Cover of 猫町 (Nekomachi)

Part 5 of 8 · JLPT N2

猫町(2(つづき)) Nekomachi, part 5: Lost on the Mountain, Found a Town

by Hagiwara Sakutarō · 1,375 characters · from The Cats' Town

In this part

Absorbed in his thoughts, the narrator loses the railway line he was following and becomes hopelessly lost in the autumn mountains. After hours of anxious wandering, he follows a trail of footprints down to the foot of the mountain. There, instead of a poor village, he finds a beautiful, bustling old town of narrow winding lanes, flowering trees and wells, with shops such as a barbershop and a photographer's studio.

AI translation · independently checked

こうした思惟しいに耽ふけりながら、私わたくしはひとり秋あきの山道やまみちを歩あるいていた。Lost in such reflections, I was walking alone along an autumn mountain path.

その細ほそい山道やまみちは、径路けいろに沿そうて林はやしの奥おくへ消きえて行いった。The narrow mountain path followed its course and vanished into the depths of the woods.

目的地もくてきちへの道標どうひょうとして、私わたくしが唯一ゆいいつのたよりにしていた汽車きしゃの軌道レールは、もはや何所どこにも見みえなくなった。The railway track, which had been my one and only guide and signpost to my destination, was now nowhere to be seen.

私わたくしは道みちをなくしたのだ。I had lost my way.

「迷まい子ご!」"A lost child!"

瞑想めいそうから醒さめた時ときに、私わたくしの心こころに浮うかんだのは、この心細こころぼそい言葉ことばであった。When I woke from my meditation, it was this forlorn word that rose in my mind.

私わたくしは急きゅうに不安ふあんになり、道みちを探さがそうとしてあわて出だした。Suddenly I grew uneasy and began to rush about in search of the road.

私わたくしは後あとへ引返ひきかえして、逆ぎゃくに最初さいしょの道みちへ戻もどろうとした。I turned back, trying to retrace my steps to the path I had started on.

そして一層いっそう地理ちりを失うしない、多岐たきに別わかれた迷路めいろの中なかへ、ぬきさしならず入はいってしまった。And so I lost my bearings all the more, and found myself hopelessly caught in a maze that branched off in every direction.

山やまは次第しだいに深ふかくなり、小径こみちは荊棘いばらの中なかに消きえてしまった。The mountains grew steadily deeper, and the little path disappeared among the brambles.

空むなしい時間じかんが経過けいかして行いき、一人ひとりの樵夫きこりにも逢あわなかった。Empty time slipped by, and I did not meet so much as a single woodcutter.

私わたくしはだんだん不安ふあんになり、犬いぬのように焦燥しょうそうしながら、道みちを嗅かぎ出だそうとして歩あるき廻まわった。Growing more and more anxious, fretting like a dog, I wandered about trying to sniff out the way.

そして最後さいごに、漸ようやく人馬じんばの足跡あしあとのはっきりついた、一ひとつの細ほそい山道やまみちを発見はっけんした。Then at last I discovered a narrow mountain path clearly marked with the footprints of people and horses.

私わたくしはその足跡あしあとに注意ちゅういしながら、次第しだいに麓ふもとの方ほうへ下くだって行いった。Keeping a careful eye on those footprints, I gradually made my way down toward the foot of the mountain.

どっちの麓ふもとへ降おりようとも、人家じんかのある所ところへ着つきさえすれば、とにかく安心あんしんができるのである。Whichever side of the mountain I came down, if only I reached a place where people lived, I could at any rate feel safe.

幾いく時間じかんかの後あと、私わたくしは麓ふもとへ到着とうちゃくした。Some hours later, I arrived at the foot of the mountain.

そして全まったく、思おもいがけない意外いがいの人間にんげん世界せかいを発見はっけんした。And there, quite unexpectedly, I discovered a human world I had never imagined.

そこには貧まずしい農家のうかの代かわりに、繁華はんかな美うつくしい町まちがあった。Instead of poor farmhouses, there stood a bustling and beautiful town.

かつて私わたくしの或ある知人ちじんが、シベリヤ鉄道てつどうの旅行りょこうについて話はなしたことは、あの満目まんもく荒寥こうりょうたる無人むじんの曠野こうやを、汽車きしゃで幾日いくにちも幾日いくにちも走はしった後あと、漸ようやく停車ていしゃした沿線えんせんの一いち小駅しょうえきが、世よにも賑にぎわしく繁華はんかな都会とかいに見みえるということだった。An acquaintance of mine once told me about a journey on the Siberian Railway: after travelling by train for day upon day across that uninhabited wilderness, desolate as far as the eye can see, the little wayside station where the train finally stopped looked like the liveliest, most bustling city in the world.

