Cover of 夢十夜 (Yumejūya)

Part 3 of 10 · JLPT N2

夢十夜(第三夜) Yumejūya, part 3: The Blind Child on My Back

by Natsume Sōseki · 1,516 characters · from Ten Nights, Ten Dreams

In this part

The narrator carries his blind six-year-old son through dark rice fields at night. The child speaks like an adult and seems to know everything, and the frightened father decides to abandon him in a nearby forest. At the foot of a cedar tree the child reveals that, exactly a hundred years earlier, the father murdered a blind man on that very spot. At that moment the child grows as heavy as a stone statue.

AI translation · independently checked

こんな夢ゆめを見みた。I had this dream.

六むっつになる子供こどもを負おぶってる。I was carrying a child of six on my back.

たしかに自分じぶんの子こである。He was certainly my own child.

ただ不思議ふしぎな事ことにはいつの間まにか眼めが潰つぶれて、青坊主あおぼうずになっている。The strange thing, though, was that at some point his eyes had been ruined, and his head was shaven bare and bluish like a little monk's.

自分じぶんが御前おまえの眼めはいつ潰つぶれたのかいと聞きくと、なに昔むかしからさと答こたえた。When I asked him, "When did your eyes go blind?" he answered, "Oh, a long time ago."

声こえは子供こどもの声こえに相違そういないが、言葉ことばつきはまるで大人おとなである。His voice was certainly a child's voice, but the way he spoke was exactly like a grown man.

しかも対等たいとうだ。And he spoke to me as an equal.

左右さゆうは青田あおたである。On either side lay green rice fields.

路みちは細ほそい。The path was narrow.

鷺さぎの影かげが時々ときどき闇やみに差さす。Now and then the shape of a heron flickered in the darkness.

「田圃たんぼへかかったね」と背中せなかで云いった。"We've come to the rice paddies, haven't we?" he said from my back.

「どうして解わかる」と顔かおを後うしろへ振ふり向むけるようにして聞きいたら、"How can you tell?" I asked, turning my face as if to look back at him,

「だって鷺さぎが鳴なくじゃないか」と答こたえた。and he answered, "Well, the herons are crying, aren't they?"

すると鷺さぎがはたして二声ふたこえほど鳴ないた。Then, sure enough, a heron cried two or so times.

自分じぶんは我わが子こながら少すこし怖こわくなった。Though he was my own child, I grew a little afraid.

こんなものを背負しょっていては、この先さきどうなるか分わからない。With a thing like this on my back, there was no knowing what might happen from here on.

どこか打遣うっちゃる所ところはなかろうかと向むこうを見みると闇やみの中なかに大おおきな森もりが見みえた。Wondering whether there might be somewhere I could get rid of him, I looked ahead and saw a large forest in the darkness.

あすこならばと考かんがえ出だす途端とたんに、背中せなかで、The very moment I began to think, "There, perhaps," from my back

「ふふん」と云いう声こえがした。came a voice going, "Heh-heh."

「何なんを笑わらうんだ」"What are you laughing at?"

子供こどもは返事へんじをしなかった。The child made no reply.

ただHe only

「御父おとっさん、重おもいかい」と聞きいた。asked, "Father, am I heavy?"

「重おもかあない」と答こたえるとWhen I answered, "You're not heavy,"

「今いまに重おもくなるよ」と云いった。he said, "I'll soon get heavy."

自分じぶんは黙だまって森もりを目標めじるしにあるいて行いった。Without a word I walked on, taking the forest as my landmark.

田たの中なかの路みちが不規則ふきそくにうねってなかなか思おもうように出でられない。The path through the fields wound about irregularly, and I could not get out of them as easily as I wished.

しばらくすると二股ふたまたになった。After a while it split into two.

自分じぶんは股またの根ねに立たって、ちょっと休やすんだ。I stood where the path forked and rested for a moment.

「石いしが立たってるはずだがな」と小僧こぞうが云いった。"There should be a stone standing here," said the boy.

なるほど八寸はっすん角かくの石いしが腰こしほどの高たかさに立たっている。Indeed, a stone eight inches square stood there, as high as my waist.

表おもてには左ひだり日ひヶが窪くぼ、右みぎ堀田原ほったはらとある。On its face was written: "Left, Higakubo; right, Hottahara."

闇やみだのに赤あかい字じが明あきらかに見みえた。Though it was dark, the red letters could be seen clearly.

赤あかい字じは井守いもりの腹はらのような色いろであった。The red letters were the colour of a newt's belly.

「左ひだりが好よいだろう」と小僧こぞうが命令めいれいした。"Left would be best," the boy ordered.

