Cover of 夢十夜 (Yumejūya)

Part 4 of 10 · JLPT N2

夢十夜(第四夜) Yumejūya, part 4: The Old Man Who Walked into the River

by Natsume Sōseki · 1,532 characters · from Ten Nights, Ten Dreams

In this part

In a tavern with an earthen floor, a boy watches a strange, ageless old man drinking sake who gives riddling answers to the landlady's questions. Outside, the old man promises the children he will turn a twisted hand towel into a snake, but nothing happens, so he puts it in his box and walks away singing. The boy follows him to a river, where the old man wades straight in until he disappears, and the boy waits alone on the bank for a snake that never comes.

AI translation · independently checked

広ひろい土間どまの真中まんなかに涼すずみ台だいのようなものを据すえて、その周囲まわりに小ちいさい床几しょうぎが並ならべてある。In the middle of a wide earthen-floored room stood something like an outdoor bench for cooling off in the evening, and small folding stools had been set out around it.

台だいは黒光くろびかりに光ひかっている。The bench gleamed with a black shine.

片隅かたすみには四角しかくな膳ぜんを前まえに置おいて爺じいさんが一人ひとりで酒さけを飲のんでいる。In one corner an old man sat alone drinking sake, with a square meal tray set in front of him.

肴さかなは煮にしめらしい。The food to go with it seemed to be vegetables simmered in soy.

爺じいさんは酒さけの加減かげんでなかなか赤あかくなっている。The sake had turned the old man quite red.

その上うえ顔中かおじゅうつやつやして皺しわと云いうほどのものはどこにも見当みあたらない。What was more, his whole face was glossy, and nowhere could I see anything worth calling a wrinkle.

ただ白しろい髯ひげをありたけ生はやしているから年寄としよりと云いう事ことだけはわかる。Only because he had let his white beard grow as long as it would could you tell that he was old at all.

自分じぶんは子供こどもながら、この爺じいさんの年としはいくつなんだろうと思おもった。Child though I was, I wondered how old this old man might be.

ところへ裏うらの筧かけひから手桶ておけに水みずを汲くんで来きた神かみさんが、前垂まえだれで手てを拭ふきながら、Just then the woman of the house, who had drawn a bucket of water from the bamboo pipe out at the back, came in wiping her hands on her apron,

「御お爺じいさんはいくつかね」と聞きいた。and asked, "How old are you, grandad?"

爺じいさんは頬張ほおばった煮〆にしめを呑のみ込こんで、The old man swallowed the simmered vegetables that filled his cheeks,

「いくつか忘わすれたよ」と澄すましていた。and said calmly, "I've forgotten how old."

神かみさんは拭ふいた手てを、細ほそい帯おびの間あいだに挟はさんで横よこから爺じいさんの顔かおを見みて立たっていた。The woman tucked her wiped hands into the gap in her narrow sash and stood looking at the old man's face from the side.

爺じいさんは茶碗ちゃわんのような大おおきなもので酒さけをぐいと飲のんで、そうして、ふうと長ながい息いきを白しろい髯ひげの間あいだから吹ふき出だした。The old man gulped down his sake from something as big as a rice bowl, and then, with a long "whoo," blew out a breath from between the hairs of his white beard.

すると神かみさんが、Then the woman

「御お爺じいさんの家うちはどこかね」と聞きいた。asked, "Where is your home, grandad?"

爺じいさんは長ながい息いきを途中とちゅうで切きって、The old man broke off his long breath halfway

「臍へその奥おくだよ」と云いった。and said, "Deep inside my navel."

神かみさんは手てを細ほそい帯おびの間あいだに突込つっこんだまま、With her hands still thrust into her narrow sash, the woman

「どこへ行いくかね」とまた聞きいた。asked again, "Where are you going?"

すると爺じいさんが、また茶碗ちゃわんのような大おおきなもので熱あつい酒さけをぐいと飲のんで前まえのような息いきをふうと吹ふいて、Then the old man again gulped hot sake from something as big as a rice bowl, blew out a breath with a "whoo" just as before,

「あっちへ行いくよ」と云いった。and said, "I'm going over there."

「真直まっすぐかい」と神かみさんが聞きいた時とき、ふうと吹ふいた息いきが、障子しょうじを通とおり越こして柳やなぎの下したを抜ぬけて、河原かわらの方ほうへ真直まっすぐに行いった。"Straight on?" the woman asked, and at that moment the breath he had blown out passed through the paper screen door, slipped under the willow, and went straight on toward the riverbank.

爺じいさんが表おもてへ出でた。The old man went outside.

自分じぶんも後あとから出でた。I went out after him.

爺じいさんの腰こしに小ちいさい瓢箪ひょうたんがぶら下さがっている。A small gourd hung dangling from the old man's waist.

