Cover of 一房の葡萄 (Hitofusa no Budō)

Part 3 of 5 · JLPT N3

一房の葡萄(二(つづき)) Hitofusa no Budō, part 3: Caught, and Taken to the Teacher

by Arishima Takeo · 1,338 characters · from Grapes from the Teacher's Window

In this part

The boy denies taking the paints, but his classmates search his pocket and find Jim's two colours. Crushed and weeping, he is dragged upstairs to the room of the teacher he loves. When she gently asks if the accusation is true, he cannot answer and only cries, so she quietly sends the other children away.

AI translation · independently checked

そういってその生徒せいとは僕ぼくの前まえに大おおきく拡ひろげた手てをつき出だしました。Saying this, the boy thrust his wide-open hand out in front of me.

そういわれると僕ぼくはかえって心こころが落着おちついて、Being spoken to like that, I oddly grew calmer instead,

「そんなもの、僕ぼく持もってやしない。」と、ついでたらめをいってしまいました。and before I knew it I had told a lie: "I haven't got anything like that."

そうすると三四人さんよにんの友達ともだちと一緒いっしょに僕ぼくの側そばに来きていたジムが、Then Jim, who had come over beside me with three or four friends,

「僕ぼくは昼休ひるやすみの前まえにちゃんと絵具えのぐ箱ばこを調しらべておいたんだよ。一ひとつも失なくなってはいなかったんだよ。そして昼休ひるやすみが済すんだら二ふたつ失なくなっていたんだよ。そして休やすみの時間じかんに教場きょうじょうにいたのは君きみだけじゃないか。」と少すこし言葉ことばを震ふるわしながら言いいかえしました。answered back, his voice trembling a little: "I checked my paint box properly before lunch break, you know. Not one was missing. And when lunch break was over, two were gone. And the only one in the classroom during the break was you, wasn't it?"

僕ぼくはもう駄目だめだと思おもうと急きゅうに頭あたまの中なかに血ちが流ながれこんで来きて顔かおが真赤まっかになったようでした。The moment I thought, "It's no use now," the blood suddenly rushed into my head, and my face seemed to turn bright red.

すると誰だれだったかそこに立たっていた一人ひとりがいきなり僕ぼくのポッケットに手てをさし込こもうとしました。Then one of the boys standing there, I don't remember who, suddenly tried to push his hand into my pocket.

僕ぼくは一生いっしょう懸命けんめいにそうはさせまいとしましたけれども、多勢たぜいに無勢ぶぜいで迚とても叶かないません。I tried with all my might not to let him, but I was one against many and did not stand a chance.

僕ぼくのポッケットの中なかからは、見みる見みるマーブル球だま(今いまのビー球だまのことです)や鉛なまりのメンコなどと一緒いっしょに二ふたつの絵具えのぐのかたまりが掴つかみ出だされてしまいました。In no time at all, out of my pocket they pulled my marbles (what we now call glass marbles) and my lead menko cards, and along with them the two lumps of paint.

「それ見みろ」といわんばかりの顔かおをして子供達こどもたちは憎にくらしそうに僕ぼくの顔かおを睨にらみつけました。The children glared hatefully into my face, with looks that all but said, "There, see?"

僕ぼくの体からだはひとりでにぶるぶる震ふるえて、眼めの前まえが真暗まっくらになるようでした。My body began to shake and shake all by itself, and everything before my eyes seemed to go black.

いいお天気てんきなのに、みんな休時間やすみじかんを面白おもしろそうに遊あそび廻まわっているのに、僕ぼくだけは本当ほんとうに心こころからしおれてしまいました。It was a lovely day, and everyone was running about happily playing through the break, yet I alone had truly wilted, deep in my heart.

あんなことをなぜしてしまったんだろう。Why had I gone and done such a thing?

取とりかえしのつかないことになってしまった。It had become something that could never be undone.

もう僕ぼくは駄目だめだ。I was finished.

そんなに思おもうと弱虫よわむしだった僕ぼくは淋さびしく悲かなしくなって来きて、しくしくと泣なき出だしてしまいました。When I thought this way, I, who was a crybaby, grew lonely and sad, and began to sob quietly.

「泣ないておどかしたって駄目だめだよ。」とよく出来できる大おおきな子こが馬鹿ばかにするような憎にくみきったような声こえで言いって、動うごくまいとする僕ぼくをみんなで寄よってたかって二に階かいに引張ひっぱって行いこうとしました。"Crying to scare us won't work!" said the big clever boy, in a voice full of scorn and utter hatred, and all of them crowded round and tried to drag me, though I was trying not to budge, up to the second floor.

僕ぼくは出来できるだけ行いくまいとしたけれどもとうとう力ちからまかせに引ひきずられて階子段はしごだんを登のぼらせられてしまいました。I did my best not to go, but in the end I was hauled along by sheer force and made to climb the stairs.

そこに僕ぼくの好すきな受持うけもちの先生せんせいの部屋へやがあるのです。Up there was the room of my class teacher, whom I loved.

やがてその部屋へやの戸とをジムがノックしました。Soon Jim knocked on the door of that room.

ノックするとは這入はいってもいいかと戸とをたたくことなのです。To "knock" means to tap on a door to ask whether you may come in.

中なかからはやさしく「お這入はいり」という先生せんせいの声こえが聞きこえました。From inside came the teacher's voice, saying gently, "Come in."

僕ぼくはその部屋へやに這入はいる時ときほどいやだと思おもったことはまたとありません。Never before or since have I dreaded anything as much as going into that room then.

何なんか書かきものをしていた先生せんせいはどやどやと這入はいって来きた僕達ぼくたちを見みると、少すこし驚おどろいたようでした。The teacher, who had been writing something, seemed a little surprised when she saw us come crowding noisily in.

