
Part 4 of 6 · JLPT N3
きりぎりす Kirigirisu, part 4: Sudden Wealth and a Changing Husband
In this part
The painter suddenly becomes successful, joins the Nika-kai, and, urged by Tajima, moves into a large house in Mitaka filled with department-store furniture. The narrator watches him grow talkative and worldly, repeating other people's opinions as his own and openly discussing prices, and she is ashamed and uneasy even as everything goes well for him. She longs for a quiet, poor life lived with a hidden pride.
AI translation · independently checked
私たちは、急にお金持になりました。All at once, we became rich.
あなたも、ひどくおいそがしくなりました。You, too, became terribly busy.
二科会から迎えられて、会員になりました。The Nika-kai welcomed you in, and you became a member.
そうして、あなたは、アパートの小さい部屋を、恥ずかしがるようになりました。And then you began to be ashamed of our small apartment room.
但馬さんもしきりに引越すようにすすめて、こんなアパートに居るのでは、世の中の信用も如何と思われるし、だいいち画の値段が、いつまでも上りません、一つ奮発して大きい家を、お借りなさい、と、いやな秘策をさずけ、あなたまで、そりゃあそうだ、こんなアパートに居ると、人が馬鹿にしやがる、等と下品なことを、意気込んで言うので、私は何だか、ぎょっとして、ひどく淋しくなりました。Mr. Tajima kept urging us to move as well. As long as you stay in an apartment like this, he said, people will have their doubts about you, and above all the price of your paintings will never go up; make an effort, and rent a big house. That was the distasteful secret plan he gave you, and even you said eagerly, in that vulgar way, "Of course he's right. Live in an apartment like this and people look down on you, damn them." Somehow it gave me a start, and I felt terribly lonely.
但馬さんは自転車に乗ってほうぼう走り廻り、この三鷹町の家を見つけて下さいました。Mr. Tajima rode all over the place on his bicycle and found this house in Mitaka-machi for us.
としの暮に私たちは、ほんのわずかなお道具を持って、この、いやに大きいお家へ引越して参りました。At the end of the year we moved, with only a very few belongings, into this absurdly large house.
あなたは、私の知らぬ間にデパートへ行って何やらかやら立派なお道具を、本当にたくさん買い込んで、その荷物が、次々とデパートから配達されて来るので、私は胸がつまって、それから悲しくなりました。Without my knowing, you went to a department store and bought a great many fine things, this and that, and as the parcels were delivered from the store one after another, my heart grew tight, and then I became sad.
これではまるで、そこらにたくさんある当り前の成金と少しも違っていないのですもの。Why, it was no different at all from any of the ordinary upstarts you see everywhere.
けれども私は、あなたに悪くて、努めて嬉しそうに、はしゃいでいました。Still, I felt I would be wronging you, so I made an effort to look happy and was merry and lively.
いつの間にか私は、あの、いやな「奥様」みたいな形になっていました。Before I knew it, I had taken on the look of one of those dreadful "madams."
あなたは、女中を置こうとさえ言い出しましたけれど、それだけは、私は、何としても、いやで、反対いたしました。You even began to talk of keeping a maid, but that alone I could not bear for anything, and I opposed it.
私には、人を、使うことが出来ません。I am not capable of having people work for me.
引越して来て、すぐにあなたは、年賀状を、移転通知を兼ねて三百枚も刷らせました。As soon as we had moved in, you had three hundred New Year's cards printed, to serve also as notices of our change of address.
三百枚。Three hundred.
いつのまに、そんなにお知合いが出来たのでしょう。When did you come to have so many acquaintances?
私には、あなたが、たいへんな危い綱渡りをはじめているような気がして、恐しくてなりませんでした。I felt as though you had begun a dreadfully dangerous walk on a tightrope, and I could not help being frightened.
いまに、きっと、悪い事が起る。Soon, surely, something bad will happen.
あなたは、そんな俗な交際などなさって、それで成功なさるようなお方では、ありません。You are not the kind of man who could succeed by keeping such worldly company.
そう思って、私は、ただはらはらして、不安な一日一日を送っていたのでございますが、あなたは躓かぬばかりか、次々と、いい事ばかりが起るのでした。Thinking so, I spent each uneasy day simply in suspense; yet not only did you not stumble, but one good thing after another kept happening to you.
私が間違っているのでしょうか。Am I the one who is wrong?