肩かたから四角しかくな箱はこを腋わきの下したへ釣つるしている。A square box hung from his shoulder down under his arm.

浅黄あさぎの股引ももひきを穿はいて、浅黄あさぎの袖無そでなしを着きている。He wore pale blue-green close-fitting trousers and a pale blue-green sleeveless jacket.

足袋たびだけが黄色きいろい。Only his split-toed socks were yellow.

何なんだか皮かわで作つくった足袋たびのように見みえた。Somehow they looked like socks made of leather.

爺じいさんが真直まっすぐに柳やなぎの下したまで来きた。The old man walked straight to the foot of the willow.

柳やなぎの下したに子供こどもが三四人さんよにんいた。Under the willow there were three or four children.

爺じいさんは笑わらいながら腰こしから浅黄あさぎの手拭てぬぐいを出だした。Smiling, the old man took a pale blue-green hand towel from his waist.

それを肝心綯かんじんよりのように細長ほそながく綯よった。He twisted it long and thin, like a twisted paper cord.

そうして地面じびたの真中まんなかに置おいた。Then he laid it in the middle of the bare ground.

それから手拭てぬぐいの周囲まわりに、大おおきな丸まるい輪わを描かいた。Next he drew a large round ring around the towel.

しまいに肩かたにかけた箱ばこの中なかから真鍮しんちゅうで製こしらえた飴屋あめやの笛ふえを出だした。Last of all, from inside the box slung over his shoulder, he took out a candy-seller's flute made of brass.

「今いまにその手拭てぬぐいが蛇へびになるから、見みておろう。見みておろう」と繰返くりかえして云いった。"That towel will soon turn into a snake, so watch now. Watch now," he said over and over.

子供こどもは一生いっしょう懸命けんめいに手拭てぬぐいを見みていた。The children watched the towel with all their might.

自分じぶんも見みていた。I watched too.

「見みておろう、見みておろう、好よいか」と云いいながら爺じいさんが笛ふえを吹ふいて、輪わの上うえをぐるぐる廻まわり出だした。"Watch now, watch now, ready?" said the old man, and blowing his flute, he began to go round and round on the ring.

自分じぶんは手拭てぬぐいばかり見みていた。I watched nothing but the towel.

けれども手拭てぬぐいはいっこう動うごかなかった。But the towel did not move at all.

爺じいさんは笛ふえをぴいぴい吹ふいた。The old man blew his flute, peep, peep.

そうして輪わの上うえを何遍なんべんも廻まわった。And he went round the ring again and again.

草鞋わらじを爪立つまだてるように、抜足ぬきあしをするように、手拭てぬぐいに遠慮えんりょをするように、廻まわった。He went round as if on tiptoe in his straw sandals, as if stepping stealthily, as if taking care not to disturb the towel.

怖こわそうにも見みえた。He seemed frightened.

面白おもしろそうにもあった。He also seemed to be enjoying himself.

やがて爺じいさんは笛ふえをぴたりとやめた。Before long the old man stopped his flute abruptly.

そうして、肩かたに掛かけた箱ばこの口くちを開あけて、手拭てぬぐいの首くびを、ちょいと撮つまんで、ぽっと放ほうり込こんだ。Then he opened the lid of the box slung over his shoulder, lightly pinched the towel by its neck, and tossed it in with a plop.

「こうしておくと、箱ばこの中なかで蛇へびになる。今いまに見みせてやる。今いまに見みせてやる」と云いいながら、爺じいさんが真直まっすぐに歩あるき出だした。"If I leave it like this, it will turn into a snake inside the box. I'll show you soon. I'll show you soon," the old man said, and he set off walking straight ahead.

柳やなぎの下したを抜ぬけて、細ほそい路みちを真直まっすぐに下おりて行いった。He passed under the willow and went straight down a narrow path.

自分じぶんは蛇へびが見みたいから、細ほそい道みちをどこまでも追ついて行いった。Because I wanted to see the snake, I followed him on and on along the narrow path.

爺じいさんは時々ときどき「今いまになる」と云いったり、「蛇へびになる」と云いったりして歩あるいて行いく。As he walked, the old man would sometimes say "It'll turn soon," and sometimes "It'll turn into a snake."

しまいには、In the end,

「今いまになる、蛇へびになる、"Soon it'll turn, a snake it'll turn,

きっとなる、笛ふえが鳴なる、」surely it'll turn, the flute will sound,"

と唄うたいながら、とうとう河かわの岸きしへ出でた。he sang, until at last he came out onto the bank of a river.

橋はしも舟ふねもないから、ここで休やすんで箱ばこの中なかの蛇へびを見みせるだろうと思おもっていると、爺じいさんはざぶざぶ河かわの中なかへ這入はいり出だした。There was neither bridge nor boat, so I thought he would rest here and show us the snake in the box, but instead the old man began splashing his way into the river.

