Cover of 一人二役 (Hitoriniyaku)

Part 3 of 5 · JLPT N2

一人二役 Hitoriniyaku, part 3: The Wife Falls for the Phantom Lover

by Edogawa Ranpo · 1,438 characters · from A Man of Two Parts

In this part

T repeats his night-time masquerade again and again. His wife comes to believe the mysterious moustached visitor is a real man, starts hiding his tokens from her husband and whispers guilty endearments to him. T has got exactly what he planned, yet he finds himself truly jealous of a rival who is nobody but himself.

AI translation · independently checked

が、兎とも角かくも、その日ひは有耶無耶うやむやで済すんで了しまった。But anyway, that day the whole business was left hazy and unresolved.

無論むろん、一いち度ど位くらいでは駄目だめだ。Naturally, once wasn't going to do it.

Tの計画けいかくでは、幾度いくども、幾度いくどもそれを続つづけてやって見みる積つもりだった。T's plan was to keep it up and try it again and again, as many times as it took.

二に回かい目めは、少々しょうしょう心配しんぱいした。The second time, he was a little uneasy.

細君さいくん、前まえに懲こりているから、うっかり変装へんそうして行いこうものなら騒さわぎ出だしやしないかというのだ。His wife had been burnt once already, you see, so if he were careless enough to turn up in disguise, mightn't she start raising the alarm? That was his worry.

で、今度こんどは、家いえに這入はいる時ときには、変装へんそうもせず、髭ひげもつけずに行いって、さて、電燈でんとうも消けして、床とこにつき、細君さいくんがもう寝入ねいるという頃ころを見計みはからって、夢現ゆめうつつの間あいだに、ほんの瞬間しゅんかん、例れいの髭ひげの感触かんしょくを与あたえ、そして、寝入ねいって了しまったのを見みすまして、やっぱり前通まえどおりのイニシャルを縫ぬいつけたハンカチを残のこして、家いえを抜ぬけ出だす手筈てはずにしたが、なんと、それが再ふたたびうまく成功せいこうしたではないか。So this time he arranged things differently: he came into the house without any disguise and without the moustache, turned off the electric light and went to bed; then, choosing the moment when his wife was just dropping off, while she lay between dreaming and waking, he let her feel that moustache for the briefest instant; and once he had made sure she was fast asleep, he left behind a handkerchief with the same initials sewn on it as before and slipped out of the house. And would you believe it, it worked perfectly a second time!

翌朝よくあさの模様もようは、前まえの時ときと似にたり寄よったりで、ただ、細君さいくんの顔かおが、一層いっそう青あおざめ、Tの狂言きょうげん嫉妬しっとが、更さらに手強てごわくなった位くらいの相違そういだった。The next morning went much as it had the time before; the only difference was that his wife's face was paler still, and T's feigned jealousy had grown even more formidable.

そうして、三さん度どとなり、四よん度どと重かさなって行いくに従したがって、Tのお芝居しばいは益々ますます上達じょうたつし、今いまでは、細君さいくんにとっては、煙草たばこ入いれや、ハンカチのイニシアルの男おとこが、はっきりした、実在じつざいの人物じんぶつになって来きたが、それと同時どうじに、ここに妙みょうな事ことが起おこって来きたのだ。And so it happened a third time, then a fourth, and as they piled up, T's acting got better and better, until by now the man of the tobacco pouch and the initialled handkerchief had become, for his wife, a definite, real person. But at the same time, something strange began to happen.

これまでの所ところはね、まあ謂いわば笑話わらいばなしにすぎないけれど、これから先さきは、話はなしが少すこし固かたくなって来くるのだよ。Up to this point, you know, it's really no more than a funny story, but from here on the tale turns a little more serious.

人間にんげんの心こころが、如何いかにたよりない、そして又また不思議ふしぎなものだといった風ふうの、一寸ちょっと考かんがえさせられるものを含ふくんでいるのだよ。It holds something that makes you stop and think, about how unreliable, and how mysterious, the human heart can be.

第だい一いちに起おこった変化へんかは、細君さいくんの側がわにあった。The first change came on the wife's side.