私の母も、ちょいちょい、この家へ訪ねて来るようになって、その度毎に、私の着物やら貯金帳やらを持って来て下さって、とても機嫌がいいのです。My mother, too, began to visit this house now and then, and each time she kindly brought my kimonos or my savings book or such, and she is in a very good mood.
父も、会社の応接間の画を、はじめは、いやがって会社の物置にしまわせていたのだそうですが、こんどは、それを家へ持って来て、額縁も、いいのに変えて、父の書斎に掛けているのだそうです。As for my father, I hear that at first he disliked the painting in the reception room at his company and had it put away in the company storeroom, but now he has brought it home, changed the frame for a good one, and hung it in his study.
池袋の大姉さんも、しっかりおやり等と、お手紙を下さるようになりました。Even my eldest sister in Ikebukuro has begun to send me letters saying things like "Do your very best."
お客様も、ずいぶん多くなりました。We had a great many more visitors, too.
応接間が、お客様で一ぱいになる事もありました。Sometimes the reception room was full of guests.
そんな時、あなたの陽気な笑い声が、お台所まで聞えて来ました。At such times your cheerful laughter could be heard all the way into the kitchen.
あなたは、ほんとに、お喋りになりました。You really did become talkative.
以前あなたは、あんなに無口だったので、私は、ああ、このおかたは、何もかもわかっていながら、何でも皆つまらないから、こんなに、いつでも黙って居られるのだ、とばかり思い込んで居りましたが、そうでもないらしいのね。You used to be so quiet that I was quite convinced, ah, this man understands everything, but finds it all so dull that he can always stay silent like this; but it seems that wasn't so, was it.
あなたは、お客様の前で、とてもつまらない事を、おっしゃって居られます。In front of your guests you say such very dull things.
前の日に、お客様から伺ったばかりの画の論を、そっくりそのまま御自分の意見のように鹿爪らしく述べていたり、また、私が小説を読んで感じた事をあなたに、ちょっと申し上げると、あなたはその翌日、すましてお客様に、モオパスサンだって、やはり信仰には、おびえていたんだね、なんて私の愚論をそのままお聞かせしているものですから、私はお茶を持って応接間にはいりかけて、あまり恥ずかしくて立ちすくんでしまう事もありました。You would solemnly set out, just as if it were your own opinion, some theory of painting you had heard from a guest only the day before; or, when I mentioned to you a little of what I had felt while reading a novel, the very next day you would coolly let a guest hear my foolish idea word for word: "Even Maupassant, you know, was afraid of faith after all." There were times when, coming into the reception room with the tea, I was so ashamed that I stood frozen in the doorway.
あなたは、以前は、なんにも知らなかったのね。You didn't know anything before, did you.
ごめんなさい。Forgive me.
私だって、なんにも、ものを知りませんけれども、自分の言葉だけは、持っているつもりなのに、あなたは、全然、無口か、でもないと、人の言った事ばかりを口真似しているだけなんですもの。I don't know anything either, but at least I believe I have words of my own, whereas you are either completely silent or else only parroting what other people have said.
それなのに、あなたは不思議に成功なさいました。And yet, strangely, you succeeded.
そのとしの二科の画は、新聞社から賞さえもらって、その新聞には、何だか恥ずかしくて言えないような最大級の讃辞が並べられて居りました。That year your painting at the Nika exhibition even won a prize from a newspaper, and the paper was lined with praise of the highest order, so much that I'd be somehow ashamed to repeat it.
孤高、清貧、思索、憂愁、祈り、シャヴァンヌ、その他いろいろございました。Lofty solitude, honest poverty, contemplation, melancholy, prayer, Chavannes, and a great many other things besides.
あなたは、あとでお客様とその新聞の記事に就いてお話なされ、割合、当っていたようだね、等と平気でおっしゃって居られましたが、まあ何という事を、おっしゃるのでしょう。Later you talked about the article with a guest and said quite calmly, "It was fairly accurate, I'd say," but oh, what a thing to say!
私たちは清貧ではございません。We are not living in honest poverty.
貯金帳を、ごらんにいれましょうか。Shall I show you the savings book?
あなたは、この家に引越して来てからは、まるで人が変ったように、お金の事を口になさるようになりました。Ever since we moved into this house, you have begun to speak of money as if you were a different person.