左ひだりを見みるとさっきの森もりが闇やみの影かげを、高たかい空そらから自分じぶんらの頭あたまの上うえへ抛なげかけていた。When I looked to the left, the forest I had seen earlier was casting its dark shadow from high in the sky down over our heads.

自分じぶんはちょっと躊躇ちゅうちょした。I hesitated for a moment.

「遠慮えんりょしないでもいい」と小僧こぞうがまた云いった。"You needn't hold back," the boy said again.

自分じぶんは仕方しかたなしに森もりの方ほうへ歩あるき出だした。Having no choice, I began to walk towards the forest.

腹はらの中なかでは、よく盲目めくらのくせに何なんでも知しってるなと考かんがえながら一筋ひとすじ道みちを森もりへ近ちかづいてくると、背中せなかで、「どうも盲目めくらは不自由ふじゆうでいけないね」と云いった。Thinking to myself how well he knew everything for a blind boy, I was drawing closer to the forest along the single path when a voice on my back said, "Being blind really is a nuisance, isn't it."

「だから負おぶってやるからいいじゃないか」"That's why I'm carrying you, so what's wrong?"

「負おぶって貰もらってすまないが、どうも人ひとに馬鹿ばかにされていけない。親おやにまで馬鹿ばかにされるからいけない」"I'm sorry to make you carry me, but it's no good being made a fool of by people. It's no good being made a fool of even by my own parent."

何なんだか厭いやになった。Somehow I grew sick of it all.

早はやく森もりへ行いって捨すててしまおうと思おもって急いそいだ。I hurried, meaning to get to the forest quickly and throw him away.

「もう少すこし行いくと解わかる。――ちょうどこんな晩ばんだったな」と背中せなかで独言ひとりごとのように云いっている。"Go a little further and you'll understand. It was a night just like this, wasn't it," he was saying on my back, as though talking to himself.

「何なんが」と際きわどい声こえを出だして聞きいた。"What was?" I asked in a sharp, strained voice.

「何なんがって、知しってるじゃないか」と子供こどもは嘲あざけるように答こたえた。"What, you say? You know, don't you?" the child answered, as if mocking me.

すると何なんだか知しってるような気きがし出だした。Then I began to feel that somehow I did know.

けれども判然はっきりとは分わからない。But I could not quite tell what it was.

ただこんな晩ばんであったように思おもえる。It only seemed to me that it had been a night like this.

そうしてもう少すこし行いけば分わかるように思おもえる。And it seemed to me that if I went a little further, I would understand.

分わかっては大変たいへんだから、分わからないうちに早はやく捨すててしまって、安心あんしんしなくってはならないように思おもえる。It seemed to me that if I understood, something terrible would happen, so I had to throw him away quickly, before I understood, and put my mind at ease.

自分じぶんはますます足あしを早はやめた。I walked faster and faster.

雨あめはさっきから降ふっている。The rain had been falling for some time now.

路みちはだんだん暗くらくなる。The path grew darker and darker.

ほとんど夢中むちゅうである。I was almost beside myself.

ただ背中せなかに小ちいさい小僧こぞうがくっついていて、その小僧こぞうが自分じぶんの過去かこ、現在げんざい、未来みらいをことごとく照てらして、寸分すんぶんの事実じじつも洩もらさない鏡かがみのように光ひかっている。There was only the small boy clinging to my back, and that boy shone like a mirror that lit up my whole past, present and future and let not the slightest fact escape.

しかもそれが自分じぶんの子こである。And what was more, he was my own child.

そうして盲目めくらである。And he was blind.

自分じぶんはたまらなくなった。I could not bear it any longer.

「ここだ、ここだ。ちょうどその杉すぎの根ねの処ところだ」"Here, it's here. Right at the foot of that cedar."

雨あめの中なかで小僧こぞうの声こえは判然はっきり聞きこえた。In the rain the boy's voice was clearly heard.

自分じぶんは覚おぼえず留とまった。I stopped without meaning to.

いつしか森もりの中なかへ這入はいっていた。Before I knew it, I had entered the forest.

一間いっけんばかり先さきにある黒くろいものはたしかに小僧こぞうの云いう通とおり杉すぎの木きと見みえた。The black thing about six feet ahead did indeed look like a cedar tree, just as the boy said.

「御父おとっさん、その杉すぎの根ねの処ところだったね」"Father, it was at the foot of that cedar, wasn't it?"

「うん、そうだ」と思おもわず答こたえてしまった。"Yes, that's right," I found myself answering.

「文化ぶんか五ご年ねん辰年たつどしだろう」"It was the fifth year of Bunka, the Year of the Dragon, wasn't it?"

なるほど文化ぶんか五ご年ねん辰年たつどしらしく思おもわれた。It did indeed seem to have been the fifth year of Bunka, the Year of the Dragon.

