
Part 5 of 10 · JLPT N2
鮨 Sushi, part 5: A Chance Meeting on the Main Street
In this part
Tomoyo grows self-conscious around Minato and sometimes ignores him at the shop. One early-summer day she runs into him outside the pet shop, where he has bought a transparent ghost fish, and the two sit together in a vacant lot on the edge of a cliff. When Tomoyo asks why he eats sushi so often, Minato begins to tell the story of his childhood.
AI translation · independently checked
「なかなか世話女房だぞ、ともちゃんは」"Tomo-chan makes a fine attentive little wife, doesn't she?"
相手の客がそういう位でその場はそれなりになる。The other customer would say something like that, and the matter would be left there.
湊も苦笑しながら相手の客に一礼して自分の席に向き直り、重たい湯呑み茶碗に手をかける。Minato, smiling wryly too, would give the man a small bow, turn back to his own seat, and reach for his heavy teacup.
ともよは湊のことが、だんだん妙な気がかりになり、却って、そしらぬ顔をして黙っていることもある。Little by little Minato became a strange worry on Tomoyo's mind, and so, perversely, there were times when she put on an air of indifference and said nothing.
湊がはいって来ると、つんと済して立って行って仕舞うこともある。Sometimes, when Minato came in, she would stiffen, look aloof, and get up and leave.
湊もそういう素振りをされて、却って明るく薄笑いするときもあるが、全然、ともよの姿の見えぬときは物寂しそうに、いつもより一そう、表通りや裏の谷合の景色を深々と眺める。Treated this way, Minato would sometimes, oddly enough, give a bright little smile; but when Tomoyo was nowhere to be seen at all, he looked lonely and gazed even more deeply than usual at the main street and at the view of the valley behind.
ある日、ともよは、籠をもって、表通りの虫屋へ河鹿を買いに行った。One day Tomoyo took a cage and went to the insect shop on the main street to buy some singing frogs.
ともよの父親は、こういう飼いものに凝る性分で、飼い方もうまかったが、ときどきは失敗して数を減らした。Her father was the sort of man who threw himself into keeping creatures like these, and he was good at it, but every so often something went wrong and their numbers dwindled.
が今年ももはや初夏の季節で、河鹿など涼しそうに鳴かせる時分だ。But this year, too, it was already early summer, the season for letting singing frogs fill the air with their cool songs.
ともよは、表通りの目的の店近く来ると、その店から湊が硝子鉢を下げて出て行く姿を見た。As Tomoyo drew near the shop she was heading for on the main street, she saw Minato coming out of it carrying a glass bowl.
湊はともよに気がつかないで硝子鉢をいたわり乍ら、むこう向きにそろそろ歩いていた。Minato did not notice Tomoyo; cradling the glass bowl carefully, he was walking slowly away from her.
ともよは、店へ入って手ばやく店のものに自分の買うものを注文して、籠にそれを入れて貰う間、店先へ出て、湊の行く手に気をつけていた。Tomoyo went into the shop, quickly told the shop assistant what she wanted, and while it was being put into her cage she stepped out to the shopfront and kept an eye on where Minato was going.
河鹿を籠に入れて貰うと、ともよはそれを持って、急いで湊に追いついた。Once the frogs were in the cage, Tomoyo took it and hurried after Minato until she caught up with him.
「先生ってば」"Sensei! Hey, Sensei!"
「ほう、ともちゃんか、珍らしいな、表で逢うなんて」"Well, if it isn't Tomo-chan. What a surprise, running into you out here."
二人は、歩きながら、互いの買いものを見せ合った。As they walked, the two of them showed each other what they had bought.
湊は西洋の観賞魚の髑髏魚を買っていた。Minato had bought a ghost fish, a Western ornamental fish.
それは骨が寒天のような肉に透き通って、腸が鰓の下に小さくこみ上っていた。Its bones showed through flesh like agar jelly, and its innards were bunched up small beneath its gills.
「先生のおうち、この近所」"Do you live near here, Sensei?"
「いまは、この先のアパートにいる。だが、いつ越すかわからないよ」"For now I'm in an apartment just up ahead. But there's no telling when I'll move."
湊は珍らしく表で逢ったからともよにお茶でも御馳走しようといって町筋をすこし物色したが、この辺には思わしい店もなかった。Since they had met outside for once, Minato said he would treat Tomoyo to tea or something, and he looked around the streets a little, but there was no suitable place in the area.
「まさか、こんなものを下げて銀座へも出かけられんし」"I can hardly go all the way to Ginza carrying a thing like this."
「ううん、銀座なんかへ行かなくっても、どこかその辺の空地で休んで行きましょうよ」"No, we don't need to go to Ginza or anywhere like that. Let's just rest for a bit in some empty lot around here."
湊は今更のように漲り亘る新樹の季節を見廻し、ふうっと息を空に吹いてMinato looked around at the season of fresh green leaves brimming everywhere as if seeing it for the first time, blew a long breath up at the sky, and said,
「それも、いいな」"That would be nice too."
表通りを曲ると間もなく崖端に病院の焼跡の空地があって、煉瓦塀の一側がローマの古跡のように見える。Soon after turning off the main street, there was an empty lot on the edge of a cliff where a hospital had burned down, and one side of its brick wall looked like ancient ruins in Rome.
