
Part 10 of 10 · JLPT N2
鮨 Sushi, part 10: The Sensei Disappears from Fukuzushi
In this part
Minato finishes his story and tells Tomoyo that the boy in it was himself, explaining that sushi now brings back memories of his mother. As evening falls in the burnt-out hospital garden, he gives her his ghostfish and leaves, and he never comes back to Fukuzushi. Tomoyo grieves for a while, but in time she only vaguely imagines him eating at some other sushi shop somewhere.
AI translation · independently checked
家は全く潰れ、父母や兄姉も前後して死んだ。The family was utterly ruined, and his father and mother and his elder brothers and sisters died one after another.
息子自身は頭が好くて、何処へ行っても相当に用いられたが、何故か、一家の職にも、栄達にも気が進まなかった。The son himself was bright, and wherever he went he was valued and given fair employment, yet for some reason he had no inclination either for the family trade or for worldly advancement.
二度目の妻が死んで、五十近くなった時、一寸した投機でかなり儲け、一生独りの生活には事かかない見極めのついたのを機に職業も捨てた。When his second wife died and he was nearly fifty, he made a fair amount of money on a small speculation, and once he was sure he would never want for anything living alone for the rest of his life, he took the chance to give up his profession as well.
それから後は、茲のアパート、あちらの貸家と、彼の一所不定の生活が始まった。From then on began his life with no fixed home: an apartment here, a rented house there.
今のはなしのうちの子供、それから大きくなって息子と呼んではなしたのは私のことだと湊は長い談話のあとで、ともよに云った。After his long account, Minato told Tomoyo that the child in the story he had just told, and the one he had gone on to call "the son" once he grew up, was himself.
「ああ判った。それで先生は鮨がお好きなのね」"Oh, now I understand. So that's why you like sushi, Sensei."
「いや、大人になってからは、そんなに好きでもなくなったのだが、近頃、年をとったせいか、しきりに母親のことを想い出すのでね。鮨までなつかしくなるんだよ」"No, once I grew up I stopped liking it all that much, but lately, maybe because I'm getting old, I keep thinking of my mother. Even sushi makes me feel nostalgic."
二人の坐っている病院の焼跡のひとところに支えの朽ちた藤棚があって、おどろのように藤蔓が宙から地上に這い下り、それでも蔓の尖の方には若葉を一ぱいつけ、その間から痩せたうす紫の花房が雫のように咲き垂れている。In one corner of the burnt-out hospital grounds where the two of them sat stood a wisteria trellis with rotted supports, and the wisteria vines crawled down from midair to the ground like a tangle of brambles; even so, the tips of the vines were thick with young leaves, and from among them thin, pale purple clusters of blossoms hung down like drops of water.
庭石の根締めになっていたやしおの躑躅が石を運び去られたあとの穴の側に半面、黝く枯れて火のあおりのあとを残しながら、半面に白い花をつけている。The yashio azalea that had been planted around the base of a garden stone stood beside the hole left after the stone was carried away; one half of it was withered dark and blackish, still showing the scorch of the fire, while the other half bore white flowers.
庭の端の崖下は電車線路になっていて、ときどき轟々と電車の行き過ぎる音だけが聞える。Below the cliff at the edge of the garden ran the train tracks, and from time to time the only sound was the roar of a passing train.
竜の髭のなかのいちはつの花の紫が、夕風に揺れ、二人のいる近くに一本立っている太い棕梠の木の影が、草叢の上にだんだん斜にかかって来た。The purple of the iris flowers among the mondo grass swayed in the evening breeze, and the shadow of a single thick hemp palm standing near the two of them slowly slanted across the grass.
ともよが買って来てそこへ置いた籠の河鹿が二声、三声、啼き初めた。The singing frog in the cage that Tomoyo had bought and set down there began to call, two or three times.
二人は笑いを含んだ顔を見合せた。The two looked at each other with smiles on their faces.
「さあ、だいぶ遅くなった。ともちゃん、帰らなくては悪かろう」"Well, it's gotten quite late. Tomo-chan, you'd better be going home."
ともよは河鹿の籠を捧げて立ち上った。Tomoyo stood up, holding the frog's cage before her in both hands.
すると、湊は自分の買った骨の透き通って見える髑髏魚をも、そのままともよに与えて立ち去った。Then Minato also gave Tomoyo the ghostfish he had bought himself, the one whose bones showed through its body, just as it was, and walked away.
湊はその後、すこしも福ずしに姿を見せなくなった。After that, Minato never showed himself at Fukuzushi again.
「先生は、近頃、さっぱり姿を見せないね」"Sensei hasn't been around at all lately, has he?"
常連の間に不審がるものもあったが、やがてすっかり忘られてしまった。Some of the regulars wondered about it, but before long he was completely forgotten.
