Cover of トカトントン (Tokatonton)

Part 5 of 8 · JLPT N2

トカトントン Tokatonton, part 5: Banknotes and a Whispered Invitation

by Dazai Osamu · 1,327 characters · from The Distant Hammer

In this part

The narrator, a post-office clerk, suffers over Hanae's regular deposits, fearing that the villagers are ruining her with money, and longs to tell her never to become anyone's plaything. One day in mid-May, while making her deposit at his window, she quietly asks him to meet her at the bridge at five. He goes, and the two walk to the beach, where she sits down between two fishing boats.

AI translation · independently checked

そうして次第しだいに私わたくしは苦くるしくなりました。And so, little by little, I began to suffer.

花江はなえさんは決けっして凄腕すごうでなんかじゃないんだけれども、しかし、この部落ぶらくの人ひとたちはみんな花江はなえさんをねらって、お金かねなんかをやって、そうして、花江はなえさんをダメにしてしまうのではなかろうか。Hanae was certainly no hard-headed schemer, but might not all the people of this village have their eyes on her, giving her money and the like, and end up ruining her?

きっとそうだ、と思おもうと、ぎょっとして夜中よなかに床とこからむっくり起おき上あがった事ことさえありました。Whenever I thought, "That must be it," I would give a start, and there were even times when I sat bolt upright in my bed in the middle of the night.

けれども花江はなえさんは、やっぱり一週間いっしゅうかんにいちどくらいの割わりで、平気へいきでお金かねを持もって来きます。Yet Hanae went on bringing money in, about once a week, as calm as ever.

いまはもう、胸むねがどきどきして顔かおが赤あからむどころか、あんまり苦くるしくて顔かおが蒼あおくなり額ひたいに油汗あぶらあせのにじみ出でるような気持きもちで、花江はなえさんの取とり澄すまして差出さしだす証紙しょうしを貼はった汚きたない十じゅう円えん紙幣しへいを一いち枚まい二に枚まいと数かぞえながら、矢庭やにわに全部ぜんぶひき裂さいてしまいたい発作ほっさに襲おそわれた事ことが何度なんどあったか知しれません。By now, far from my heart pounding and my face turning red, I felt such agony that my face went pale and greasy sweat seemed to ooze from my forehead, and as I counted, one by one, the dirty ten-yen notes with their certificate stamps that Hanae handed over so primly, I cannot say how many times I was seized by a sudden urge to tear them all to pieces.

そうして私わたくしは、花江はなえさんに一ひとこと言いってやりたかった。And I wanted to say just one thing to Hanae.

あの、れいの鏡花きょうかの小説しょうせつに出でて来くる有名ゆうめいな、せりふ、「死しんでも、ひとのおもちゃになるな!」と、キザもキザ、それに私わたくしのような野暮やぼな田舎者いなかものには、とても言いい出だし得えない台詞せりふですが、でも私わたくしは大おおまじめに、その一言ひとことを言いってやりたくて仕方しかたが無なかったんです。It was that famous line from that novel of Kyōka's, "Even if it kills you, never become anyone's plaything!" It is affected in the extreme, and a line that a clumsy country fellow like me could never bring himself to say, and yet I was in deadly earnest and longed desperately to say those very words to her.

死しんでも、ひとのおもちゃになるな、物質ぶっしつがなんだ、金銭きんせんがなんだ、と。Even if it kills you, never become anyone's plaything; what do material things matter, what does money matter? That is what I wanted to say.

思おもえば思おもわれるという事ことは、やっぱり有あるものでしょうか。Is it really true, I wonder, that if you love someone, you will be loved in return?

あれは五ご月がつの、なかば過すぎの頃ころでした。It was sometime past the middle of May.

花江はなえさんは、れいの如ごとく、澄すまして局きょくの窓口まどぐちの向むこう側がわにあらわれ、どうぞと言いってお金かねと通帳つうちょうを私わたくしに差出さしだします。Hanae, as usual, appeared with a composed face on the other side of the post-office counter, said, "Here you are," and held out her money and her passbook to me.

私わたくしは溜息ためいきをついてそれを受取うけとり、悲かなしい気持きもちで汚きたない紙幣しへいを一いち枚まい二に枚まいとかぞえます。I took them with a sigh and, feeling miserable, counted the dirty notes one by one.

そうして通帳つうちょうに金額きんがくを記入きにゅうして、黙だまって花江はなえさんに返かえしてやります。Then I entered the amount in the passbook and silently handed it back to her.

「五ご時じ頃ごろ、おひまですか?」"Are you free around five?"

私わたくしは、自分じぶんの耳みみを疑うたがいました。I could not believe my ears.

春はるの風かぜにたぶらかされているのではないかと思おもいました。I wondered if the spring wind was playing tricks on me.

それほど低ひくく素早すばやい言葉ことばでした。That is how low and quick her words were.

「おひまでしたら、橋はしにいらして」"If you're free, come to the bridge."

そう言いって、かすかに笑わらい、すぐにまた澄すまして花江はなえさんは立たち去さりました。Having said this, Hanae gave a faint smile, then at once put on her composed face again and walked away.

私わたくしは時計とけいを見みました。I looked at the clock.

二に時じすこし過すぎでした。It was a little after two.

それから五ご時じまで、だらしない話はなしですが、私わたくしは何なにをしていたか、いまどうしても思おもい出だす事ことが出来できないのです。It is a shameful thing to admit, but no matter how I try, I cannot now remember what I did between then and five o'clock.