私わたくしの場合ばあいの印象いんしょうもまた、おそらくはそれに類るいした驚おどろきだった。The impression in my own case, too, was probably an astonishment of much the same kind.

麓ふもとの低ひくい平地へいちへかけて、無数むすうの建築けんちくの家屋かおくが並ならび、塔とうや高楼こうろうが日ひに輝かがやいていた。Countless buildings stood in rows stretching down to the low plain at the mountain's foot, and towers and tall pavilions gleamed in the sun.

こんな辺鄙へんぴな山やまの中なかに、こんな立派りっぱな大都会だいとかいが存在そんざいしようとは、容易よういに信しんじられないほどであった。It was almost impossible to believe that so splendid a great city could exist in the middle of such remote mountains.

私わたくしは幻燈げんとうを見みるような思おもいをしながら、次第しだいに町まちの方ほうへ近付ちかづいて行いった。Feeling as if I were watching a magic-lantern show, I drew gradually nearer to the town.

そしてとうとう、自分じぶんでその幻燈げんとうの中なかへ這入はいって行いった。And at last I walked right into that magic-lantern picture myself.

私わたくしは町まちの或ある狭せまい横丁よこちょうから、胎内たいないめぐりのような路みちを通とおって、繁華はんかな大通おおどおりの中央ちゅうおうへ出でた。From a narrow alley in the town, I passed along a way like the passage of a temple womb-walk and came out in the middle of a bustling main street.

そこで目めに映えいじた市街しがいの印象いんしょうは、非常ひじょうに特殊とくしゅな珍めずらしいものであった。The impression the town made as it met my eyes there was something extremely peculiar and unusual.

すべての軒並のきなみの商店しょうてんや建築物けんちくぶつは、美術びじゅつ的てきに変かわった風情ふぜいで意匠いしょうされ、かつ町まち全体ぜんたいとしての集合しゅうごう美びを構成こうせいしていた。All the shops and buildings lining the streets were designed with an artistic and unusual charm, and together they composed a collective beauty of the town as a whole.

しかもそれは意識的いしきてきにしたのでなく、偶然ぐうぜんの結果けっかからして、年代ねんだいの錆さびがついて出来できてるのだった。What is more, this had not been done deliberately; it had come about by chance, with the patina of the years laid upon it.

それは古雅こがで奥床おくゆかしく、町まちの古ふるい過去かこの歴史れきしと、住民じゅうみんの長ながい記憶きおくを物語ものがたっていた。It was elegant in an old-fashioned way and full of quiet refinement, telling of the town's ancient past and the long memories of its inhabitants.

町幅まちはばは概がいして狭せまく、大通おおどおりでさえも、漸ようやく二に、三さん間げん位くらいであった。The streets were generally narrow; even the main street was barely twelve to eighteen feet across.

その他たの小路こうじは、軒のきと軒のきとの間あいだにはさまれていて、狭せまく入混いりこんだ路地ろじになってた。The other lanes were squeezed in between the eaves of the houses, forming narrow, tangled alleys.

それは迷路めいろのように曲折きょくせつしながら、石畳いしだたみのある坂さかを下したに降おりたり、二に階かいの張はり出だした出窓でまどの影かげで、暗くらく隧道とんねるになった路みちをくぐったりした。They twisted and turned like a maze, now going down stone-paved slopes, now passing through lanes made into dark tunnels by the shadow of the overhanging second-floor bay windows.

南国なんごくの町まちのように、所々ところどころに茂しげった花樹かじゅが生はえ、その附近ふきんには井戸いどがあった。As in a town of the warm south, flowering trees grew thickly here and there, and near them were wells.

至いたるところに日影ひかげが深ふかく、町まち全体ぜんたいが青樹あおきの蔭かげのようにしっとりしていた。Everywhere the shade lay deep, and the whole town was hushed and cool, as if beneath the shadow of green trees.

娼家しょうからしい家いえが並ならんで、中庭なかにわのある奥おくの方ほうから、閑雅かんがな音楽おんがくの音おとが聴きこえて来きた。There was a row of houses that seemed to be brothels, and from deep inside, where the courtyards were, came the sound of quiet, graceful music.