ともよと湊は持ちものを叢の上に置き、足を投げ出した。Tomoyo and Minato set their things down in the grass and stretched out their legs.
ともよは、湊になにかいろいろ訊いてみたい気持ちがあったのだが、いまこうして傍に並んでみると、そんな必要もなく、ただ、霧のような匂いにつつまれて、しんしんとするだけである。Tomoyo had felt she wanted to ask Minato all sorts of things, but now that she was sitting beside him like this, there seemed no need; she simply sat wrapped in a scent like mist, everything deeply still.
湊の方が却って弾んでいてIt was Minato, if anything, who was in high spirits.
「今日は、ともちゃんが、すっかり大人に見えるね」"You look quite grown-up today, Tomo-chan."
などと機嫌好さように云う。he said, or words to that effect, sounding cheerful.
ともよは何を云おうかと暫く考えていたが、大したおもいつきでも無いようなことを、とうとう云い出した。Tomoyo thought for a while about what to say, and at last came out with something that hardly seemed like much of an idea.
「あなた、お鮨、本当にお好きなの」"Do you really like sushi?"
「さあ」"Well, now..."
「じゃ何故来て食べるの」"Then why do you come and eat it?"
「好きでないことはないさ、けど、さほど喰べたくない時でも、鮨を喰べるということが僕の慰みになるんだよ」"It's not that I don't like it. But even when I don't particularly feel like it, the act of eating sushi is a comfort to me."
「なぜ」"Why?"
何故、湊が、さほど鮨を喰べたくない時でも鮨を喰べるというその事だけが湊の慰めとなるかを話し出した。He began to explain why, even when he did not especially want sushi, simply eating it was a comfort to him.
――旧くなって潰れるような家には妙な子供が生れるというものか、大きな家の潰れるときというものは、大人より子供にその脅えが予感されるというものか、それが激しく来ると、子は母の胎内にいるときから、そんな脅えに命を蝕まれているのかもしれないね――というような言葉を冒頭に湊は語り出した。"Perhaps strange children are born into houses that have grown old and are about to collapse; perhaps, when a great house is about to fall, children sense the dread of it before the adults do; and when it comes on strongly, perhaps a child's very life is being eaten away by that dread even while it is still in its mother's womb" — with words like these Minato began his story.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 世話女房せわにょうぼう | a wife who looks after her husband attentivelyUsed teasingly here about a girl fussing over a customer. | — |
| 気がかりきがかり | something that weighs on one's mind; concern | — |
| 却ってかえって | on the contrary; if anythingMarks a result opposite to what one would expect. | N2 |
| そしらぬ顔そしらぬかお | a look of pretended indifferencedictionary form: 素知らぬ顔〜ぬ is the old negative: 知らない → 知らぬ. | — |
| 素振りそぶり | manner; behaviour that shows one's feelings | — |
| 河鹿かじか | kajika frog, a stream frog kept for its beautiful songPrized in summer for its cool, clear call. | — |
| 凝るこる | to be absorbed in; to be a devotee of (a hobby) | N1 |
| 性分しょうぶん | one's nature; temperament | — |
| いたわりいたわる | to handle with care; to treat gentlydictionary form: 労る | N1 |
| 行く手ゆくて | the way ahead; where someone is heading | — |
| 物色ぶっしょく | looking around for something suitable | — |
| 思わしいおもわしい | suitable; satisfactoryUsually used with a negative: 思わしい店もなかった. | — |
| 漲りみなぎる | to brim over; to fill completelydictionary form: 漲る | — |
| 蝕まれてむしばむ | to eat away at; to underminedictionary form: 蝕むThe kanji 蝕 contains 虫 (insect), suggesting slow gnawing. | — |
Grammar
〜ぬ N1 not (literary negative)
ぬ attaches to the ない-stem and works like ない. It is common in older and literary writing; 見えぬとき means 見えないとき.
全然、ともよの姿の見えぬときは物寂しそうに
when Tomoyo was nowhere to be seen at all, he looked lonely
〜て貰う N4 to have someone do something for you
The receiver of the favour is the subject. Here Tomoyo has the shop assistant put the frogs into her cage.
籠にそれを入れて貰う間、店先へ出て
while it was being put into her cage for her, she stepped out to the shopfront
〜なんて N3 something like; such a thing as (surprise)
なんて after a clause shows the speaker finds the situation surprising or unusual.
珍らしいな、表で逢うなんて
What a surprise, running into you out here.
まさか〜られん N3 surely can't; could hardly
まさか with a negative expresses that something is out of the question or hardly possible. 〜られん is the colloquial ん form of the literary negative 〜られぬ, and means the same as 〜られない.
まさか、こんなものを下げて銀座へも出かけられんし
I can hardly go all the way to Ginza carrying a thing like this.
〜ないことはない N3 it's not that ... not
A double negative giving a weak or hesitant positive. Minato does like sushi, but not strongly.
好きでないことはないさ
It's not that I don't like it.
〜というものか N2 is it that ... in general?
というもの presents something as a general truth, and か turns it into a musing question. Repeating it lets Minato wonder aloud about possible explanations.
旧くなって潰れるような家には妙な子供が生れるというものか
Perhaps strange children are born into houses that have grown old and are about to collapse