
Part 8 of 9 · JLPT N2
夏の花 Natsu no Hana, part 8: The Cart Ride Through the Ruins
In this part
As the horse cart carries the family out of Hiroshima, the second brother spots his son Fumihiko's body near the West Parade Ground, pulls off his nails and takes his belt as a keepsake. The cart then crosses the burned city centre, which the narrator describes in prose and in a broken katakana poem, before reaching the green countryside and Yahata village. There a miserable life begins: the injured do not recover, everyone grows weaker from hunger, and the burned maid dies a little over a month later.
AI translation · independently checked
馬車は次兄の一家族と私と妹を乗せて、東照宮下から饒津へ出た。The horse cart, carrying my second brother's family, my sister and me, left the foot of the Tōshōgū and came out at Nigitsu.
馬車が白島から泉邸入口の方へ来掛った時のことである。It happened as the cart was coming from Hakushima towards the entrance to Sentei.
西練兵場寄りの空地に、見憶えのある、黄色の、半ずぼんの死体を、次兄はちらりと見つけた。On an empty lot near the Nishi Renpeijō (West Parade Ground), my second brother caught a glimpse of a body in yellow shorts that he recognised.
そして彼は馬車を降りて行った。He got down from the cart and went over.
嫂も私もつづいて馬車を離れ、そこへ集った。My sister-in-law and I followed him off the cart and gathered there.
見憶えのあるずぼんに、まぎれもないバンドを締めている。The body wore the shorts we knew, fastened with a belt there was no mistaking.
死体は甥の文彦であった。It was my nephew Fumihiko.
上着は無く、胸のあたりに拳大の腫れものがあり、そこから液体が流れている。He had no jacket, and on his chest was a swelling the size of a fist, from which fluid was running.
真黒くなった顔に、白い歯が微かに見え、投出した両手の指は固く、内側に握り締め、爪が喰込んでいた。In the blackened face his white teeth could faintly be seen, and the fingers of his outflung hands were clenched hard inward, the nails digging into the palms.
その側に中学生の屍体が一つ、それから又離れたところに、若い女の死体が一つ、いずれも、ある姿勢のまま硬直していた。Beside him lay the body of a middle-school boy, and a little farther off the body of a young woman, each stiffened in whatever posture it had been caught in.
次兄は文彦の爪を剥ぎ、バンドを形見にとり、名札をつけて、そこを立去った。My second brother pulled off Fumihiko's nails, took the belt as a keepsake, put a name tag on the body, and left the place.
涙も乾きはてた遭遇であった。It was an encounter at which even our tears had dried up completely.
馬車はそれから国泰寺の方へ出、住吉橋を越して己斐の方へ出たので、私は殆ど目抜の焼跡を一覧することが出来た。From there the cart went towards Kokutaiji, crossed Sumiyoshi Bridge and headed for Koi, so I was able to take in almost the whole of the burned-out city centre.
ギラギラと炎天の下に横わっている銀色の虚無のひろがりの中に、路があり、川があり、橋があった。Within a silver expanse of nothingness lying glaring under the blazing sun, there were roads, there were rivers, there were bridges.
そして、赤むけの膨れ上った屍体がところどころに配置されていた。And here and there, raw-skinned, swollen corpses had been set out.
これは精密巧緻な方法で実現された新地獄に違いなく、ここではすべて人間的なものは抹殺され、たとえば屍体の表情にしたところで、何か模型的な機械的なものに置換えられているのであった。This was surely a new hell, brought into being by precise and ingenious methods; here everything human had been wiped out, and even the expressions on the corpses' faces, for instance, had been replaced by something like a model, something mechanical.
苦悶の一瞬足掻いて硬直したらしい肢体は一種の妖しいリズムを含んでいる。The limbs, which seemed to have thrashed for one instant of agony and then gone rigid, held a kind of eerie rhythm.
電線の乱れ落ちた線や、おびただしい破片で、虚無の中に痙攣的の図案が感じられる。In the tangled, fallen electric wires and the countless fragments, one could sense a convulsive design within the void.
だが、さっと転覆して焼けてしまったらしい電車や、巨大な胴を投出して転倒している馬を見ると、どうも、超現実派の画の世界ではないかと思えるのである。Yet when I saw a streetcar that seemed to have been flipped over in an instant and burned, and a horse lying toppled with its huge body flung out, I could not help wondering whether this was the world of a Surrealist painting.
国泰寺の大きな楠も根こそぎ転覆していたし、墓石も散っていた。The great camphor tree of Kokutaiji had been torn up by the roots and overturned, and the gravestones were scattered.
外郭だけ残っている浅野図書館は屍体収容所となっていた。The Asano Library, of which only the outer shell remained, had become a place for collecting corpses.
路はまだ処々で煙り、死臭に満ちている。The roads were still smoking here and there, and full of the stench of death.
川を越すたびに、橋が墜ちていないのを意外に思った。Each time we crossed a river, I was surprised to find the bridge had not fallen.
この辺の印象は、どうも片仮名で描きなぐる方が応わしいようだ。The impressions of this area, it seems, are better suited to being scrawled out in katakana.
