Cover of 夢十夜 (Yumejūya)

Part 1 of 10 · JLPT N2

夢十夜(第一夜) Yumejūya, part 1: A Hundred Years by the Grave

by Natsume Sōseki · 1,753 characters · from Ten Nights, Ten Dreams

In this part

A dying woman asks the narrator to bury her, mark her grave with a fallen star and wait a hundred years for her to return. He buries her by moonlight and counts the red suns as they rise and set until he loses track and begins to fear she lied. Then a white lily grows from under the stone and opens before him, and he realises the hundred years have already passed.

AI translation · independently checked

こんな夢ゆめを見みた。I had a dream like this.

腕組うでぐみをして枕元まくらもとに坐すわっていると、仰向あおむきに寝ねた女おんなが、静しずかな声こえでもう死しにますと云いう。I was sitting by her pillow with my arms folded when the woman lying on her back said, in a quiet voice, that she was going to die now.

女おんなは長ながい髪かみを枕まくらに敷しいて、輪郭りんかくの柔やわらかな瓜実うりざね顔がおをその中なかに横よこたえている。Her long hair was spread over the pillow, and her oval face, softly contoured, lay within it.

真白まっしろな頬ほおの底そこに温あたたかい血ちの色いろがほどよく差さして、唇くちびるの色いろは無論むろん赤あかい。Deep beneath her pure white cheeks the colour of warm blood showed just enough, and her lips, of course, were red.

とうてい死しにそうには見みえない。She did not look at all like someone about to die.

しかし女おんなは静しずかな声こえで、もう死しにますと判然はっきり云いった。But in her quiet voice the woman said clearly that she was going to die now.

自分じぶんも確たしかにこれは死しぬなと思おもった。And I too thought that yes, she really was going to die.

そこで、そうかね、もう死しぬのかね、と上うえから覗のぞき込こむようにして聞きいて見みた。So I leaned over and looked down into her face and asked, "Is that so? Are you going to die now?"

死しにますとも、と云いいながら、女おんなはぱっちりと眼めを開あけた。"Yes, I am going to die," the woman said, and opened her eyes wide.

大おおきな潤うるおいのある眼めで、長ながい睫まつげに包つつまれた中なかは、ただ一面いちめんに真黒まっくろであった。They were large, moist eyes, and within the long lashes that framed them there was nothing but deep black.

その真黒まっくろな眸ひとみの奥おくに、自分じぶんの姿すがたが鮮あざやかに浮うかんでいる。Deep in those black pupils, my own figure appeared vividly.

自分じぶんは透すき徹とおるほど深ふかく見みえるこの黒眼くろめの色沢つやを眺ながめて、これでも死しぬのかと思おもった。I gazed at the lustre of those dark eyes, which seemed so deep I could almost see through them, and thought: can she really die, even so?

それで、ねんごろに枕まくらの傍そばへ口くちを付つけて、死しぬんじゃなかろうね、大丈夫だいじょうぶだろうね、とまた聞きき返かえした。So I put my mouth close beside the pillow and asked again, tenderly, "You're not going to die, are you? You'll be all right, won't you?"

すると女おんなは黒くろい眼めを眠ねむそうに睜みはったまま、やっぱり静しずかな声こえで、でも、死しぬんですもの、仕方しかたがないわと云いった。Then, keeping her black eyes open wide as if drowsy, the woman said in the same quiet voice, "But I am going to die. It can't be helped."

じゃ、私わたしの顔かおが見みえるかいと一心いっしんに聞きくと、見みえるかいって、そら、そこに、写うつってるじゃありませんかと、にこりと笑わらって見みせた。"Then can you see my face?" I asked earnestly, and she smiled and said, "See it? Why, there it is, reflected right there, isn't it?"

自分じぶんは黙だまって、顔かおを枕まくらから離はなした。Without a word, I drew my face back from the pillow.

腕組うでぐみをしながら、どうしても死しぬのかなと思おもった。Folding my arms, I wondered whether she really must die.

しばらくして、女おんながまたこう云いった。After a while, the woman spoke again.

「死しんだら、埋うめて下ください。大おおきな真珠貝しんじゅがいで穴あなを掘ほって。そうして天てんから落おちて来くる星ほしの破片かけを墓標はかじるしに置おいて下ください。そうして墓はかの傍かたわらに待まっていて下ください。また逢あいに来きますから」"When I die, please bury me. Dig the hole with a large pearl shell. Then place a fragment of a star that has fallen from the sky on the grave as a marker. And then wait beside the grave for me. I will come to see you again."

自分じぶんは、いつ逢あいに来くるかねと聞きいた。I asked her, "When will you come to see me?"

「日ひが出でるでしょう。それから日ひが沈しずむでしょう。それからまた出でるでしょう、そうしてまた沈しずむでしょう。――赤あかい日ひが東ひがしから西にしへ、東ひがしから西にしへと落おちて行いくうちに、――あなた、待まっていられますか」"The sun will rise, won't it. Then the sun will set. Then it will rise again, and set again. While the red sun goes down from east to west, from east to west... will you be able to wait for me?"

