Cover of 赤い蝋燭と人魚 (Akai Rōsoku to Ningyo)

Part 5 of 5 · JLPT N3

赤い蝋燭と人魚(五) Akai Rōsoku to Ningyo, part 5: Shell Money and the Cursed Shrine

by Ogawa Mimei · 1,335 characters · from Red Candles on the Shrine Hill

In this part

On a calm night a pale woman with dripping wet hair buys a red candle from the old woman and pays with seashells. That same night a terrible storm wrecks countless ships, including the one carrying the girl south. From then on, red candles appear at the shrine every night and bring storms and drowning, people come to hate the shrine, and within a few years the town falls into ruin.

AI translation · independently checked

ほんとうに穏おだやかな晩ばんでありました。It was a truly calm evening.

お爺じいさんとお婆ばあさんは、戸とを閉しめて寝ねてしまいました。The old man and the old woman shut the door and went to bed.

真夜中頃まよなかごろであります。It was around midnight.

とん、とん、と誰だれか戸とを叩たたく者ものがありました。Tap, tap: someone was knocking at the door.

年としよりのものですから耳敏みみざとく、その音おとを聞ききつけて、誰だれだろうと思おもいました。Being old, they had sharp ears, and when they caught the sound they wondered who it could be.

「どなた?」と、お婆ばあさんは言いいました。"Who is it?" said the old woman.

けれどもそれには答こたえがなく、つづけて、とん、とん、と戸とを叩たたきました。But there was no answer, and the knocking went on, tap, tap.

お婆ばあさんは起おきて来きて、戸とを細目ほそめにあけて外そとを覗のぞきました。The old woman got up, came to the door, opened it a crack and peeped outside.

すると、一人ひとりの色いろの白しろい女おんなが戸口とぐちに立たっていました。There in the doorway stood a fair-skinned woman.

女おんなは蝋燭ろうそくを買かいに来きたのです。The woman had come to buy candles.

お婆ばあさんは、少すこしでもお金かねが儲もうかるなら、決けっしていやな顔付かおつきをしませんでした。Whenever there was even a little money to be made, the old woman never put on a sour face.

お婆ばあさんは、蝋燭ろうそくの箱はこを出だして女おんなに見みせました。The old woman brought out the box of candles and showed it to the woman.

その時とき、お婆ばあさんはびっくりしました。At that moment the old woman was startled.

女おんなの長ながい黒くろい頭髪かみがびっしょりと水みずに濡ぬれて月つきの光ひかりに輝かがやいていたからであります。For the woman's long black hair was soaking wet and glistening in the moonlight.

女おんなは箱ばこの中なかから、真赤まっかな蝋燭ろうそくを取とり上あげました。From the box the woman took up a deep red candle.

そして、じっとそれに見入みいっていましたが、やがて銭ぜにを払はらってその赤あかい蝋燭ろうそくを持もって帰かえって行いきました。She gazed at it intently for some time. Then at last she paid her coins and went away carrying the red candle.

お婆ばあさんは、燈火あかりのところで、よくその銭ぜにをしらべて見みますと、それはお金かねではなくて、貝殻かいがらでありました。When the old woman looked carefully at the coins by the lamplight, she found they were not money at all but seashells.

お婆ばあさんは、騙だまされたと思おもうと怒おこって、家うちから飛とび出だして見みましたが、もはや、その女おんなの影かげは、どちらにも見みえなかったのであります。Thinking she had been cheated, the old woman grew angry and rushed out of the house, but by then there was no trace of the woman in any direction.

その夜よるのことであります。It happened that very night.

急きゅうに空そらの模様もようが変かわって、近頃ちかごろにない大だい暴風ぼうふう雨うとなりました。Suddenly the sky changed, and a great storm of wind and rain arose, such as had not been seen for a long time.

ちょうど香具師やしが、娘むすめを檻おりの中なかに入いれて、船ふねに乗のせて南みなみの方ほうの国くにへ行いく途中とちゅうで沖合おきあいにあった頃ころであります。It was just when the showman, having shut the girl in a cage and put her aboard a ship, was out at sea on his way to a country in the south.