それで次に、そんな一節を挿入しておく。So I will insert such a passage next.
ギラギラノ破片ヤglaring fragments and
灰白色ノ燃エガラガash-white cinders
ヒロビロトシタ パノラマノヨウニwide and sprawling like a panorama
アカクヤケタダレタ ニンゲンノ死体ノキミョウナリズムred burnt festering the strange rhythm of human corpses
スベテアッタコトカ アリエタコトナノカdid all of this happen could all of this have happened
パット剥ギトッテシマッタ アトノセカイpeeled away in a flash the world left after
テンプクシタ電車ノワキノbeside the overturned streetcar
馬ノ胴ナンカノ フクラミカタハthe way the belly of a horse or such has swollen
ブスブストケムル電線ノニオイthe smell of wires smouldering, sputtering
倒壊の跡のはてしなくつづく路を馬車は進んで行った。The cart went on along a road that ran endlessly through the ruins of collapse.
郊外に出ても崩れている家屋が並んでいたが、草津をすぎると漸くあたりも青々として災禍の色から解放されていた。Even in the suburbs there were rows of collapsed houses, but once we passed Kusatsu the surroundings at last turned green, freed from the colours of disaster.
そして青田の上をすいすいと蜻蛉の群が飛んでゆくのが目に沁みた。And the sight of a swarm of dragonflies skimming over the green rice fields struck my eyes with piercing vividness.
それから八幡村までの長い単調な道があった。After that came the long, monotonous road to Yahata village.
八幡村へ着いたのは、日もとっぷり暮れた頃であった。It was well after dark by the time we reached Yahata village.
そして翌日から、その土地での、悲惨な生活が始った。And from the next day, a wretched life in that place began.
負傷者の恢復もはかどらなかったが、元気だったものも、食糧不足からだんだん衰弱して行った。The injured made little progress in recovering, and even those who had been well grew gradually weaker from lack of food.
火傷した女中の腕はひどく化膿し、蠅が群れて、とうとう蛆が湧くようになった。The burned arm of the maid festered badly, flies swarmed over it, and in the end maggots began to breed.
蛆はいくら消毒しても、後から後から湧いた。However much we disinfected it, the maggots kept breeding, one after another.
そして、彼女は一カ月あまりの後、死んで行った。And after a little over a month, she died.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 次兄じけい | second-eldest brotherWritten word; 長兄 (ちょうけい) is the eldest brother. | — |
| 嫂あによめ | sister-in-law (an elder brother's wife)Usually written 兄嫁 today. | — |
| 形見かたみ | keepsake, memento of the dead形見にとる = to take something as a memento. | — |
| 遭遇そうぐう | encounter (usually unexpected or unwelcome) | — |
| 焼跡やけあと | burned-out ruinsdictionary form: 焼け跡A key postwar word; 跡 = trace, remains. | — |
| 炎天えんてん | blazing (summer) sun, scorching weather | — |
| 虚無きょむ | nothingness, voidLiterary; also 'nihilism' (虚無主義). | — |
| 抹殺まっさつ | to wipe out, obliterate (as 抹殺する) | — |
| 硬直こうちょく | stiffening, rigidity (as 硬直する) | — |
| 屍体したい | corpseOlder, starker spelling of 死体; the text uses both. | N2 |
| 根こそぎねこそぎ | by the roots; completely | — |
| 悲惨ひさん | wretched, miserable, tragic | N1 |
| 衰弱すいじゃく | weakening, wasting away (as 衰弱する) | — |
| 化膿かのう | festering, suppuration (as 化膿する) | — |
Grammar
〜に違いない N3 must be, surely is
Expresses strong conviction. Here the continuative form 違いなく links the clause to what follows, like 'surely ..., and ...'.
これは精密巧緻な方法で実現された新地獄に違いなく
This was surely a new hell, brought into being by precise and ingenious methods
〜にしたところで N1 even (in the case of) ~
Picks out one example and says that even it is no exception. Often paired with たとえば, as here.
たとえば屍体の表情にしたところで、何か模型的な機械的なものに置換えられているのであった
even the expressions on the corpses' faces, for instance, had been replaced by something like a model, something mechanical
Verb stem + はてる N1 to ~ completely, to the very end
果てる after a verb stem means the action has gone to its utmost limit. 乾きはてた: the tears had dried up entirely.
涙も乾きはてた遭遇であった。
It was an encounter at which even our tears had dried up completely.
〜たびに N3 every time ~
Attached to the dictionary form of a verb or noun + の, it means each occurrence brings the same result.
川を越すたびに、橋が墜ちていないのを意外に思った。
Each time we crossed a river, I was surprised to find the bridge had not fallen.
〜ではないかと思える N3 one can't help thinking it might be ~
ではないか turns the idea into a tentative suggestion, and the spontaneous 思える shows the thought arises naturally rather than by choice.
どうも、超現実派の画の世界ではないかと思えるのである。
I could not help wondering whether this was the world of a Surrealist painting.
〜ておく N4 to do something (for a purpose / in advance)
Shows a deliberate action done for a reason. Here the narrator places the poem into the text on purpose.
それで次に、そんな一節を挿入しておく。
So I will insert such a passage next.