大通おおどおりの街路がいろの方ほうには、硝子窓がらすまどのある洋風ようふうの家いえが多おおかった。Along the main street there were many Western-style houses with glass windows.

理髪店りはつてんの軒先のきさきには、紅白こうはくの丸まるい棒ぼうが突つき出だしてあり、ペンキの看板かんばんに Barbershop と書かいてあった。From the front of a barber's shop a round red-and-white pole jutted out, and a painted sign read "Barbershop".

旅館りょかんもあるし、洗濯屋せんたくやもあった。There was an inn, and there was a laundry too.

町まちの四辻よつつじに写真屋しゃしんやがあり、その気象台きしょうだいのような硝子がらすの家屋かおくに、秋あきの日ひの青空あおぞらが侘わびしげに映うつっていた。At a crossroads stood a photographer's studio, and on its glass building, which looked like a weather station, the blue autumn sky was forlornly reflected.

時計とけい屋やの店先みせさきには、眼鏡めがねをかけた主人しゅじんが坐すわって、黙だまって熱心ねっしんに仕事しごとをしていた。In the front of a watchmaker's shop sat the owner, wearing spectacles, working silently and intently.

Vocabulary

WordMeaningJLPT
耽りふけるto be absorbed in, to indulge indictionary form: 耽るUsed with に: 思惟に耽る, 読書に耽る.—
心細いこころぼそいforlorn, helpless, lonely and uneasyLiterally a 'thin heart': the feeling of having nothing to rely on.N1
引返してひきかえすto turn back, to retrace one's stepsdictionary form: 引き返すOlder spelling without the okurigana き.N2
ぬきさしならずぬきさしならないhopelessly stuck, unable to get in or outdictionary form: 抜き差しならないFrom 抜く (pull out) and 差す (put in); ず is the literary negative.—
焦燥しょうそうfretting, impatient anxietyLiterary; here used as a verb with する.—
麓ふもとfoot (base) of a mountainN2
繁華はんかbustling, prosperous, livelyCompare 繁華街 (busy shopping district).—
曠野こうやwilderness, vast open plainNow usually written 荒野.—
辺鄙へんぴremote, out-of-the-way—
幻燈げんとうmagic lantern (early slide projector)Modern spelling 幻灯; often a symbol of dreamlike, unreal scenes.—
胎内めぐりたいないめぐりwomb-walk: walking through a pitch-dark passage inside a temple, statue or cavedictionary form: 胎内巡りA religious practice symbolising rebirth; suggests a dark, winding, enclosed path.—
風情ふぜいcharm, atmosphere, tasteful appearance—
奥床しくおくゆかしいquietly refined, graceful and modestdictionary form: 奥床しいUsually written 奥ゆかしい today.—
侘しげわびしいlonely, dreary, forlorndictionary form: 侘しい〜げ turns the adjective into 'seeming ~': 侘しげに = forlornly.—

Grammar

〜ながら N4 while doing ~

Attached to the verb stem, it shows two actions by the same person happening at once. Here the narrator walks while sunk in thought.

こうした思惟に耽りながら、私はひとり秋の山道を歩いていた。

Lost in such reflections, I was walking alone along an autumn mountain path.

〜さえ〜ば N3 if only ~, as long as ~

The verb stem + さえすれば states the one condition that is enough. Reaching any inhabited place is all the narrator needs to feel safe.

人家のある所へ着きさえすれば、とにかく安心ができるのである。

If only I reached a place where people lived, I could at any rate feel safe.

〜ようとも N1 no matter ~, whichever ~

The volitional form + とも means 'even if' or 'regardless of'. Combined with どっち it means 'whichever side'.

どっちの麓へ降りようとも

Whichever side of the mountain I came down

〜たる N1 literary adjectival ending: 'which is ~'

A classical form of である that turns certain Sino-Japanese words into modifiers before a noun. 荒寥たる means 'desolate'.

あの満目荒寥たる無人の曠野

that uninhabited wilderness, desolate as far as the eye can see

〜ようとは N1 that ~ should happen (expressing surprise)

The volitional form + とは presents a surprising possibility, usually followed by words like 思わない or 信じられない. Here the narrator can hardly believe such a city exists.

こんな立派な大都会が存在しようとは、容易に信じられないほどであった。

It was almost impossible to believe that so splendid a great city could exist.