Cover of 夏の花 (Natsu no Hana)

Part 8 of 9 · JLPT N2

夏の花 Natsu no Hana, part 8: The Cart Ride Through the Ruins

by Hara Tamiki · 1,321 characters · from Flowers of High Summer

In this part

As the horse cart carries the family out of Hiroshima, the second brother spots his son Fumihiko's body near the West Parade Ground, pulls off his nails and takes his belt as a keepsake. The cart then crosses the burned city centre, which the narrator describes in prose and in a broken katakana poem, before reaching the green countryside and Yahata village. There a miserable life begins: the injured do not recover, everyone grows weaker from hunger, and the burned maid dies a little over a month later.

AI translation · independently checked

馬車ばしゃは次兄じけいの一家族ひとかぞくと私わたくしと妹いもうとを乗のせて、東照宮とうしょうぐう下したから饒津にぎつへ出でた。The horse cart, carrying my second brother's family, my sister and me, left the foot of the Tōshōgū and came out at Nigitsu.

馬車ばしゃが白島はくしまから泉邸せんてい入口いりぐちの方ほうへ来き掛かかった時ときのことである。It happened as the cart was coming from Hakushima towards the entrance to Sentei.

西にし練兵れんぺい場じょう寄よりの空地くうちに、見憶みおぼえのある、黄色きいろの、半はんずぼんの死体したいを、次兄じけいはちらりと見みつけた。On an empty lot near the Nishi Renpeijō (West Parade Ground), my second brother caught a glimpse of a body in yellow shorts that he recognised.

そして彼かれは馬車ばしゃを降おりて行いった。He got down from the cart and went over.

嫂あによめも私わたくしもつづいて馬車ばしゃを離はなれ、そこへ集つどった。My sister-in-law and I followed him off the cart and gathered there.

見憶みおぼえのあるずぼんに、まぎれもないバンドを締しめている。The body wore the shorts we knew, fastened with a belt there was no mistaking.

死体したいは甥おいの文彦ふみひこであった。It was my nephew Fumihiko.

上着うわぎは無なく、胸むねのあたりに拳大こぶしだいの腫はれものがあり、そこから液体えきたいが流ながれている。He had no jacket, and on his chest was a swelling the size of a fist, from which fluid was running.

真黒まっくろくなった顔かおに、白しろい歯はが微かすかに見みえ、投出なげだした両手りょうての指ゆびは固かたく、内側うちがわに握にぎり締しめ、爪つめが喰込くいこんでいた。In the blackened face his white teeth could faintly be seen, and the fingers of his outflung hands were clenched hard inward, the nails digging into the palms.

その側そばに中学生ちゅうがくせいの屍体したいが一ひとつ、それから又また離はなれたところに、若わかい女おんなの死体したいが一ひとつ、いずれも、ある姿勢しせいのまま硬直こうちょくしていた。Beside him lay the body of a middle-school boy, and a little farther off the body of a young woman, each stiffened in whatever posture it had been caught in.

次兄じけいは文彦ふみひこの爪つめを剥はぎ、バンドを形見かたみにとり、名札なふだをつけて、そこを立去たちさった。My second brother pulled off Fumihiko's nails, took the belt as a keepsake, put a name tag on the body, and left the place.

涙なみだも乾かわきはてた遭遇そうぐうであった。It was an encounter at which even our tears had dried up completely.

馬車ばしゃはそれから国泰こくたい寺じの方ほうへ出で、住吉橋すみよしばしを越こして己斐こいの方ほうへ出でたので、私わたくしは殆ほとんど目抜めぬきの焼跡やけあとを一覧いちらんすることが出来できた。From there the cart went towards Kokutaiji, crossed Sumiyoshi Bridge and headed for Koi, so I was able to take in almost the whole of the burned-out city centre.

ギラギラと炎天えんてんの下したに横よこたわっている銀色ぎんいろの虚無きょむのひろがりの中なかに、路みちがあり、川かわがあり、橋はしがあった。Within a silver expanse of nothingness lying glaring under the blazing sun, there were roads, there were rivers, there were bridges.