その貞女ていじょを以もって聞きこえた細君さいくんがね、女おんななんて実際じっさい分わからないものだ、変装へんそうした方ほうのTに対たいして、明あきらかにTの外ほかの男おとこだと信しんじつつ、ある好意こういを見みせ始はじめたのだ。That wife, so well known for her faithfulness—women really are beyond understanding—began to show a certain fondness for the disguised T, while clearly believing him to be a man other than T.

この辺へんの心理しんりは可也かなり不思議ふしぎなものだが、併しかし、昔むかしの物ものの本のほんなどによく例れいがある、つまり、それは、何人なんぴととも分わからぬ男おとことの、夜毎よごとの逢瀬おうせは、恐おそらく、彼女かのじょにとって、一ひとつのお伽噺とぎばなしであったのであろうか。The psychology here is rather mysterious, but then old books are full of examples of it. Perhaps, in short, those nightly trysts with a man whose identity she did not know were, for her, a kind of fairy tale.

一方いっぽうに於おいて、彼女かのじょは、変装へんそうのTがその都度つど残のこして行いく、証拠しょうこ品ひんを、夫おっとであるTに隠かくす様ようになった。On the one hand, she began hiding from T, her husband, the tokens that the disguised T left behind each time.

そればかりか、他たの一方いっぽうに於おいては、変装へんそうのTに対たいして、夫おっととは別人べつじんであると意識いしきした上うえの、罪つみの囁ささやきを囁ささやく様ようになった。Not only that, but on the other hand she began to whisper guilty whispers to the disguised T, fully aware that he was someone other than her husband.

「あなたが、どこの何なんというお方かただか、その見知みしらぬあなたが、どうして妾わたしの所ところへ通かよって下くださるのか、妾わたしには少すこしも分わからない。"Who you are, or where you come from, and why you, a stranger, should keep visiting me—I don't understand it in the least.

でも、あなたの御ご深切しんせつが、今いまではもう、妾わたしには忘わすれ難がたいものになって了しまった。あなたのお出いでなさらぬ夜よるが淋さびしく感かんぜられさえする。And yet by now your kindness has become something I cannot forget. I even feel lonely on the nights you don't come.

この次つぎは、いつ来きて下くださるのでしょうか」そうした細君さいくんの変心へんしん(というには少すこし変へんだけど)を知しった時ときの、Tの心持こころもちは、実際じっさい何なんとも形容けいようの出来できぬ変へんてこなものであったに相違そういない。When will you come to me next?" When T learned of this change of heart in his wife (though it's a little odd to call it that), what he felt must truly have been something peculiar, beyond any description.

一方いっぽうから見みれば、これは、Tの最初さいしょの目論見もくろみが完全かんぜんに果はたされた訳わけであった。Looked at one way, this meant that T's original scheme had been completely fulfilled.

こうして、細君さいくんの方ほうに大おおきな弱味よわみが出来できて了しまえば、彼かれの放蕩ほうとうは五分五分ごぶごぶだ。Now that his wife had acquired such a great weakness of her own, his dissipation was evened out: they were fifty-fifty.

決けっして細君さいくんに対たいして引ひけ目めを感かんじる必要ひつようはない。He had no need at all to feel inferior to his wife.

だから、彼かれの計画けいかくから云いえば、この辺へんで、この妙みょうな遊戯ゆうぎを打切うちきって、変装へんそうした彼かれ自身じしんを、永久えいきゅうにこの世よから葬ほうむって了しまえばよいのだ、そうすれば、元々もともと実在じつざいしない人物じんぶつのことだから、あとに煩わずらいの残のこる筈はずはない、とTは考かんがえていた。So, according to his plan, all he had to do now was call a halt to this strange game and bury his disguised self from this world for good. Then, since the man had never existed in the first place, there could be no trouble left behind—so T had reckoned.

ところが、今いま彼かれの心こころは、最初さいしょは全然ぜんぜん予想よそうしなかった、極度きょくどの混乱こんらんに陥おちいって了しまったのだ。But now his mind had fallen into an extreme turmoil that he had never foreseen at the start.

仮令たとえ、仮想かそうの人物じんぶつにもせよ、細君さいくんが彼かれ以外いがいの男おとこを愛あいし始はじめたという、この恐おそろしい事実じじつが彼かれを撃うった。Imaginary person though it might be, the dreadful fact that his wife had begun to love a man other than himself struck him hard.