が、女おんなの癖くせに男おとこのように頸くびの所ところでぶつりと切きった髪かみの毛けを右みぎの手てで撫なであげながら、いつものとおりのやさしい顔かおをこちらに向むけて、一寸ちょっと首くびをかしげただけで何なんの御用ごようという風ふうをしなさいました。But, smoothing back with her right hand her hair, which, though she was a woman, was cut off short at the neck like a man's, she turned her usual gentle face towards us, and with only a slight tilt of her head, gave us a look that asked what we wanted.

そうするとよく出来できる大おおきな子こが前まえに出でて、僕ぼくがジムの絵具えのぐを取とったことを委くわしく先生せんせいに言いいつけました。Then the big clever boy stepped forward and told the teacher in detail how I had taken Jim's paints.

先生せんせいは少すこし曇くもった顔付かおつきをして真面目まじめにみんなの顔かおや、半分はんぶん泣なきかかっている僕ぼくの顔かおを見みくらべていなさいましたが、僕ぼくに「それは本当ほんとうですか。」と聞きかれました。With a slightly clouded expression, the teacher looked gravely from the others' faces to mine, as I was on the verge of tears, and then she asked me, "Is that true?"

本当ほんとうなんだけれども、僕ぼくがそんないやな奴やつだということをどうしても僕ぼくの好すきな先生せんせいに知しられるのがつらかったのです。It was true, but I simply could not bear for the teacher I loved to find out that I was such a nasty boy.

だから僕ぼくは答こたえる代かわりに本当ほんとうに泣なき出だしてしまいました。So instead of answering, I burst into real tears.

先生せんせいは暫しばらく僕ぼくを見みつめていましたが、やがて生徒せいと達たちに向むかって静しずかに「もういってもようございます。」といって、みんなをかえしてしまわれました。The teacher gazed at me for a while, but presently she turned to the pupils and said quietly, "You may go now," and sent them all away.

生徒せいと達たちは少すこし物もの足たらなそうにどやどやと下したに降おりていってしまいました。The pupils, looking a little disappointed, went clattering off downstairs.

Vocabulary

WordMeaningJLPT
落着いておちつくto calm down, to settledictionary form: 落ち着くOld spelling without the okurigana ち; modern 落ち着く.N2
でたらめでたらめa made-up story, nonsense, a lieでたらめをいう = to say something untrue off the top of one's head.N2
多勢に無勢たぜいにぶぜいhopelessly outnumberedSet idiom: many against few, so resistance is useless.—
見る見るみるみるin an instant, before one's very eyesDescribes something happening very quickly while one watches.—
睨みつけましたにらみつけるto glare atdictionary form: 睨みつける〜つける adds force: to stare fiercely.—
しおれてしおれるto wilt, to droop; to be downcastdictionary form: しおれるLiterally used of plants; here of a crushed spirit.—
取りかえしのつかないとりかえしがつかないirreparable, beyond undoingdictionary form: 取り返しがつかないIn a noun-modifying clause が often becomes の.—
弱虫よわむしcrybaby, coward, weakling—
寄ってたかってよってたかる(of many people) ganging up on someonedictionary form: 寄ってたかるAlmost always used in the て-form as an adverb.—
力まかせちからまかせwith all one's strength, by brute forcedictionary form: 力任せ—
階子段はしごだんstaircaseOld-fashioned; modern Japanese says 階段.—
言いつけましたいいつけるto tell on, to report (to someone in authority)dictionary form: 言いつけるAlso means 'to order'; here it means tattling to the teacher.N2
物足らなそうものたらないunsatisfied, feeling something is lackingdictionary form: 物足らないModern standard form is 物足りない.—

Grammar

〜てやしない N2 certainly not ~ (emphatic negative)

〜てやしない is an emphatic negative meaning 'certainly not ~'. It is formed from the verb's て-form plus やしない, a colloquial emphatic form of 〜はしない in which は has become や. It functions as a strong version of 〜てはいない and gives the denial a forceful, defensive tone, as in 持ってやしない ('I haven't got it at all!').

そんなもの、僕持ってやしない。

I haven't got anything like that.

〜まいとする N2 to try not to ~

まい is a literary negative volitional ('will not'). With とする, it means making an effort not to do something. Here it describes the boy resisting being moved.

動くまいとする僕をみんなで寄ってたかって二階に引張って行こうとしました

all of them crowded round and tried to drag me, though I was trying not to budge, up to the second floor

〜といわんばかり N1 as if to say ~

〜といわんばかり means 'as if to say ~' or 'all but saying ~'. いわん is the classical-style negative of 言う: the negative stem 言わ plus ん, equivalent to 言わない. ばかり here means 'almost'. The pattern describes a look or attitude that plainly conveys a message without any words being spoken.

「それ見ろ」といわんばかりの顔をして

with looks that all but said, "There, see?"

〜ておく N4 to do something in advance

Shows that Jim checked his paint box beforehand, so he can prove the paints went missing during the break.

昼休みの前にちゃんと絵具箱を調べておいたんだよ

I checked my paint box properly before lunch break, you know

〜ほど〜ことはない N3 never anything as ~ as ...

This pattern means that nothing else ever matched a particular experience. またとありません adds 'never again'.

僕はその部屋に這入る時ほどいやだと思ったことはまたとありません。

Never before or since have I dreaded anything as much as going into that room then.

〜の癖に N3 even though ~ (with a sense of contrast)

くせに usually contrasts something with what would be expected, often with a note of criticism. Here it simply points out that her short hair was unusual for a woman at that time.

女の癖に男のように頸の所でぶつりと切った髪の毛

her hair, which, though she was a woman, was cut off short at the neck like a man's