「この大だい暴風ぼうふう雨うでは、とてもあの船ふねは助たすかるまい」と、お爺じいさんと、お婆ばあさんは、ふるふると震ふるえながら話はなしをしていました。"In a storm like this, that ship will never come through," the old man and the old woman said to each other, trembling all over.

夜よるが明あけると沖おきは真暗まっくらで物凄ものすごい景色けしきでありました。When day broke, the open sea was pitch-dark, a dreadful sight to see.

その夜よる、難船なんせんをした船ふねは、数かぞえきれない程ほどでありました。The ships that were wrecked that night were beyond counting.

不思議ふしぎなことに、赤あかい蝋燭ろうそくが、山やまのお宮みやに点ともった晩ばんは、どんなに天気てんきがよくても忽たちまち大おおあらしになりました。Strange to say, on any night when a red candle burned at the shrine on the hill, however fine the weather, a great storm would blow up at once.

それから、赤あかい蝋燭ろうそくは、不吉ふきつということになりました。From that time on, red candles came to be thought of as ill-omened.

蝋燭ろうそく屋やの年としより夫婦ふうふは、神かみ様さまの罰ばちが当あたったのだといって、それぎり蝋燭ろうそく屋やをやめてしまいました。The old couple at the candle shop said the god's punishment had fallen upon them, and from then on they gave up their candle shop for good.

しかし、何処どこからともなく、誰だれが、お宮みやに上あげるものか、毎晩まいばん、赤あかい蝋燭ろうそくが点とぼりました。And yet every night a red candle was lit at the shrine, though no one knew who offered it or where it came from.

昔むかしは、このお宮みやにあがった絵えの描かいた蝋燭ろうそくの燃もえさしを持もってさえいれば、決けっして海うみの上うえでは災難さいなんに罹かからなかったものが、今度こんどは、赤あかい蝋燭ろうそくを見みただけでも、その者ものはきっと災難さいなんに罹かかって、海うみに溺おぼれて死しんだのであります。In the old days, anyone who simply carried a burnt stub of a painted candle offered at this shrine would never meet with disaster at sea; but now, anyone who so much as saw a red candle was sure to meet with disaster and drown in the sea.

忽たちまち、この噂うわさが世間せけんに伝つたわると、もはや誰だれも、山やまの上うえのお宮みやに参詣さんけいする者ものがなくなりました。As soon as this rumour spread abroad, no one came any more to worship at the shrine on the hill.

こうして、昔むかし、あらたかであった神かみ様さまは、今いまは、町まちの鬼門きもんとなってしまいました。And so the god who had once answered prayers so wonderfully now became the town's source of ill fortune.

そして、こんなお宮みやが、この町まちになければいいのにと怨うらまぬものはなかったのであります。And there was no one who did not bitterly wish that there were no such shrine in the town.

船乗ふなのりは、沖おきから、お宮みやのある山やまを眺ながめて怖おそれました。Sailors out at sea gazed at the hill where the shrine stood and were afraid.

夜よるになると、北きたの海うみの上うえは永とこしえに物凄ものすごうございました。When night came, the northern sea was forever a fearful place.

はてしもなく、何方どっちを見みまわしても高たかい波なみがうねうねとうねっています。Endlessly, wherever one looked, high waves rolled and heaved.

そして、岩いわに砕くだけては、白しろい泡あわが立たち上のぼっています。And each time they broke upon the rocks, white foam rose up.

月つきが雲間くもまから洩もれて波なみの面おもてを照てらした時ときは、まことに気味きみ悪わるうございました。When the moon slipped out between the clouds and shone upon the face of the waves, it was eerie indeed.

真暗まっくらな、星ほしも見みえない、雨あめの降ふる晩ばんに、波なみの上うえから、蝋燭ろうそくの光ひかりが、漂ただよって、だんだん高たかく登のぼって、山やまの上うえのお宮みやをさして、ちらちらと動うごいて行いくのを見みた者ものがあります。There were people who saw it: on pitch-dark, starless, rainy nights, the light of a candle drifting up from the waves, climbing higher and higher, and flickering its way towards the shrine on top of the hill.

