
Part 5 of 8 · JLPT N2
トカトントン Tokatonton, part 5: Banknotes and a Whispered Invitation
In this part
The narrator, a post-office clerk, suffers over Hanae's regular deposits, fearing that the villagers are ruining her with money, and longs to tell her never to become anyone's plaything. One day in mid-May, while making her deposit at his window, she quietly asks him to meet her at the bridge at five. He goes, and the two walk to the beach, where she sits down between two fishing boats.
AI translation · independently checked
そうして次第に私は苦しくなりました。And so, little by little, I began to suffer.
花江さんは決して凄腕なんかじゃないんだけれども、しかし、この部落の人たちはみんな花江さんをねらって、お金なんかをやって、そうして、花江さんをダメにしてしまうのではなかろうか。Hanae was certainly no hard-headed schemer, but might not all the people of this village have their eyes on her, giving her money and the like, and end up ruining her?
きっとそうだ、と思うと、ぎょっとして夜中に床からむっくり起き上った事さえありました。Whenever I thought, "That must be it," I would give a start, and there were even times when I sat bolt upright in my bed in the middle of the night.
けれども花江さんは、やっぱり一週間にいちどくらいの割で、平気でお金を持って来ます。Yet Hanae went on bringing money in, about once a week, as calm as ever.
いまはもう、胸がどきどきして顔が赤らむどころか、あんまり苦しくて顔が蒼くなり額に油汗のにじみ出るような気持で、花江さんの取り澄まして差出す証紙を貼った汚い十円紙幣を一枚二枚と数えながら、矢庭に全部ひき裂いてしまいたい発作に襲われた事が何度あったか知れません。By now, far from my heart pounding and my face turning red, I felt such agony that my face went pale and greasy sweat seemed to ooze from my forehead, and as I counted, one by one, the dirty ten-yen notes with their certificate stamps that Hanae handed over so primly, I cannot say how many times I was seized by a sudden urge to tear them all to pieces.
そうして私は、花江さんに一こと言ってやりたかった。And I wanted to say just one thing to Hanae.
あの、れいの鏡花の小説に出て来る有名な、せりふ、「死んでも、ひとのおもちゃになるな!」と、キザもキザ、それに私のような野暮な田舎者には、とても言い出し得ない台詞ですが、でも私は大まじめに、その一言を言ってやりたくて仕方が無かったんです。It was that famous line from that novel of Kyōka's, "Even if it kills you, never become anyone's plaything!" It is affected in the extreme, and a line that a clumsy country fellow like me could never bring himself to say, and yet I was in deadly earnest and longed desperately to say those very words to her.
死んでも、ひとのおもちゃになるな、物質がなんだ、金銭がなんだ、と。Even if it kills you, never become anyone's plaything; what do material things matter, what does money matter? That is what I wanted to say.
思えば思われるという事は、やっぱり有るものでしょうか。Is it really true, I wonder, that if you love someone, you will be loved in return?
あれは五月の、なかば過ぎの頃でした。It was sometime past the middle of May.
花江さんは、れいの如く、澄まして局の窓口の向う側にあらわれ、どうぞと言ってお金と通帳を私に差出します。Hanae, as usual, appeared with a composed face on the other side of the post-office counter, said, "Here you are," and held out her money and her passbook to me.
私は溜息をついてそれを受取り、悲しい気持で汚い紙幣を一枚二枚とかぞえます。I took them with a sigh and, feeling miserable, counted the dirty notes one by one.
そうして通帳に金額を記入して、黙って花江さんに返してやります。Then I entered the amount in the passbook and silently handed it back to her.
「五時頃、おひまですか?」"Are you free around five?"
私は、自分の耳を疑いました。I could not believe my ears.
春の風にたぶらかされているのではないかと思いました。I wondered if the spring wind was playing tricks on me.
それほど低く素早い言葉でした。That is how low and quick her words were.
「おひまでしたら、橋にいらして」"If you're free, come to the bridge."
そう言って、かすかに笑い、すぐにまた澄まして花江さんは立ち去りました。Having said this, Hanae gave a faint smile, then at once put on her composed face again and walked away.
私は時計を見ました。I looked at the clock.
二時すこし過ぎでした。It was a little after two.
それから五時まで、だらしない話ですが、私は何をしていたか、いまどうしても思い出す事が出来ないのです。It is a shameful thing to admit, but no matter how I try, I cannot now remember what I did between then and five o'clock.
きっと、何やら深刻な顔をして、うろうろして、突然となりの女の局員に、きょうはいいお天気だ、なんて曇っている日なのに、大声で言って、相手がおどろくと、ぎょろりと睨んでやって、立ち上って便所へ行ったり、まるで阿呆みたいになっていたのでしょう。No doubt I wore some sort of grave expression and wandered about, and suddenly announced loudly to the woman clerk next to me, "Lovely weather today," though it was a cloudy day, and when she looked startled I glared at her, then got up and went to the lavatory, and so on, behaving like a complete fool.