始はじめは膝ひざくらいの深ふかさであったが、だんだん腰こしから、胸むねの方ほうまで水みずに浸つかって見みえなくなる。At first the water was only knee-deep, but little by little he sank into it from the waist up to the chest, until he could no longer be seen.

それでも爺じいさんはEven so, the old man went on,

「深ふかくなる、夜よるになる、"Deeper it grows, night it grows,

真直まっすぐになる」straight it grows,"

と唄うたいながら、どこまでも真直まっすぐに歩あるいて行いった。singing as he walked on and on, straight ahead.

そうして髯ひげも顔かおも頭あたまも頭巾ずきんもまるで見みえなくなってしまった。And then his beard, his face, his head and his hood all vanished from sight completely.

自分じぶんは爺じいさんが向岸むこうぎしへ上あがった時ときに、蛇へびを見みせるだろうと思おもって、蘆あしの鳴なる所ところに立たって、たった一人ひとりいつまでも待まっていた。Thinking he would show the snake when he climbed out on the far bank, I stood where the reeds rustled and waited there all alone, for a long, long time.

けれども爺じいさんは、とうとう上あがって来こなかった。But the old man never came up out of the water.

Vocabulary

WordMeaningJLPT
土間どまearthen-floored area of a traditional house or shopThe unfloored entrance space at ground level, below the raised wooden floor.—
床几しょうぎsmall folding stoolOld-fashioned; not related to the board game 将棋 despite the same reading.—
膳ぜんsmall individual meal tray (often with legs)Also used as a counter for pairs of chopsticks and bowls of rice.N1
肴さかなfood eaten with drinksWritten differently from 魚 (fish); 酒の肴 means a snack to go with sake.—
神さんかみさんwoman of the house; landlady; wifedictionary form: かみさんCasual word for a married woman running a household or shop; usually written おかみさん or かみさん today.—
筧かけひbamboo pipe carrying waterOld word; modern reading かけい.—
前垂まえだれaprondictionary form: 前垂れOld-fashioned word for エプロン or 前掛け.—
澄ましてすますto look unconcerned, keep a straight facedictionary form: 澄ますAlso means 'to make clear' (as in 耳を澄ます, listen closely).N1
股引ももひきclose-fitting work trousersTraditional snug trousers worn by workmen; today also long underwear.—
手拭てぬぐいthin cotton hand toweldictionary form: 手拭いThe key object of the story: the towel meant to become a snake.N2
飴屋あめやcandy sellerStreet candy sellers played flutes to draw children.—
遠慮えんりょrestraint, holding back out of considerationHere the old man moves cautiously as if not to disturb the towel.N4
浸ってつかるto be immersed, soak in (water)dictionary form: 浸かる—
蘆あしreedUsually written 葦 or 芦 today; also read よし.N1

Grammar

Noun + ながら (concessive) N2 although, even though

After a noun or adjective, ながら is concessive and means 'although / though' rather than 'while'. 子供ながら means 'child though I was', that is, 'even though I was only a child'. It suggests that wondering about the old man's age was a more thoughtful or grown-up reaction than you would expect from a child.

自分は子供ながら、この爺さんの年はいくつなんだろうと思った。

Child though I was, I wondered how old this old man might be.

〜ておろう N1 archaic urging: 'keep watching', 'watch now'

おろう is an old form built on おる (to be). Attached to the て-form it works as a firm urging or command, much like modern 見ていろ / 見ていなさい. It gives the old man's speech an old-fashioned, showman-like tone.

「今にその手拭が蛇になるから、見ておろう。見ておろう」

"That towel will soon turn into a snake, so watch now. Watch now."

〜たり〜たりする N4 sometimes doing A, sometimes doing B

Lists representative actions that alternate or repeat. Here the old man keeps switching between two phrases as he walks.

爺さんは時々「今になる」と云ったり、「蛇になる」と云ったりして歩いて行く。

As he walked, the old man would sometimes say "It'll turn soon," and sometimes "It'll turn into a snake."

〜と思っていると N3 just as I was thinking ~, (something unexpected happened)

Sets up an expectation that is then broken by what follows. The narrator expects a rest and the snake, but the old man walks into the river instead.

ここで休んで箱の中の蛇を見せるだろうと思っていると、爺さんはざぶざぶ河の中へ這入り出した。

I thought he would rest here and show us the snake in the box, but instead the old man began splashing his way into the river.

〜てしまう N4 to end up completely ~

Marks an action as complete and often irreversible. Here it stresses that the old man vanished entirely under the water.

そうして髯も顔も頭も頭巾もまるで見えなくなってしまった。

And then his beard, his face, his head and his hood all vanished from sight completely.