees got torn up by the roots, and the bushes and whatnot were smashed to pieces.

グワア グワア グワア グワア、花火はなびみたいに野原のはらの中なかへ飛とび出だした。Gwaaa, gwaaa, gwaaa, gwaaa! Like fireworks they shot out into the fields.

それから、何なんの、走はしって、走はしって、とうとう向むこうの青あおくかすんだ野原のはらのはてに、オツベルの邸やしきの黄きいろな屋根やねを見附みつけると、象ぞうはいちどに噴火ふんかした。Then, my, how they ran and ran, till at last, way off at the edge of the fields, hazy and blue, they spotted the yellow roof of Otsuberu's mansion, and the elephants all erupted at once.

グララアガア、グララアガア。Grrraa-gaaa! Grrraa-gaaa!

その時ときはちょうど一時いちじ半はん、オツベルは皮かわの寝台しんだいの上うえでひるねのさかりで、烏からすの夢ゆめを見みていたもんだ。It was half past one just then, and Otsuberu was in the thick of his afternoon nap on his leather bed, dreaming about crows, don't you know.

あまり大おおきな音おとなので、オツベルの家いえの百姓ひゃくしょうどもが、門もんから少すこし外そとへ出でて、小手こてをかざして向むこうを見みた。The noise was so loud that Otsuberu's farmhands went a little way out past the gate, shaded their eyes with their hands and looked into the distance.

林はやしのような象ぞうだろう。Elephants like a whole forest, I tell you.

汽車きしゃより早はやくやってくる。Coming on faster than a train.

さあ、まるっきり、血ちの気けも失うせてかけ込こんで、Well, the blood drained clean out of their faces, and they came running back in

「旦那だんなあ、象ぞうです。押おし寄よせやした。旦那だんなあ、象ぞうです。」と声こえをかぎりに叫さけんだもんだ。and hollered at the top of their lungs, "Maaaster, it's elephants! They're a-comin' at us! Maaaster, it's elephants!"

ところがオツベルはやっぱりえらい。But Otsuberu, now, he really is a great man.

眼めをぱっちりとあいたときは、もう何なにもかもわかっていた。The moment his eyes snapped open, he'd already figured out the whole thing.

「おい、象ぞうのやつは小屋こやにいるのか。居いる? 居いる? 居いるのか。よし、戸とをしめろ。戸とをしめるんだよ。"Hey, is that elephant in the hut? He is? He is? He's in there? Right, shut the door. Shut the door, I said.

早はやく象ぞう小屋ごやの戸とをしめるんだ。ようし、早はやく丸太まるたを持もって来こい。とじこめちまえ、畜生ちくしょうめじたばたしやがるな、丸太まるたをそこへしばりつけろ。Hurry up and shut the door of the elephant hut. Right, now bring logs, quick. Lock him in! Blast you, quit flapping about! Tie the logs there.

何なにができるもんか。わざと力ちからを減へらしてあるんだ。ようし、もう五六本ごろっぽん持もって来こい。さあ、大丈夫だいじょうぶだ。What can he do? I've made sure he's lost his strength. Right, bring five or six more. There, that'll hold.

大丈夫だいじょうぶだとも。あわてるなったら。おい、みんな、こんどは門もんだ。門もんをしめろ。かんぬきをかえ。Of course it'll hold. Don't panic, I'm telling you. Hey, everybody, now the gate. Shut the gate. Put the bar across.

つっぱり。つっぱり。そうだ。おい、みんな心配しんぱいするなったら。しっかりしろよ。」オツベルはもう支度したくができて、ラッパみたいないい声こえで、百姓ひゃくしょうどもをはげました。Prop it! Prop it! That's it. Hey, everybody, stop worrying, I'm telling you. Pull yourselves together." Otsuberu was already all set, and he cheered on his farmhands in a fine voice like a bugle.

ところがどうして、百姓ひゃくしょうどもは気きが気きじゃない。But oh my, the farmhands were beside themselves.

こんな主人しゅじんに巻まき添ぞいなんぞ食くいたくないから、みんなタオルやはんけちや、よごれたような白しろいようなものを、ぐるぐる腕うでに巻まきつける。They had no wish to go down along with a master like that, so every one of them wound towels, handkerchiefs, anything whitish or grubby-white, round and round their arms.

降参こうさんをするしるしなのだ。It was a sign that they were giving up.

Vocabulary

WordMeaningJLPT
仰ぎ見てあおぎみるto look up atdictionary form: 仰ぎ見るLiterary. Often suggests looking up with longing or respect.—
からっきしからっきし(not) at all, utterlyColloquial. Always used with a negative, here 意気地のない.—
意気地いくじbackbone, gutsMostly heard in 意気地のない / 意気地なし ("spineless"). The reading いくじ is irregular.—
童子どうじchild, boy (often a heavenly or temple attendant)Old-fashioned word. In Buddhist imagery it often means a divine child messenger.—
硯すずりinkstoneThe stone on which ink is ground for writing with a brush.—
捧げてささげるto hold up respectfully, to offerdictionary form: 捧げるN1
額をあつめてひたいをあつめるto put heads together, to huddle and conferdictionary form: 額を集めるIdiom. Literally "to gather foreheads".—
呼応こおうresponding in unison, answering a call—
根こぎねこぎuprooted, torn up by the roots—
小手をかざしてこてをかざすto shade one's eyes with a hand (to look far off)dictionary form: 小手をかざす—
押し寄せやしたおしよせるto surge in, to come charging atdictionary form: 押し寄せる〜やした is a rough, old-style form of 〜ました used by the workers.N1
かんぬきかんぬきa bar that bolts a gate or door shutdictionary form: 閂かんぬきをかう means "to put the bar across".—
気が気じゃないきがきでないto be beside oneself with worrydictionary form: 気が気でない—
巻き添いまきぞえgetting dragged into someone else's troubledictionary form: 巻き添えUsually 巻き添えを食う. 巻き添い is an older variant.—
降参こうさんsurrender, giving up—

Grammar

〜たまえ N1 (do) ..., will you: a mild command

The 〜ます stem plus たまえ gives a casual order from someone who feels superior or friendly to the listener. It is old-fashioned and mostly used by men. The storyteller uses it to address his listener.

まあ落ちついてききたまえ。

Now, now, settle down and listen.

〜ようになってきた N4 came to (do), started to (do)

The dictionary form plus ようになる shows a gradual change in behaviour. 〜てきた adds the sense that this change had been building up until then.

じっとこんなにオツベルを見おろすようになってきた。

He started staring down at Otsuberu, hard and still, like this.

〜ということだ N3 they say that ..., so the story goes

This marks hearsay. The narrator is passing on what he has heard rather than what he saw himself.

「苦しいです。サンタマリア。」と云ったということだ。

He said, "I'm suffering. Santa Maria." That's how the story goes.

〜ずに N3 without (doing)

ず is the literary negative. It attaches to the negative stem (たべ → たべず) and means the same as 〜ないで.

藁もたべずに、十一日の月を見て

didn't even eat his straw, looked at the eleven-day moon

〜もんか N2 as if ...! there's no way ...

This is the casual form of ものか. It turns a question into a strong denial. Otsuberu is saying the elephant can do nothing at all.

何ができるもんか。

What can he do?

〜ちまえ N3 (go ahead and) do it completely!

ちまう is a rough spoken contraction of てしまう, and ちまえ is its command form. It adds force and a sense of finishing the job.

とじこめちまえ

Lock him in!