五時、七、八分まえに私は、家を出ました。At seven or eight minutes to five I left the house.
途中、自分の両手の指の爪がのびているのを発見して、それがなぜだか、実に泣きたいくらい気になったのを、いまでも覚えています。I still remember that on the way I discovered that the nails on both my hands had grown long, and that for some reason this bothered me so much I could have cried.
橋のたもとに、花江さんが立っていました。Hanae was standing at the foot of the bridge.
スカートが短かすぎるように思われました。Her skirt seemed to me far too short.
長いはだかの脚をちらと見て、私は眼を伏せました。I caught a glimpse of her long bare legs and lowered my eyes.
「海のほうへ行きましょう」"Let's go towards the sea."
花江さんは、落ちついてそう言いました。Hanae said this quite calmly.
花江さんがさきに、それから五、六歩はなれて私が、ゆっくり海のほうへ歩いて行きました。Hanae went first, and I followed five or six paces behind, and we walked slowly towards the sea.
そうして、それくらい離れて歩いているのに、二人の歩調が、いつのまにか、ぴったり合ってしまって、困りました。And though we were walking that far apart, before I knew it our steps had fallen perfectly into time with each other, which was most awkward.
曇天で、風が少しあって、海岸には砂ほこりが立っていました。The sky was overcast, there was a little wind, and sand was blowing up along the shore.
「ここが、いいわ」"This will do."
岸にあがっている大きい漁船と漁船のあいだに花江さんは、はいって行って、そうして砂地に腰をおろしました。Hanae went in between two large fishing boats that had been hauled up on the shore, and sat down on the sand.
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 凄腕すごうで | shrewd operator; someone with formidable skill (here, at getting money from men)Literally 'fearsome arm'; often slightly negative. | — |
| ねらってねらう | to have one's eye on; to targetdictionary form: 狙うAlso used for aiming a weapon. | N2 |
| ぎょっとしてぎょっとする | to be startled; to give a jolt of frightdictionary form: ぎょっとする | — |
| 割わり | rate; proportion〜に一度の割で = at the rate of once per … | N1 |
| 油汗あぶらあせ | greasy sweat; cold sweat from anguish or pain | — |
| 取り澄ましてとりすます | to look prim and composed; to put on an air of indifferencedictionary form: 取り澄ます | — |
| 証紙しょうし | certificate stampIn the 1946 currency switch, stamps were stuck on old notes to keep them valid. | — |
| 矢庭にやにわに | suddenly; all at onceOld-fashioned literary adverb. | — |
| 発作ほっさ | fit; sudden attack (of an urge or illness) | N1 |
| キザきざ | affected; pretentiousdictionary form: 気障キザもキザ repeats the word for emphasis: 'as affected as can be'. | N1 |
| 野暮やぼ | unrefined; boorishOpposite of 粋 (いき), urbane chic. | — |
| たぶらかされてたぶらかす | to trick; to bewitchdictionary form: 誑かすUsed of foxes and spirits deceiving people. | — |
| たもとたもと | foot (of a bridge)dictionary form: 袂Also means a kimono sleeve. | — |
| 歩調ほちょう | pace; step歩調が合う = to walk in step. | — |
Grammar
〜のではなかろうか N1 might it not be that …; I fear that …
なかろう is the literary volitional of ない, so this is a formal version of のではないだろうか. It voices a worried suspicion rather than a firm statement.
花江さんをダメにしてしまうのではなかろうか
might they not end up ruining Hanae?
〜どころか N2 far from …; let alone …
Rejects the first idea as too mild and introduces something much stronger. Here blushing is replaced by turning pale with agony.
胸がどきどきして顔が赤らむどころか、あんまり苦しくて顔が蒼くなり
far from my heart pounding and my face turning red, I was in such agony my face went pale
〜てやりたい N3 want to do (to/for someone, forcefully)
てやる shows the speaker doing something to someone of equal or lower standing, often with emotional force. Combined with たい, it expresses an urge to confront Hanae.
花江さんに一こと言ってやりたかった
I wanted to say just one thing to Hanae
〜て仕方が無い N3 can't help …; terribly, unbearably
Attached to a て-form of a feeling or desire, it means the feeling is overwhelming. Here the urge to speak is irresistible.
その一言を言ってやりたくて仕方が無かったんです
I longed desperately to say those very words
〜得ない N2 cannot …; it is impossible to …
Verb stem + 得ない (えない) is a formal way of saying something cannot be done. 言い出し得ない means he could never bring himself to say it.
とても言い出し得ない台詞ですが
it is a line I could never bring myself to say, but
〜のに N4 even though; despite
Links two facts where the second is unexpected given the first, often with surprise or frustration. They walk far apart, yet their steps match.
それくらい離れて歩いているのに、二人の歩調が、いつのまにか、ぴったり合ってしまって
though we were walking that far apart, before I knew it our steps had fallen perfectly into time