自分じぶんは黙だまって首肯うなずいた。I nodded without a word.

女おんなは静しずかな調子ちょうしを一段いちだん張はり上あげて、The woman raised her quiet voice a little,

「百ひゃく年ねん待まっていて下ください」と思おもい切きった声こえで云いった。and said, in a voice full of resolve, "Wait for me a hundred years."

「百ひゃく年ねん、私わたくしの墓はかの傍そばに坐すわって待まっていて下ください。きっと逢あいに来きますから」"Sit beside my grave and wait for me for a hundred years. I will surely come to see you."

自分じぶんはただ待まっていると答こたえた。I simply answered that I would wait.

すると、黒くろい眸ひとみのなかに鮮あざやかに見みえた自分じぶんの姿すがたが、ぼうっと崩くずれて来きた。Then my figure, which I had seen so vividly in her black pupils, began to blur and crumble.

静しずかな水みずが動うごいて写うつる影かげを乱みだしたように、流ながれ出だしたと思おもったら、女おんなの眼めがぱちりと閉とじた。Just as when still water stirs and breaks up the reflection on it, no sooner had the image begun to flow away than the woman's eyes snapped shut.

長ながい睫まつげの間あいだから涙なみだが頬ほおへ垂たれた。A tear ran from between her long lashes down onto her cheek.

――もう死しんでいた。She was already dead.

自分じぶんはそれから庭にわへ下おりて、真珠貝しんじゅがいで穴あなを掘ほった。Then I went down into the garden and dug a hole with a pearl shell.

真珠貝しんじゅがいは大おおきな滑なめらかな縁ふちの鋭するどい貝かいであった。The pearl shell was a large, smooth shell with a sharp edge.

土つちをすくうたびに、貝かいの裏うらに月つきの光ひかりが差さしてきらきらした。Each time I scooped up the earth, the moonlight fell on the inside of the shell and made it glitter.

湿しめった土つちの匂においもした。There was a smell of damp earth, too.

穴あなはしばらくして掘ほれた。After a while the hole was dug.

女おんなをその中なかに入いれた。I laid the woman in it.

そうして柔やわらかい土つちを、上うえからそっと掛かけた。Then I gently covered her from above with the soft earth.

掛かけるたびに真珠貝しんじゅがいの裏うらに月つきの光ひかりが差さした。Each time I did so, the moonlight fell on the inside of the pearl shell.

それから星ほしの破片かけの落おちたのを拾ひろって来きて、かろく土つちの上うえへ乗のせた。Then I picked up a fragment of a star that had fallen and brought it back, and set it lightly on the earth.

星ほしの破片かけは丸まるかった。The star fragment was round.

長ながい間あいだ大空おおぞらを落おちている間まに、角かどが取とれて滑なめらかになったんだろうと思おもった。I thought that while it had been falling through the great sky for so long, its corners must have worn away and made it smooth.

抱だき上あげて土つちの上うえへ置おくうちに、自分じぶんの胸むねと手てが少すこし暖あたたかくなった。As I lifted it in my arms and set it on the earth, my chest and hands grew a little warm.

自分じぶんは苔こけの上うえに坐すわった。I sat down on the moss.

これから百ひゃく年ねんの間あいだこうして待まっているんだなと考かんがえながら、腕組うでぐみをして、丸まるい墓石はかいしを眺ながめていた。Thinking that from now on I would be waiting like this for a hundred years, I folded my arms and gazed at the round gravestone.

そのうちに、女おんなの云いった通とおり日ひが東ひがしから出でた。Before long, just as the woman had said, the sun rose in the east.

大おおきな赤あかい日ひであった。It was a big red sun.

それがまた女おんなの云いった通とおり、やがて西にしへ落おちた。And again just as the woman had said, it soon went down in the west.

赤あかいまんまでのっと落おちて行いった。Still red, it sank heavily away.

一ひとつと自分じぶんは勘定かんじょうした。"One," I counted.

しばらくするとまた唐紅からくれないの天道てんとうがのそりと上のぼって来きた。After a while a deep crimson sun came slowly climbing up again.

そうして黙だまって沈しずんでしまった。And then it sank away in silence.

二ふたつとまた勘定かんじょうした。"Two," I counted again.

自分じぶんはこう云いう風ふうに一ひとつ二ふたつと勘定かんじょうして行いくうちに、赤あかい日ひをいくつ見みたか分わからない。As I went on counting like this, one, two, I lost track of how many red suns I had seen.

勘定かんじょうしても、勘定かんじょうしても、しつくせないほど赤あかい日ひが頭あたまの上うえを通とおり越こして行いった。However much I counted, more red suns than I could ever count passed by over my head.

それでも百ひゃく年ねんがまだ来こない。Even so, the hundred years had still not come.

しまいには、苔こけの生はえた丸まるい石いしを眺ながめて、自分じぶんは女おんなに欺だまされたのではなかろうかと思おもい出だした。In the end, gazing at the round, moss-covered stone, I began to wonder whether the woman had deceived me.