幾いく年ねんも経たたずして、その下したの町まちは亡ほろびて、失なくなってしまいました。Before many years had passed, the town below had fallen to ruin and vanished.

Vocabulary

WordMeaningJLPT
耳敏くみみざといquick of hearing, sharp-eareddictionary form: 耳敏いLiterary word; the 敏 (quick, sharp) is also used in 敏感 'sensitive'.—
覗きましたのぞくto peep, to peekdictionary form: 覗くUsed for looking through a small gap or opening.N2
儲かるもうかるto be profitable, to make moneyIntransitive; the transitive form is 儲ける 'to earn a profit'.N2
香具師やしshowman; travelling peddler or entertainerAn irregular reading. Such people sold goods and put on shows at fairs and festivals.—
檻おりcageA cage for animals, which shows how the girl was treated.N1
難船なんせんshipwreckOld-fashioned; the modern word is 難破 (なんぱ).—
忽ちたちまちat once, instantlyUsually written in hiragana today.N2
不吉ふきつill-omened, unluckyThe opposite of 吉 'good fortune', as in 大吉 on fortune slips.N1
参詣さんけいworship at a shrine or temple; pilgrimageFormal word; 参拝 (さんぱい) is similar.—
あらたかあらたか(of a god) powerful and quick to answer prayersOften used in the set phrase 霊験あらたか.—
鬼門きもんsource of bad luck, something to be avoidedOriginally the unlucky north-east direction, the 'demon's gate'.—
怨まぬうらむto resent, to curse bitterlydictionary form: 怨むUsually written 恨む; ぬ is a literary negative (= 怨まない).N2
亡びてほろびるto fall to ruin, to perishdictionary form: 亡びるAlso written 滅びる.N1

Grammar

〜まい N2 probably not; surely will not

Attached to a verb, まい expresses a negative guess, much like 〜ないだろう. With とても it gives a strong sense of 'there's no way'.

この大暴風雨では、とてもあの船は助かるまい

In a storm like this, that ship will never come through.

〜さえ〜ば N3 as long as; if only

さえ plus a conditional marks the one thing that is enough to bring about the result. Here simply carrying a candle stub was enough to keep a sailor safe.

絵の描いた蝋燭の燃えさしを持ってさえいれば

as long as one carried a burnt stub of a painted candle

〜たものが、今度は〜 N2 whereas in the past...; now...

〜たものが: 'whereas (formerly) ...'. Here もの nominalizes the preceding past clause ('the situation in which one never met disaster at sea'). The following が marks a contrast with what comes next: 今度は ('now, this time') introduces the reversed present situation, 'now even just seeing a red candle...'. The sense of 'never, as a rule' comes from 決して〜なかった, not from a special past-habit use of もの.

決して海の上では災難に罹らなかったものが、今度は、赤い蝋燭を見ただけでも

whereas one used never to meet with disaster at sea, now even just seeing a red candle...

〜ぬものはなかった N2 there was no one who did not ~ (= everyone ~)

A double negative that means 'everyone'. ぬ is the literary negative. Inside the clause, 〜ばいいのに expresses a wish that things were different.

こんなお宮が、この町になければいいのにと怨まぬものはなかったのであります

There was no one who did not bitterly wish that there were no such shrine in the town.

〜ては N3 repeatedly ~ and then; every time ~

The te-form plus は describes an action that happens over and over. Here the waves keep breaking and throwing up foam.

岩に砕けては、白い泡が立ち上っています。

As they broke upon the rocks, white foam leapt up.

〜ずして N1 without ~ing

A literary form of 〜ずに / 〜ないで. 幾年も経たずして means 'without many years passing', that is, 'before many years had gone by'.

幾年も経たずして、その下の町は亡びて、失なってしまいました。

Before many years had passed, the town below had fallen to ruin and vanished.