そして、赤あかむけの膨ふくれ上あがった屍体したいがところどころに配置はいちされていた。And here and there, raw-skinned, swollen corpses had been set out.

これは精密せいみつ巧緻こうちな方法ほうほうで実現じつげんされた新しん地獄じごくに違ちがいなく、ここではすべて人間的にんげんてきなものは抹殺まっさつされ、たとえば屍体したいの表情ひょうじょうにしたところで、何なんか模型もけい的てきな機械的きかいてきなものに置換おきかえられているのであった。This was surely a new hell, brought into being by precise and ingenious methods; here everything human had been wiped out, and even the expressions on the corpses' faces, for instance, had been replaced by something like a model, something mechanical.

苦悶くもんの一瞬いっしゅん足掻あがいて硬直こうちょくしたらしい肢体したいは一種いっしゅの妖あやしいリズムを含ふくんでいる。The limbs, which seemed to have thrashed for one instant of agony and then gone rigid, held a kind of eerie rhythm.

電線でんせんの乱みだれ落おちた線せんや、おびただしい破片はへんで、虚無きょむの中なかに痙攣けいれん的てきの図案ずあんが感かんじられる。In the tangled, fallen electric wires and the countless fragments, one could sense a convulsive design within the void.

だが、さっと転覆てんぷくして焼やけてしまったらしい電車でんしゃや、巨大きょだいな胴どうを投出なげだして転倒てんとうしている馬うまを見みると、どうも、超ちょう現実げんじつ派はの画えの世界せかいではないかと思おもえるのである。Yet when I saw a streetcar that seemed to have been flipped over in an instant and burned, and a horse lying toppled with its huge body flung out, I could not help wondering whether this was the world of a Surrealist painting.

国泰こくたい寺じの大おおきな楠くすのきも根ねこそぎ転覆てんぷくしていたし、墓石はかいしも散ちっていた。The great camphor tree of Kokutaiji had been torn up by the roots and overturned, and the gravestones were scattered.

外郭がいかくだけ残のこっている浅野あさの図書館としょかんは屍体したい収容しゅうよう所しょとなっていた。The Asano Library, of which only the outer shell remained, had become a place for collecting corpses.

路みちはまだ処々ところどころで煙けむり、死臭ししゅうに満みちている。The roads were still smoking here and there, and full of the stench of death.

川かわを越こすたびに、橋はしが墜おちていないのを意外いがいに思おもった。Each time we crossed a river, I was surprised to find the bridge had not fallen.

この辺へんの印象いんしょうは、どうも片仮名かたかなで描えがきなぐる方ほうが応ふさわしいようだ。The impressions of this area, it seems, are better suited to being scrawled out in katakana.

それで次つぎに、そんな一節いっせつを挿入そうにゅうしておく。So I will insert such a passage next.

ギラギラノ破片はへんヤglaring fragments and

灰白色かいはくしょくノ燃もエガラガash-white cinders

ヒロビロトシタ パノラマノヨウニwide and sprawling like a panorama

アカクヤケタダレタ ニンゲンノ死体したいノキミョウナリズムred burnt festering the strange rhythm of human corpses

スベテアッタコトカ アリエタコトナノカdid all of this happen could all of this have happened

パット剥はギトッテシマッタ アトノセカイpeeled away in a flash the world left after

テンプクシタ電車でんしゃノワキノbeside the overturned streetcar

馬うまノ胴どうナンカノ フクラミカタハthe way the belly of a horse or such has swollen

ブスブストケムル電線でんせんノニオイthe smell of wires smouldering, sputtering

倒壊とうかいの跡あとのはてしなくつづく路みちを馬車ばしゃは進すすんで行いった。The cart went on along a road that ran endlessly through the ruins of collapse.

郊外こうがいに出でても崩くずれている家屋かおくが並ならんでいたが、草津くさつをすぎると漸ようやくあたりも青々あおあおとして災禍さいかの色いろから解放かいほうされていた。Even in the suburbs there were rows of collapsed houses, but once we passed Kusatsu the surroundings at last turned green, freed from the colours of disaster.

