Cover of 赤いろうそくと人魚 (Akai Rōsoku to Ningyo)

Part 4 of 5 · JLPT N3

赤いろうそくと人魚(四) Akai Rōsoku to Ningyo, part 4: The Mermaid Is Sold to a Showman

by Ogawa Mimei · 1,390 characters · from The Mermaid and the Crimson Candles

In this part

A showman from the south learns that the girl is a mermaid and offers the old couple a large sum of money for her. He persuades them that mermaids bring bad luck, and in their greed they agree to sell her, ignoring her tearful pleas. On a moonlit night he arrives with an iron-barred cage, and the girl, hurried away before she can finish her pictures, paints her last candles red and leaves a few behind.

AI translation · independently checked

あるとき、南みなみの方ほうの国くにから、香具師やしが入はいってきました。One day, a showman came in from a country to the south.

なにか北きたの国くにへいって、珍めずらしいものを探さがして、それをば南みなみの国くにへ持もっていって、金かねをもうけようというのであります。His plan, it seems, was to travel to the northern lands, seek out rare things, carry them back to the south, and make money from them.

香具師やしは、どこから聞きき込こんできたものか、または、いつ娘むすめの姿すがたを見みて、ほんとうの人間にんげんではない、じつに世よに珍めずらしい人魚にんぎょであることを見抜みぬいたものか、ある日ひのこと、こっそりと年寄としより夫婦ふうふのところへやってきて、娘むすめにはわからないように、大金たいきんを出だすから、その人魚にんぎょを売うってはくれないかと申もうしたのであります。Whether he had heard of her somewhere, or had caught sight of the girl at some point and seen through her, seen that she was no true human but a mermaid, a creature rare indeed in this world, no one can say; but one day the showman came quietly to the old couple and, taking care that the girl should not find out, asked whether they would not sell him that mermaid, for he would pay them a great sum of money.

年寄としより夫婦ふうふは、最初さいしょのうちは、この娘むすめは、神かみさまがお授さずけになったのだから、どうして売うることができよう。At first the old couple said that this girl had been granted to them by the gods, so how could they ever sell her?

そんなことをしたら、罰ばちが当あたるといって承知しょうちをしませんでした。If they did such a thing, heaven would surely punish them, they said, and they would not agree.

香具師やしは一度いちど、二に度ど断ことわられてもこりずに、またやってきました。Even though he was turned down once or twice, the showman, undeterred, came back again.

そして、年としより夫婦ふうふに向むかって、And, turning to the old couple,

「昔むかしから、人魚にんぎょは、不吉ふきつなものとしてある。いまのうちに、手てもとから離はなさないと、きっと悪わるいことがある。」と、まことしやかに申もうしたのであります。"Since olden times, mermaids have been held to be creatures of ill omen. If you do not let her out of your hands while there is still time, something dreadful is sure to befall you," he said, as though it were the plain truth.

年としより夫婦ふうふは、ついに香具師やしのいうことを信しんじてしまいました。In the end, the old couple came to believe what the showman told them.

それに大金たいきんになりますので、つい金かねに心こころを奪うばわれて、娘むすめを香具師やしに売うることに約束やくそくをきめてしまったのであります。Besides, it meant a great deal of money, and so, their hearts seized by greed before they knew it, they went so far as to promise to sell the girl to the showman.

香具師やしは、たいそう喜よろこんで帰かえりました。The showman went away very pleased.

いずれそのうちに、娘むすめを受うけ取とりにくるといいました。He said he would come to fetch the girl before long.

この話はなしを娘むすめが知しったときは、どんなに驚おどろいたでありましょう。How shocked the girl must have been when she learned of this!

内気うちきな、やさしい娘むすめは、この家いえから離はなれて、幾いく百ひゃく里りも遠とおい、知しらない、熱あつい南みなみの国くにへゆくことをおそれました。The shy, gentle girl dreaded leaving this house and going to a hot southern country she did not know, many hundreds of leagues away.

そして、泣ないて、年としより夫婦ふうふに願ねがったのであります。And she wept and pleaded with the old couple.

「わたしは、どんなにでも働はたらきますから、どうぞ知しらない南みなみの国くにへ売うられてゆくことは、許ゆるしてくださいまし。」といいました。"I will work as hard as ever you wish, so please, I beg you, spare me from being sold away to a southern country I do not know," she said.

しかし、もはや、鬼おにのような心持こころもちになってしまった年寄としより夫婦ふうふは、なんといっても、娘むすめのいうことを聞きき入いれませんでした。But the old couple, whose hearts had by now become like the hearts of demons, would not listen to the girl, no matter what she said.

娘むすめは、へやのうちに閉とじこもって、いっしんにろうそくの絵えを描かいていました。The girl shut herself away in her room and painted pictures on candles with all her heart.

しかし、年寄としより夫婦ふうふはそれを見みても、いじらしいとも、哀あわれとも、思おもわなかったのであります。Yet even when they saw this, the old couple felt neither that she was touching nor that she was pitiable.

月つきの明あかるい晩ばんのことであります。It was a night when the moon shone bright.

娘むすめは、独ひとり波なみの音おとを聞ききながら、身みの行ゆく末すえを思おもうて悲かなしんでいました。The girl, all alone, listened to the sound of the waves and grieved as she thought of what lay ahead for her.

波なみの音おとを聞きいていると、なんとなく、遠とおくの方ほうで、自分じぶんを呼よんでいるものがあるような気きがしましたので、窓まどから、外そとをのぞいてみました。As she listened to the waves, she somehow felt that someone far away was calling to her, so she looked out of the window.