始はじめは狂言きょうげんであった嫉妬しっとが、真剣しんけんなものに変かわって来きた。The jealousy that had begun as play-acting turned into the real thing.

若もしこういう心持こころもちが嫉妬しっとといえるならばだ。That is, if a feeling like this can be called jealousy at all.

そこには相手あいてがないのだ。There was no rival there, you see.

一体いったい全体ぜんたい、誰だれに向むかって嫉妬しっとをするのだ。Who on earth was he supposed to be jealous of?

細君さいくんは決けっしてT以外いがいの男おとこに肌身はだみを許ゆるした訳わけではない。His wife had certainly never given herself to any man but T.

つまり、彼かれの恋敵こいがたきは、とりも直なおさず彼かれ自身じしんに外ほかならぬのだ。In other words, his rival in love was none other than himself.

Vocabulary

WordMeaningJLPT
有耶無耶うやむやvague, unresolved, left hangingUsually written in kana today; うやむやになる / うやむやで済む = to end without being settled.—
細君さいくんwife (one's own or someone else's)Old-fashioned, slightly humorous word used by men.—
懲りてこりるto learn one's lesson, to be put off by a bad experiencedictionary form: 懲りるN1
夢現ゆめうつつhalf asleep, between dreaming and wakingLiterally 'dream and reality'.—
見計らってみはからうto choose the right moment, to judge the timingdictionary form: 見計らう—
手筈てはずarrangement, plan of action手筈にする / 手筈を整える = to arrange how something will be done.N1
似たり寄ったりにたりよったりmuch the same, hardly any different—
狂言きょうげんsham, play-acting, staged actOriginally a kind of comic stage play; also used for faked events, as in 狂言強盗 (a staged robbery).—
貞女ていじょfaithful, virtuous wifeOld-fashioned; 〜を以て聞こえる = to be famous for 〜.—
逢瀬おうせlovers' meeting, trystLiterary word, often used of secret meetings.—
変心へんしんchange of heart (in feelings or loyalty)—
目論見もくろみscheme, plan, designN1
引け目ひけめsense of inferiority, feeling of being in the wrongUsually 引け目を感じる.—
恋敵こいがたきrival in love敵 is voiced to がたき in this compound.—

Grammar

〜(よ)うものなら N1 if (someone) were to…, (something bad would happen)

The volitional form plus ものなら describes a risky hypothetical action that would lead to bad results. Here T imagines what might happen if he were careless enough to arrive in disguise.

うっかり変装して行こうものなら騒ぎ出しやしないかというのだ

if he were careless enough to go in disguise, mightn't she start making a fuss? That was the idea

〜ではないか N3 and what do you know…! (surprised emphasis)

In narration, ending a statement with ではないか presents the outcome as surprising and invites the listener to share the narrator's amazement. It is not really a question.

なんと、それが再びうまく成功したではないか。

And would you believe it, it worked perfectly a second time!

〜に従って N3 as…, in step with…

Attached to a verb, it shows that one change happens together with another. Here, as the visits pile up, T's acting improves.

四度と重なって行くに従って、Tのお芝居は益々上達し

as it piled up to a fourth time, T's acting got better and better

〜にすぎない N3 is no more than…, merely…

It plays something down as only that much and nothing more. The narrator calls the story so far merely a funny tale before turning serious.

まあ謂わば笑話にすぎないけれど

it's really no more than a funny story, so to speak, but

仮令〜にもせよ N1 even if…, granted that…

にもせよ is a literary form of にしても/にせよ. With 仮令 (たとえ) it concedes a point, here that the lover is imaginary, before stating that the fact still hurts.

仮令、仮想の人物にもせよ

even if he was an imaginary person

〜に外ならぬ N2 is nothing other than…, is none other than…

This is the old-fashioned form of にほかならない, with ぬ in place of ない. It strongly asserts that X is exactly Y and nothing else. とりも直さず (that is to say) adds to the emphasis.

彼の恋敵は、とりも直さず彼自身に外ならぬのだ

his rival in love was, in fact, none other than himself