そして青田あおたの上うえをすいすいと蜻蛉とんぼの群むれが飛とんでゆくのが目めに沁しみた。And the sight of a swarm of dragonflies skimming over the green rice fields struck my eyes with piercing vividness.

それから八幡村やはたむらまでの長ながい単調たんちょうな道みちがあった。After that came the long, monotonous road to Yahata village.

八幡村やはたむらへ着ついたのは、日ひもとっぷり暮くれた頃ころであった。It was well after dark by the time we reached Yahata village.

そして翌日よくじつから、その土地とちでの、悲惨ひさんな生活せいかつが始はじまった。And from the next day, a wretched life in that place began.

負傷者ふしょうしゃの恢復かいふくもはかどらなかったが、元気げんきだったものも、食糧しょくりょう不足ふそくからだんだん衰弱すいじゃくして行いった。The injured made little progress in recovering, and even those who had been well grew gradually weaker from lack of food.

火傷やけどした女中じょちゅうの腕うではひどく化膿かのうし、蠅はえが群むれて、とうとう蛆うじが湧わくようになった。The burned arm of the maid festered badly, flies swarmed over it, and in the end maggots began to breed.

蛆うじはいくら消毒しょうどくしても、後あとから後あとから湧わいた。However much we disinfected it, the maggots kept breeding, one after another.

そして、彼女かのじょは一いっカ月げつあまりの後あと、死しんで行いった。And after a little over a month, she died.

Vocabulary

WordMeaningJLPT
次兄じけいsecond-eldest brotherWritten word; 長兄 (ちょうけい) is the eldest brother.—
嫂あによめsister-in-law (an elder brother's wife)Usually written 兄嫁 today.—
形見かたみkeepsake, memento of the dead形見にとる = to take something as a memento.—
遭遇そうぐうencounter (usually unexpected or unwelcome)—
焼跡やけあとburned-out ruinsdictionary form: 焼け跡A key postwar word; 跡 = trace, remains.—
炎天えんてんblazing (summer) sun, scorching weather—
虚無きょむnothingness, voidLiterary; also 'nihilism' (虚無主義).—
抹殺まっさつto wipe out, obliterate (as 抹殺する)—
硬直こうちょくstiffening, rigidity (as 硬直する)—
屍体したいcorpseOlder, starker spelling of 死体; the text uses both.N2
根こそぎねこそぎby the roots; completely—
悲惨ひさんwretched, miserable, tragicN1
衰弱すいじゃくweakening, wasting away (as 衰弱する)—
化膿かのうfestering, suppuration (as 化膿する)—

Grammar

〜に違いない N3 must be, surely is

Expresses strong conviction. Here the continuative form 違いなく links the clause to what follows, like 'surely ..., and ...'.

これは精密巧緻な方法で実現された新地獄に違いなく

This was surely a new hell, brought into being by precise and ingenious methods

〜にしたところで N1 even (in the case of) ~

Picks out one example and says that even it is no exception. Often paired with たとえば, as here.

たとえば屍体の表情にしたところで、何か模型的な機械的なものに置換えられているのであった

even the expressions on the corpses' faces, for instance, had been replaced by something like a model, something mechanical

Verb stem + はてる N1 to ~ completely, to the very end

果てる after a verb stem means the action has gone to its utmost limit. 乾きはてた: the tears had dried up entirely.

涙も乾きはてた遭遇であった。

It was an encounter at which even our tears had dried up completely.

〜たびに N3 every time ~

Attached to the dictionary form of a verb or noun + の, it means each occurrence brings the same result.

川を越すたびに、橋が墜ちていないのを意外に思った。

Each time we crossed a river, I was surprised to find the bridge had not fallen.

〜ではないかと思える N3 one can't help thinking it might be ~

ではないか turns the idea into a tentative suggestion, and the spontaneous 思える shows the thought arises naturally rather than by choice.

どうも、超現実派の画の世界ではないかと思えるのである。

I could not help wondering whether this was the world of a Surrealist painting.

〜ておく N4 to do something (for a purpose / in advance)

Shows a deliberate action done for a reason. Here the narrator places the poem into the text on purpose.

それで次に、そんな一節を挿入しておく。

So I will insert such a passage next.