けれど、ただ青あおい、青あおい海うみの上うえに月つきの光ひかりが、はてしなく、照てらしているばかりでありました。But there was nothing but the moonlight, shining endlessly over the blue, blue sea.

娘むすめは、また、すわって、ろうそくに絵えを描かいていました。The girl sat down again and went on painting pictures on the candles.

すると、このとき、表おもての方ほうが騒さわがしかったのです。Just then, there was a commotion at the front of the house.

いつかの香具師やしが、いよいよこの夜よ娘むすめを連つれにきたのです。The showman from before had at last come that night to take the girl away.

大おおきな、鉄格子てつごうしのはまった、四角しかくな箱はこを車くるまに乗のせてきました。He had brought, on a cart, a large square box fitted with iron bars.

その箱はこの中なかには、かつて、とらや、ししや、ひょうなどを入いれたことがあるのです。That box had once held tigers, lions, leopards and the like.

このやさしい人魚にんぎょも、やはり海うみの中なかの獣物けものだというので、とらや、ししと同おなじように取とり扱あつかおうとしたのであります。Saying that this gentle mermaid, too, was after all a beast of the sea, he meant to treat her just as he would a tiger or a lion.

ほどなく、この箱はこを娘むすめが見みたら、どんなにたまげたでありましょう。How startled the girl would be when, before long, she saw this box!

娘むすめは、それとも知しらずに、下したを向むいて、絵えを描かいていました。Knowing nothing of it, the girl sat with her head bowed, painting.

そこへ、おじいさんと、おばあさんとが入はいってきて、Just then the old man and the old woman came in,

「さあ、おまえはゆくのだ。」といって、連つれだそうとしました。"Come now, you are going," they said, and tried to lead her out.

娘むすめは、手てに持もっていたろうそくに、せきたてられるので絵えを描かくことができずに、それをみんな赤あかく塗ぬってしまいました。Because she was being hurried, the girl could not paint pictures on the candles she held in her hands, and so she painted them all red.

娘むすめは、赤あかいろうそくを、自分じぶんの悲かなしい思おもい出での記念きねんに、二に、三さん本ぼん残のこしていったのであります。The girl left behind two or three red candles as a keepsake of her sad memories.

Vocabulary

WordMeaningJLPT
香具師やしtravelling showman; peddler at fairsA fixed reading that cannot be guessed from the kanji. It suggests someone who makes money from shows and curiosities, often a little shady.—
もうけようもうけるto make a profit, to earn moneydictionary form: 儲ける金をもうける is the set phrase "to make money".N2
見抜いたみぬくto see through, to perceive the truth aboutdictionary form: 見抜く見る + 抜く (pull out, go right through).—
大金たいきんa large sum of moneyN1
罰ばちdivine punishment罰が当たる means "to be punished by heaven". Read ばつ, it means an ordinary penalty.N1
承知しょうちconsent, agreement承知をしない means "to refuse to agree"; 承知しました is a polite "certainly".N4
こりずこりるto learn one's lesson (and stop)dictionary form: 懲りるこりずに means "undeterred, without giving up".N1
まことしやかまことしやかplausible, as if trueUsed of lies told convincingly, so the narrator hints that the showman is lying.—
内気うちきshy, timid, reserved—
いじらしいいじらしいtouching, pitiful (of someone weak and earnest)Used for a child or gentle person whose brave efforts move you to pity.—
行く末ゆくすえone's future, what lies aheadLiterary; 身の行く末 means "one's own fate".—
鉄格子てつごうしiron bars, iron grating鉄 (iron) + 格子 (lattice). Note the rendaku: こうし becomes ごうし.—
たまげたたまげるto be astonished, to be startleddictionary form: たまげるA colloquial, slightly old-fashioned word, originally 魂消る ("one's soul vanishes").—
せきたてられるせきたてるto hurry someone, to rushdictionary form: 急き立てるHere it is in the passive: "she is being hurried".—

Grammar

〜ものか、または〜ものか N1 whether it was … or …

Two possibilities are set side by side, each ending in ものか, to show that the narrator does not know which is true. The main clause, what actually happened, follows.

どこから聞き込んできたものか、または、いつ娘の姿を見て、ほんとうの人間ではない、じつに世に珍しい人魚であることを見抜いたものか

whether he had heard of her somewhere, or had at some point seen the girl and seen through her, seen that she was no true human but a mermaid rare indeed in this world

〜てはくれないか N3 won't you (please) …?

A negative question with くれる makes a request. The added は softens it and makes it a little more insistent, like "wouldn't you perhaps …?"

その人魚を売ってはくれないか

won't you sell me that mermaid?

どうして〜よう N2 how could one possibly …? (= surely not)

The volitional form (できよう) after どうして makes a rhetorical question. It expresses strong denial: there is no way they could sell her.

どうして売ることができよう。

How could we ever sell her?

どんなに〜でありましょう N3 how … she must have been!

でありましょう is a very polite, old-fashioned form of でしょう. With どんなに it makes an exclamation of the narrator's guess about the girl's feelings.

この話を娘が知ったときは、どんなに驚いたでありましょう。

How shocked the girl must have been when she learned of this!

〜とも、〜とも思わない N2 think neither … nor …

とも after each adjective lists feelings that are all denied by the final negative verb. It stresses that the couple felt no pity at all.

いじらしいとも、哀れとも、思わなかったのであります。

they felt neither that she was touching nor that she was pitiable.

ただ〜ばかり N3 nothing but …, only …

ただ at the start and ばかり after the verb work together to say that only this one thing was there. Here nothing but moonlight can be seen on the sea.

ただ青い、青い海の上に月の光が、はてしなく、照らしているばかりでありました。

there was nothing but the moonlight shining endlessly over the blue, blue sea.