お客様に画をたのまれると、あなたは、必ずお値段の事を悪びれもせずに、言い出します。Whenever a guest asks you for a painting, you never fail to bring up the price, without the least embarrassment.
はっきりさせて置いたほうが、後でいざこざが起らなくて、お互に気持がいいからね、などと、あなたはお客様におっしゃって居られますが、私はそれを小耳にはさんで、やはり、いやな気が致しました。"It's better to make it clear from the start; that way there's no trouble afterwards, and we both feel good about it," you tell your guests, and when I happen to overhear it, I feel unpleasant all the same.
なんでそんなに、お金にこだわることがあるのでしょう。Why should you care so much about money?
いい画さえ描いて居れば、暮しのほうは、自然に、どうにかなって行くものと私には思われます。It seems to me that as long as you paint good pictures, our living will somehow take care of itself.
いいお仕事をなさって、そうして、誰にも知られず、貧乏で、つつましく暮して行く事ほど、楽しいものはありません。There is nothing so pleasant as doing good work and living modestly and poorly, unknown to anyone.
私は、お金も何も欲しくありません。I don't want money or anything else.
心の中で、遠い大きいプライドを持って、こっそり生きていたいと思います。I want to live quietly, holding in my heart a great, distant pride.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 奮発ふんぱつする | to make a special effort; to splurgedictionary form: 奮発するOften used for spending more money than usual on something. | — |
| 秘策ひさく | secret plan, clever scheme秘 'secret' + 策 'plan'; 秘策を授ける = to let someone in on a trick. | — |
| 成金なりきん | upstart, nouveau richeFrom shōgi: a pawn promoted to a gold general. Usually disparaging. | — |
| 女中じょちゅう | maid, housemaidOld-fashioned; today お手伝いさん is used. | — |
| 年賀状ねんがじょう | New Year's greeting card | — |
| 綱渡りつなわたり | tightrope walking; a risky undertakingUsed figuratively for a dangerous course of action. | — |
| はらはらはらはら | anxiously, in suspenseOnomatopoeic word for nervous worry while watching something. | — |
| 躓かつまずく | to stumble; to faildictionary form: 躓くUsually written in kana today. | N2 |
| 無口むくち | quiet, taciturn, a person of few words | N1 |
| 鹿爪らしくしかつめらしい | solemn, with a straight, formal facedictionary form: 鹿爪らしいThe kanji are phonetic borrowings; usually written しかつめらしい. | — |
| 讃辞さんじ | words of praise, eulogyNow usually written 賛辞. | — |
| 清貧せいひん | honest poverty, being poor but pure-minded | — |
| 悪びれもせずにわるびれる | (without) being shy or embarrasseddictionary form: 悪びれるAlmost always negative: 悪びれずに / 悪びれもせず = brazenly, unabashedly. | — |
| 小耳にはさんでこみみにはさむ | to happen to overheardictionary form: 小耳にはさむ | — |
Grammar
〜ようになる N4 come to do; begin to (a change in habit or state)
Attached to the plain form of a verb, it shows a gradual change into a new habit. Here it marks the husband's new feeling of shame about the apartment.
あなたは、アパートの小さい部屋を、恥ずかしがるようになりました。
You began to be ashamed of our small apartment room.
〜ばかりか N2 not only … but also
The first clause states one thing, and the second adds something even more. Here it contrasts her fears with his success: he did not stumble, and on top of that, good things kept happening.
あなたは躓かぬばかりか、次々と、いい事ばかりが起るのでした。
Not only did you not stumble, but one good thing after another kept happening to you.
〜ながら (concessive) N2 although, while (despite)
With stative verbs such as わかっている, ながら means 'even though' rather than 'while doing.' She had imagined that he understood everything and still stayed silent.
何もかもわかっていながら、何でも皆つまらないから
understanding everything, yet finding it all dull
〜たばかり N4 just did
The past form plus ばかり means the action happened very recently. Here it stresses that he repeats ideas he heard only the day before.
前の日に、お客様から伺ったばかりの画の論
a theory of painting just heard from a guest the day before
〜もの (sentence-final, ですもの) N3 because, after all (feminine, emotional reason)
Sentence-final もの gives a reason or justification in a soft, complaining tone, typical of feminine speech. Here it marks her slipping into intimate, reproachful speech.
人の言った事ばかりを口真似しているだけなんですもの。
You are only parroting what other people have said, after all.