きっと、何なにやら深刻しんこくな顔かおをして、うろうろして、突然とつぜんとなりの女おんなの局員きょくいんに、きょうはいいお天気てんきだ、なんて曇くもっている日ひなのに、大声おおごえで言いって、相手あいてがおどろくと、ぎょろりと睨にらんでやって、立たち上あがって便所べんじょへ行いったり、まるで阿呆あほうみたいになっていたのでしょう。No doubt I wore some sort of grave expression and wandered about, and suddenly announced loudly to the woman clerk next to me, "Lovely weather today," though it was a cloudy day, and when she looked startled I glared at her, then got up and went to the lavatory, and so on, behaving like a complete fool.

五ご時じ、七なな、八分はっぷんまえに私わたくしは、家いえを出でました。At seven or eight minutes to five I left the house.

途中とちゅう、自分じぶんの両手りょうての指ゆびの爪つめがのびているのを発見はっけんして、それがなぜだか、実じつに泣なきたいくらい気きになったのを、いまでも覚おぼえています。I still remember that on the way I discovered that the nails on both my hands had grown long, and that for some reason this bothered me so much I could have cried.

橋はしのたもとに、花江はなえさんが立たっていました。Hanae was standing at the foot of the bridge.

スカートが短みじかすぎるように思おもわれました。Her skirt seemed to me far too short.

長ながいはだかの脚あしをちらと見みて、私わたくしは眼めを伏ふせました。I caught a glimpse of her long bare legs and lowered my eyes.

「海うみのほうへ行いきましょう」"Let's go towards the sea."

花江はなえさんは、落おちついてそう言いいました。Hanae said this quite calmly.

花江はなえさんがさきに、それから五ご、六歩ろっぽはなれて私わたくしが、ゆっくり海うみのほうへ歩あるいて行いきました。Hanae went first, and I followed five or six paces behind, and we walked slowly towards the sea.

そうして、それくらい離はなれて歩あるいているのに、二人ふたりの歩調ほちょうが、いつのまにか、ぴったり合あってしまって、困こまりました。And though we were walking that far apart, before I knew it our steps had fallen perfectly into time with each other, which was most awkward.

曇天どんてんで、風かぜが少すこしあって、海岸かいがんには砂すなほこりが立たっていました。The sky was overcast, there was a little wind, and sand was blowing up along the shore.

「ここが、いいわ」"This will do."

岸きしにあがっている大おおきい漁船ぎょせんと漁船ぎょせんのあいだに花江はなえさんは、はいって行いって、そうして砂地すなじに腰こしをおろしました。Hanae went in between two large fishing boats that had been hauled up on the shore, and sat down on the sand.

Vocabulary

WordMeaningJLPT
凄腕すごうでshrewd operator; someone with formidable skill (here, at getting money from men)Literally 'fearsome arm'; often slightly negative.—
ねらってねらうto have one's eye on; to targetdictionary form: 狙うAlso used for aiming a weapon.N2
ぎょっとしてぎょっとするto be startled; to give a jolt of frightdictionary form: ぎょっとする—
割わりrate; proportion〜に一度の割で = at the rate of once per …N1
油汗あぶらあせgreasy sweat; cold sweat from anguish or pain—
取り澄ましてとりすますto look prim and composed; to put on an air of indifferencedictionary form: 取り澄ます—
証紙しょうしcertificate stampIn the 1946 currency switch, stamps were stuck on old notes to keep them valid.—
矢庭にやにわにsuddenly; all at onceOld-fashioned literary adverb.—
発作ほっさfit; sudden attack (of an urge or illness)N1
キザきざaffected; pretentiousdictionary form: 気障キザもキザ repeats the word for emphasis: 'as affected as can be'.N1
野暮やぼunrefined; boorishOpposite of 粋 (いき), urbane chic.—
たぶらかされてたぶらかすto trick; to bewitchdictionary form: 誑かすUsed of foxes and spirits deceiving people.—
たもとたもとfoot (of a bridge)dictionary form: 袂Also means a kimono sleeve.—
歩調ほちょうpace; step歩調が合う = to walk in step.—

Grammar

〜のではなかろうか N1 might it not be that …; I fear that …

なかろう is the literary volitional of ない, so this is a formal version of のではないだろうか. It voices a worried suspicion rather than a firm statement.

花江さんをダメにしてしまうのではなかろうか

might they not end up ruining Hanae?

〜どころか N2 far from …; let alone …

Rejects the first idea as too mild and introduces something much stronger. Here blushing is replaced by turning pale with agony.

胸がどきどきして顔が赤らむどころか、あんまり苦しくて顔が蒼くなり

far from my heart pounding and my face turning red, I was in such agony my face went pale

〜てやりたい N3 want to do (to/for someone, forcefully)

てやる shows the speaker doing something to someone of equal or lower standing, often with emotional force. Combined with たい, it expresses an urge to confront Hanae.

花江さんに一こと言ってやりたかった

I wanted to say just one thing to Hanae

〜て仕方が無い N3 can't help …; terribly, unbearably

Attached to a て-form of a feeling or desire, it means the feeling is overwhelming. Here the urge to speak is irresistible.

その一言を言ってやりたくて仕方が無かったんです

I longed desperately to say those very words

〜得ない N2 cannot …; it is impossible to …

Verb stem + 得ない (えない) is a formal way of saying something cannot be done. 言い出し得ない means he could never bring himself to say it.

とても言い出し得ない台詞ですが

it is a line I could never bring myself to say, but

〜のに N4 even though; despite

Links two facts where the second is unexpected given the first, often with surprise or frustration. They walk far apart, yet their steps match.

それくらい離れて歩いているのに、二人の歩調が、いつのまにか、ぴったり合ってしまって

though we were walking that far apart, before I knew it our steps had fallen perfectly into time