「御前おまえがおれを殺ころしたのは今いまからちょうど百ひゃく年ねん前まえだね」"It was exactly a hundred years ago that you killed me, wasn't it?"

自分じぶんはこの言葉ことばを聞きくや否いなや、今いまから百ひゃく年ねん前まえ文化ぶんか五ご年ねんの辰年たつどしのこんな闇やみの晩ばんに、この杉すぎの根ねで、一人ひとりの盲目めくらを殺ころしたと云いう自覚じかくが、忽然こつぜんとして頭あたまの中なかに起おこった。The instant I heard these words, the awareness that on a dark night just like this, a hundred years ago, in the Year of the Dragon, the fifth year of Bunka, at the foot of this cedar, I had killed a blind man, rose suddenly in my mind.

おれは人殺ひとごろしであったんだなと始はじめて気きがついた途端とたんに、背中せなかの子こが急きゅうに石地蔵いしじぞうのように重おもくなった。The moment I first realised, "So I was a murderer," the child on my back suddenly grew as heavy as a stone Jizō statue.

Vocabulary

WordMeaningJLPT
負ってるおぶうto carry (a child) on one's backdictionary form: 負うAlso read おう, 'to bear, to owe'. The reading おぶう is specifically for piggyback carrying. てる is the casual form of ている.N1
潰れてつぶれるto be crushed; (of eyes) to go blinddictionary form: 潰れる目が潰れる is an older, blunt expression for losing one's sight.N2
青坊主あおぼうずa freshly shaven head that looks bluish; a child with such a head坊主 means 'monk', so the image is of a little shaven-headed monk.—
対等たいとうequal footing, as an equalN1
青田あおたgreen rice fields (young, unripened rice)In Japanese, 青 can mean fresh green as well as blue.—
小僧こぞうboy, youngster (slightly dismissive)Originally meant a young monk-in-training, which fits the child's shaven head.—
躊躇ちゅうちょするto hesitatedictionary form: 躊躇するA written, formal word. It is difficult kanji, but a common one.—
際どいきわどいtense, on edge; (of a voice) sharp and strainedUsually means 'risky, a close call'. Here it describes the narrator's nervous voice.—
嘲けるようにあざけるto mock, to sneer atdictionary form: 嘲るModern spelling is 嘲る. The extra け here is an older okurigana.—
寸分すんぶんthe slightest bitIt is used with a negative: 寸分の〜も…ない means 'not even the smallest…'.—
自覚じかくawareness, realisation (of one's own situation or deeds)N1
忽然としてこつぜんsuddenly, abruptlydictionary form: 忽然This is a literary word. 忽然と消える means 'to vanish suddenly'.—
石地蔵いしじぞうstone statue of JizōJizō is a Buddhist bodhisattva who protects children and travellers. Stone Jizō statues stand by roadsides all over Japan, and they are famously heavy and immovable.—

Grammar

〜に相違ない N1 there is no doubt that…; must be…

This is a formal, written equivalent of 〜に違いない. The narrator admits the voice is undeniably a child's, and then contrasts it with が.

声は子供の声に相違ないが、言葉つきはまるで大人である。

His voice was certainly a child's voice, but the way he spoke was exactly like a grown man.

Noun + ながら (concessive) N2 although…; even though it is…

After a noun, ながら means 'although' rather than 'while'. 我子ながら means 'though he is my own child', so the narrator's fear feels unnatural even to him.

自分は我子ながら少し怖くなった。

Though he was my own child, I grew a little afraid.

〜はなかろうか N1 might there not be…?; I wonder if there is…

なかろう is the literary volitional form of ない, meaning 'probably isn't'. With か, it forms a tentative wondering question, like modern ないだろうか.

どこか打遣ゃる所はなかろうかと向うを見ると

Wondering whether there might be somewhere I could get rid of him, I looked ahead

〜くせに N3 even though…; for someone who…

くせに expresses surprise or reproach that something contradicts what you would expect. Here it means that the boy is blind, yet he knows everything.

よく盲目のくせに何でも知ってるな

how well he knows everything for a blind boy

〜や否や N1 as soon as…; the instant that…

This is a literary pattern after the dictionary form of a verb, showing that the second event follows immediately. The realisation strikes the moment he hears the words.

自分はこの言葉を聞くや否や

The instant I heard these words

〜た途端に N3 the moment…; just as…

After the past form of a verb, 途端に marks a sudden, often unexpected event that happens right at that moment. It links the confession to the child's sudden weight.

始めて気がついた途端に、背中の子が急に石地蔵のように重くなった。

The moment I first realised it, the child on my back suddenly grew as heavy as a stone Jizō statue.