Cover of 夢十夜 (Yumejūya)

Part 7 of 10 · JLPT N2

夢十夜(第七夜) Yumejūya, part 7: Adrift on an Endless Ship

by Natsume Sōseki · 1,462 characters · from Ten Nights, Ten Dreams

In this part

The narrator is aboard a huge steamship that seems to chase the setting sun day and night, bound he knows not where. Among passengers who are mostly foreigners, he feels forlorn and finds life so pointless that he throws himself into the sea. The moment his feet leave the deck he regrets it deeply, but it is too late, and he falls slowly toward the black waves.

AI translation · independently checked

何なんでも大おおきな船ふねに乗のっている。I was on a large ship, it seemed.

この船ふねが毎日まいにち毎夜まいよすこしの絶間たえまなく黒くろい煙けぶりを吐はいて浪なみを切きって進すすんで行いく。Day and night, without the slightest pause, this ship went forward, belching black smoke and cutting through the waves.

凄すさまじい音おとである。The noise it made was tremendous.

けれどもどこへ行いくんだか分わからない。But I had no idea where it was going.

ただ波なみの底そこから焼火箸やけひばしのような太陽たいようが出でる。Only, from the bottom of the waves, a sun like a red-hot poker would rise.

それが高たかい帆柱ほばしらの真上まうえまで来きてしばらく挂かかっているかと思おもうと、いつの間まにか大おおきな船ふねを追おい越こして、先さきへ行いってしまう。It would climb until it stood right above the tall mast and hang there a while, and then, before I knew it, it had overtaken the great ship and gone on ahead.

そうして、しまいには焼火箸やけひばしのようにじゅっといってまた波なみの底そこに沈しずんで行いく。And in the end it would hiss like a red-hot poker and sink again to the bottom of the waves.

そのたんびに蒼あおい波なみが遠とおくの向むこうで、蘇枋すおうの色いろに沸わき返かえる。Each time, far off in the distance, the blue waves seethed up into the dark red of sappanwood.

すると船ふねは凄すさまじい音おとを立たててその跡あとを追おっかけて行いく。Then the ship, making its tremendous noise, would go chasing after it.

けれども決けっして追おっつかない。But it never caught up.

ある時とき自分じぶんは、船ふねの男おとこを捕つらまえて聞きいて見みた。Once I stopped one of the ship's men and asked him.

「この船ふねは西にしへ行いくんですか」"Is this ship going west?"

船ふねの男おとこは怪訝けげんな顔かおをして、しばらく自分じぶんを見みていたが、やがて、The man looked at me for a while with a puzzled face, and at last

「なぜ」と問とい返かえした。asked in return, "Why?"

「落おちて行いく日ひを追おいかけるようだから」"Because it seems to be chasing the setting sun."

船ふねの男おとこはからからと笑わらった。The man gave a loud, hollow laugh.

そうして向むこうの方ほうへ行いってしまった。Then he went off somewhere over there.

「西にしへ行いく日ひの、果はては東ひがしか。それは本真ほんまか。東ひがし出でる日ひの、御里おさとは西にしか。それも本真ほんまか。身みは波なみの上うえ。戢枕かじまくら。流ながせ流ながせ」と囃はやしている。"The sun that goes west, does it end in the east? Is that so, truly? The sun that rises in the east, is its home in the west? Is that so too, truly? Our lives upon the waves. A rudder for a pillow. Let her drift, let her drift!" someone was chanting.

舳へさきへ行いって見みたら、水夫すいふが大勢おおぜい寄よって、太ふとい帆綱ほづなを手繰たぐっていた。When I went to the bow to look, a crowd of sailors had gathered there and were hauling in a thick sail rope hand over hand.

自分じぶんは大変たいへん心細こころぼそくなった。I grew terribly forlorn.

いつ陸おかへ上あがれる事ことか分わからない。I did not know when I would ever set foot on land.

そうしてどこへ行いくのだか知しれない。Nor could I tell where we were going.

ただ黒くろい煙けぶりを吐はいて波なみを切きって行いく事ことだけはたしかである。The one thing that was certain was that the ship went on, belching black smoke and cutting through the waves.

その波なみはすこぶる広ひろいものであった。Those waves were vast beyond measure.

際限さいげんもなく蒼あおく見みえる。They looked blue without end.

時ときには紫むらさきにもなった。At times they even turned purple.

ただ船ふねの動うごく周囲まわりだけはいつでも真白まっしろに泡あわを吹ふいていた。Only around the moving ship was the water always foaming pure white.

自分じぶんは大変たいへん心細こころぼそかった。I felt terribly forlorn.