ともよは湊と別れるとき、湊がどこのアパートにいるか聞きもらしたのが残念だった。Tomoyo regretted that when she parted from Minato she had failed to ask which apartment he lived in.
それで、こちらから訪ねても行けず病院の焼跡へ暫く佇んだり、あたりを見廻し乍ら石に腰かけて湊のことを考え時々は眼にうすく涙さえためてまた茫然として店へ帰って来るのであったが、やがてともよのそうした行為も止んで仕舞った。So she could not go and visit him herself, and instead she would stand for a while in the burnt-out hospital grounds, or sit on a stone looking around and thinking about Minato, sometimes even with faint tears in her eyes, and then come back to the shop in a daze; but before long she stopped doing even that.
此頃では、ともよは湊を思い出す度にThese days, whenever Tomoyo remembers Minato,
「先生は、何処かへ越して、また何処かの鮨屋へ行ってらっしゃるのだろう――鮨屋は何処にでもあるんだもの――」"Sensei has probably moved somewhere and is going to some other sushi shop. After all, there are sushi shops everywhere."
と漠然と考えるに過ぎなくなった。is all she vaguely thinks.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 潰れつぶれる | to be ruined, to go under (of a household or business)dictionary form: 潰れるLiterally 'to be crushed'; also used for a business going bankrupt. | N2 |
| 栄達えいたつ | rising in the world, success in one's careerA formal word; 栄 means 'glory', 達 means 'reach'. | — |
| 気が進まなかったきがすすまない | to feel no inclination, to be reluctantdictionary form: 気が進まないAlmost always used in the negative. | — |
| 投機とうき | speculation (financial) | — |
| 事かかないことかく | (in the negative) to not lack, to be well provided fordictionary form: 事欠くUsually written 事欠かない; 'there is no shortage of ~'. | — |
| 見極めみきわめ | certainty reached after careful judgement見極めがつく = to become sure of something. | — |
| 一所不定いっしょふてい | having no fixed place to liveFour-character expression; compare 住所不定 'of no fixed address'. | — |
| 焼跡やけあと | the site of a fire, burnt-out ruinsdictionary form: 焼け跡 | — |
| 藤棚ふじだな | wisteria trellis棚 means 'shelf'; wisteria is grown over a flat overhead frame. | — |
| 河鹿かじか | singing frog (a stream frog prized for its clear call)Kept in small cages in summer to enjoy its song; the kanji literally say 'river deer'. | — |
| 不審がるふしんがる | to find something strange, to wonder about it〜がる turns a feeling word into 'show signs of feeling ~' about others. | — |
| 聞きもらしたききもらす | to fail to ask, to miss hearingdictionary form: 聞き漏らす〜漏らす adds the idea of accidentally leaving something out. | — |
| 佇んだりたたずむ | to stand still, to lingerdictionary form: 佇むA literary verb, often with a sense of quiet or lonely waiting. | — |
| 漠然とばくぜん | vaguely, in a hazy waydictionary form: 漠然 | N1 |
Grammar
〜せいか N3 perhaps because ~
せい gives a cause, usually of something negative or unwanted; adding か makes it a guess rather than a firm reason.
近頃、年をとったせいか、しきりに母親のことを想い出すのでね
lately, maybe because I'm getting old, I keep thinking of my mother
〜なくては悪かろう N2 it would be bad not to ~ / you ought to ~
〜なくては + a negative judgement expresses obligation. 悪かろう is the old-fashioned conjectural form of 悪い (= 悪いだろう), giving Minato's speech a gentle, slightly formal tone.
ともちゃん、帰らなくては悪かろう
Tomo-chan, you'd better be going home
〜乍ら (ながら) N4 while ~ing
The same as modern 〜ながら, written here with the older kanji 乍ら. It links two actions done by the same person at the same time.
あたりを見廻し乍ら石に腰かけて
sitting on a stone looking around
〜度に N3 every time ~, whenever ~
Attached to a dictionary-form verb, 度に means that the following happens on each occasion of the first action.
此頃では、ともよは湊を思い出す度に
These days, whenever Tomoyo remembers Minato,
〜んだもの N3 after all ~ / because ~ (casual justification)
Added at the end of a sentence, もの (or もん) gives a reason in a soft, personal, often girlish tone, as if explaining to oneself.
鮨屋は何処にでもあるんだもの
after all, there are sushi shops everywhere
〜に過ぎない N2 to be no more than ~, merely ~
〜に過ぎない means 'no more than, merely'. Here 考えるに過ぎなくなった means she came to do nothing more than vaguely think so, so her thoughts of Minato have shrunk to this.
と漠然と考えるに過ぎなくなった
is all she vaguely thinks