すると石いしの下したから斜はすに自分じぶんの方ほうへ向むいて青あおい茎くきが伸のびて来きた。Then, from under the stone, a green stalk came growing out at a slant towards me.

見みる間まに長ながくなってちょうど自分じぶんの胸むねのあたりまで来きて留とまった。Even as I watched it grew longer, and stopped just at about the height of my chest.

と思おもうと、すらりと揺ゆらぐ茎くきの頂いただきに、心持こころもち首くびを傾かたぶけていた細長ほそながい一いち輪りんの蕾つぼみが、ふっくらと弁はなびらを開ひらいた。And then, at the tip of the gently swaying stalk, a single slender bud, which had been tilting its head slightly, softly opened its petals.

真白まっしろな百合ゆりが鼻はなの先さきで骨ほねに徹こたえるほど匂におった。Right under my nose, a pure white lily gave off a scent that pierced me to the bone.

そこへ遥はるかの上うえから、ぽたりと露つゆが落おちたので、花はなは自分じぶんの重おもみでふらふらと動うごいた。Just then a drop of dew fell from high above, and the flower swayed under its own weight.

自分じぶんは首くびを前まえへ出だして冷つめたい露つゆの滴したたる、白しろい花弁はなびらに接吻せっぷんした。I leaned my head forward and kissed the white petal, from which cold dew was dripping.

自分じぶんが百合ゆりから顔かおを離はなす拍子ひょうしに思おもわず、遠とおい空そらを見みたら、暁あかつきの星ほしがたった一ひとつ瞬またたいていた。As I drew my face away from the lily, I looked up without thinking at the distant sky, and a single morning star was twinkling there.

「百ひゃく年ねんはもう来きていたんだな」とこの時とき始はじめて気きがついた。"So the hundred years had already come," I realised then for the first time.

Vocabulary

WordMeaningJLPT
枕元まくらもとbedside, the spot beside one's pillow (元 = 'vicinity, area near')Literally 'pillow-origin'. Often used for sitting by a sick or dying person.—
腕組うでぐみfolding one's armsdictionary form: 腕組み腕組みをする. Here it is a recurring gesture of waiting and brooding.—
瓜実顔うりざねがおoval face (lit. 'melon-seed face'), a traditional ideal of feminine beautyA classic ideal of feminine beauty in older Japanese writing.—
無論むろんof course, naturallyA slightly literary equivalent of もちろん.N1
とうていとうてい(not) at all, by no meansdictionary form: 到底Always followed by a negative, here 見えない.N1
覗き込むのぞきこむto peer into, to look closely down intoThe compound verb 〜込む adds the sense of 'into'.—
ねんごろにねんごろkindly, tenderly, with caredictionary form: 懇ろOld-fashioned; it suggests warmth and attentiveness.—
真珠貝しんじゅがいpearl shell, pearl oyster shellA key image of the story: the narrator digs the grave with it.—
墓標はかじるしgrave markerUsually read ぼひょう. The reading はかじるし is given in the original text.—
勘定かんじょうcountingIn modern usage it most often means 'the bill' at a restaurant (お勘定).N3
唐紅からくれないdeep crimsonA poetic colour word; 唐 originally meant 'from China'.—
天道てんとうthe sunOld-fashioned; compare お天道様 (おてんとさま) 'the sun'.—
欺されただますto deceive, to trickdictionary form: 欺すToday it is usually written 騙す.N2
暁あかつきdawn, daybreak暁の星 means the morning star.—

Grammar

〜とも N2 certainly, of course (emphatic confirmation)

The sentence-final particle とも strongly affirms what was asked. Here the woman answers the narrator's question with calm certainty.

死にますとも

Yes, I am going to die.

〜(の)じゃなかろう N2 surely not ~, probably isn't ~

なかろう is an older, literary conjectural form of ない (≈ ないだろう). With ね it becomes an anxious request for reassurance.

死ぬんじゃなかろうね、大丈夫だろうね

You're not going to die, are you? You'll be all right, won't you?

〜たびに N3 every time ~

The dictionary form + たびに means that whenever the first action happens, the second follows. It repeats the image of the moonlit shell with each scoop of earth.

土をすくうたびに、貝の裏に月の光が差してきらきらした。

Each time I scooped up the earth, the moonlight fell on the inside of the shell and made it glitter.

〜ほど N3 to the extent that ~, so ... that ~

ほど after a clause gives the degree of what follows. しつくせないほど means 'so many that one could never finish counting'.

勘定しても、勘定しても、しつくせないほど赤い日が頭の上を通り越して行った。

However much I counted, more red suns than I could ever count passed by over my head.

〜たら (discovery) N4 when I did ~, (I found that) ...

たら followed by a past-tense clause describes something the speaker unexpectedly discovers after an action. Here he looks up and finds the morning star.

遠い空を見たら、暁の星がたった一つ瞬いていた。

I looked up at the distant sky, and a single morning star was twinkling there.