こんな船ふねにいるよりいっそ身みを投なげて死しんでしまおうかと思おもった。Rather than stay on such a ship, I wondered whether I should simply throw myself overboard and die.

乗合のりあいはたくさんいた。There were many passengers.

たいていは異人いじんのようであった。Most of them seemed to be foreigners.

しかしいろいろな顔かおをしていた。Yet their faces were of every kind.

空そらが曇くもって船ふねが揺ゆれた時とき、一人ひとりの女おんなが欄てすりに倚よりかかって、しきりに泣ないていた。Once, when the sky had clouded over and the ship was rolling, a woman was leaning against the rail, weeping and weeping.

眼めを拭ふく手巾はんけちの色いろが白しろく見みえた。The handkerchief with which she wiped her eyes looked white.

しかし身体からだには更紗さらさのような洋服ようふくを着きていた。But she was wearing a Western dress that looked like printed calico.

この女おんなを見みた時ときに、悲かなしいのは自分じぶんばかりではないのだと気きがついた。When I saw this woman, I realized that I was not the only one who was sad.

ある晩ばん甲板かんぱんの上うえに出でて、一人ひとりで星ほしを眺ながめていたら、一人ひとりの異人いじんが来きて、天文学てんもんがくを知しってるかと尋たずねた。One night I had gone out on deck and was gazing at the stars alone, when a foreigner came up and asked whether I knew astronomy.

自分じぶんはつまらないから死しのうとさえ思おもっている。I was so weary of everything that I was even thinking of dying.

天文学てんもんがくなどを知しる必要ひつようがない。I had no need to know about astronomy or anything like it.

黙だまっていた。I said nothing.

するとその異人いじんが金牛宮きんぎゅうきゅうの頂いただきにある七星しちせいの話はなしをして聞きかせた。Then the foreigner told me about the seven stars at the crown of Taurus.

そうして星ほしも海うみもみんな神かみの作つくったものだと云いった。And he said that the stars and the sea were all things that God had made.

最後さいごに自分じぶんに神かみを信仰しんこうするかと尋たずねた。Finally he asked me whether I believed in God.

自分じぶんは空そらを見みて黙だまっていた。I looked at the sky and said nothing.

或ある時ときサローンに這入はいったら派手はでな衣裳いしょうを着きた若わかい女おんなが向むこうむきになって、洋琴ぴあのを弾ひいていた。Once, when I went into the saloon, a young woman in showy clothes was sitting with her back to me, playing the piano.

その傍そばに背せの高たかい立派りっぱな男おとこが立たって、唱歌しょうかを唄うたっている。Beside her stood a tall, handsome man, singing a song.

その口くちが大変たいへん大おおきく見みえた。His mouth looked enormous.

けれども二人ふたりは二人ふたり以外いがいの事ことにはまるで頓着とんじゃくしていない様子ようすであった。But the two of them seemed to pay no attention at all to anything outside the two of them.

船ふねに乗のっている事ことさえ忘わすれているようであった。They seemed to have forgotten even that they were on a ship.

自分じぶんはますますつまらなくなった。I grew more and more weary of it all.

とうとう死しぬ事ことに決心けっしんした。At last I made up my mind to die.

それである晩ばん、あたりに人ひとのいない時分じぶん、思おもい切きって海うみの中なかへ飛とび込こんだ。And so one night, at an hour when there was no one about, I summoned my resolve and leapt into the sea.

ところが――自分じぶんの足あしが甲板かんぱんを離はなれて、船ふねと縁えんが切きれたその刹那せつなに、急きゅうに命いのちが惜おしくなった。But—in the very instant that my feet left the deck and my bond with the ship was cut, my life suddenly became precious to me.

心こころの底そこからよせばよかったと思おもった。From the bottom of my heart I wished I had not done it.

けれども、もう遅おそい。But it was already too late.

自分じぶんは厭いやでも応おうでも海うみの中なかへ這入はいらなければならない。Like it or not, I had to go into the sea.

ただ大変たいへん高たかくできていた船ふねと見みえて、身体からだは船ふねを離はなれたけれども、足あしは容易よういに水みずに着つかない。It must have been a very tall ship, though, for although my body had left it, my feet did not easily reach the water.

しかし捕つかまえるものがないから、しだいしだいに水みずに近ちかづいて来くる。But since there was nothing to hold on to, the water came closer and closer.

いくら足あしを縮ちぢめても近ちかづいて来くる。However much I drew up my feet, it kept coming closer.

水みずの色いろは黒くろかった。The water was black.

そのうち船ふねは例れいの通とおり黒くろい煙けぶりを吐はいて、通とおり過すぎてしまった。Meanwhile the ship, belching black smoke as always, went on past and was gone.

自分じぶんはどこへ行いくんだか判わからない船ふねでも、やっぱり乗のっている方ほうがよかったと始はじめて悟さとりながら、しかもその悟さとりを利用りようする事ことができずに、無限むげんの後悔こうかいと恐怖きょうふとを抱いだいて黒くろい波なみの方ほうへ静しずかに落おちて行いった。Realizing for the first time that it would have been better, after all, to stay aboard, even on a ship bound I knew not where, and yet unable to make any use of that realization, I fell quietly toward the black waves, carrying with me endless regret and terror.

Vocabulary

WordMeaningJLPT
絶間たえまpause, break, intervaldictionary form: 絶え間Usually in the negative: 絶え間なく = ceaselessly.—
凄じいすさまじいtremendous, fearsome, terrificdictionary form: 凄まじいModern spelling adds ま: 凄まじい.—
焼火箸やけひばしred-hot fire chopsticks (metal rods for handling charcoal); like a red-hot pokerdictionary form: 焼け火箸火箸 are metal chopsticks for handling charcoal in a brazier.—
帆柱ほばしらmast帆 (sail) + 柱 (pillar).—
蘇枋すおうsappanwood; its dark purplish-red dye colourdictionary form: 蘇芳A traditional colour name; also written 蘇芳.—
怪訝けげんpuzzled, dubiousCommon set phrase: 怪訝な顔をする = to look puzzled.—
囃してはやすto chant in rhythm; to accompany with songdictionary form: 囃すAlso means to jeer or tease with chanting.—
心細くこころぼそいforlorn, helpless, uneasydictionary form: 心細いLiterally 'heart thin': the feeling of being alone without support.N1
異人いじんforeignerOld-fashioned Meiji-era word; today 外国人 is used.—
頓着とんじゃくconcern, paying attentionMostly used with a negative: 頓着しない = not care about. Also read とんちゃく.—
刹那せつなinstant, momentA Buddhist term for the smallest unit of time.—
惜しくおしいdear, hard to part with (命が惜しくなる = to suddenly not want to lose one's life)dictionary form: 惜しい命が惜しい = to cling to one's life, not want to die.N2
厭でも応でもいやでもおうでもlike it or not, willy-nillydictionary form: 否でも応でもFixed expression; usually written 否でも応でも.—
悟りさとるto realize, to come to understanddictionary form: 悟るNoun form 悟り also means Buddhist enlightenment.N1

Grammar

〜かと思うと N2 no sooner … than; just when it seemed …

Marks one situation that is immediately followed by a contrasting or surprising change. Here the sun seems to hang above the mast, then suddenly passes the ship.

しばらく挂っているかと思うと、いつの間にか大きな船を追い越して、先へ行ってしまう

it would hang there a while, and then, before I knew it, it had overtaken the great ship and gone on ahead

いっそ〜(よ)うかと思う N2 to consider doing something drastic instead

いっそ ('rather, might as well') plus a volitional form with かと思う expresses weighing a drastic alternative. Here he thinks of suicide rather than staying on the ship.

こんな船にいるよりいっそ身を投げて死んでしまおうかと思った

Rather than stay on such a ship, I wondered whether I should simply throw myself overboard and die.

〜さえ N3 even

〜さえ: 'even'. Attaches to nouns (including nominalised clauses with 事), particles or verb forms to mark an extreme example, implying that everything less extreme follows too. Here: they seemed to have forgotten even that they were on a ship.

船に乗っている事さえ忘れているようであった

They seemed to have forgotten even that they were on a ship.

〜ばよかった N3 I should have …; I wish I had …

The conditional ば plus よかった expresses regret about the past. よせば comes from よす (to stop, refrain), so よせばよかった = 'I wish I hadn't done it.'

心の底からよせばよかったと思った

From the bottom of my heart I wished I had not done it.

〜と見えて N1 apparently, it seems that … (so)

A written pattern giving an inference based on what can be observed, followed by its result. The narrator guesses the ship is very tall because he takes so long to hit the water.

ただ大変高くできていた船と見えて、身体は船を離れたけれども、足は容易に水に着かない

It seemed only that the ship had been built very high, for though my body had left the ship, my feet did not easily reach the water.

〜ずに N3 without doing; unable to (and so)

ず is the literary negative; 〜ずに means 'without' and equals 〜ないで. With できる it gives 'being unable to …'.

しかもその悟りを利用する事ができずに

and yet unable to make any use of that realization