Cover of 人間椅子 (Ningenisu)

Part 1 of 10 · JLPT N2

人間椅子 Ningenisu, part 1: A Strange Manuscript Arrives for Yoshiko

by Edogawa Ranpo · 1,350 characters · from The Man Inside the Chair

In this part

Each morning, after her husband leaves for the ministry, the famous writer Yoshiko shuts herself in her study and reads letters from admirers before she starts work. Among them is a bulky package that looks like a manuscript but turns out to be a letter addressed to her as 'Madam'. The unknown writer begs her forgiveness and says he will confess a strange crime he has committed while living hidden from the world for several months.

AI translation · independently checked

佳子よしこは、毎朝まいあさ、夫おっとの登庁とうちょうを見送みおくって了しまうと、それはいつも十じゅう時じを過すぎるのだが、やっと自分じぶんのからだになって、洋館ようかんの方ほうの、夫おっとと共用きょうようの書斎しょさいへ、とじ籠こもるのが例れいになっていた。Every morning, once Yoshiko had seen her husband off to his government office, which was always past ten o'clock, she was at last free to be her own person, and it had become her habit to shut herself away in the study she shared with her husband, in the Western-style wing of the house.

そこで、彼女かのじょは今いま、K雑誌ざっしのこの夏なつの増大ぞうだい号ごうにのせる為ための、長ながい創作そうさくにとりかかっているのだった。There she was now at work on a long piece of fiction, to be published in the enlarged summer issue of K Magazine.

美うつくしい閨秀けいしゅう作家さっかとしての彼女かのじょは、此この頃ごろでは、外務省がいむしょう書記官しょきかんである夫君ふくんの影かげを薄うすく思おもわせる程ほども、有名ゆうめいになっていた。As a beautiful woman of letters, she had lately become so famous that her husband, a secretary at the Foreign Ministry, seemed to stand somewhat in her shadow.

彼女かのじょの所ところへは、毎日まいにちの様ように未知みちの崇拝すうはい者しゃ達たちからの手紙てがみが、幾いく通つうとなくやって来きた。Almost every day, letters arrived for her by the dozen from admirers she had never met.

今朝けさとても、彼女かのじょは、書斎しょさいの机つくえの前まえに坐すわると、仕事しごとにとりかかる前まえに、先まず、それらの未知みちの人々ひとびとからの手紙てがみに、目めを通とおさねばならなかった。This morning too, as soon as she sat down at the desk in her study, she had first to look through those letters from strangers before she could begin her work.

それは何いずれも、極きまり切きった様ように、つまらぬ文句もんくのものばかりであったが、彼女かのじょは、女おんなの優やさしい心遣こころづかいから、どの様ような手紙てがみであろうとも、自分じぶんに宛あてられたものは、兎とも角かくも、一通ひととおりは読よんで見みることにしていた。Without exception they were filled with the same tiresome phrases, as if by rule, yet out of a woman's gentle consideration she made it a practice, whatever the letter might be, at least to read through once anything that was addressed to her.

簡単かんたんなものから先さきにして、二に通つうの封書ふうしょと、一いち葉ようのはがきとを見みて了しまうと、あとにはかさ高たかい原稿げんこうらしい一通いっつうが残のこった。Taking the simple ones first, she finished with two sealed letters and a postcard, and what remained was a single bulky envelope that seemed to contain a manuscript.

別段べつだん通知つうちの手紙てがみは貰もらっていないけれど、そうして、突然とつぜん原稿げんこうを送おくって来くる例れいは、これまでにしても、よくあることだった。She had received no letter announcing it in particular, but it had often happened before that people would send her manuscripts suddenly in this way.

それは、多おおくの場合ばあい、長々ながながしく退屈たいくつ極きわまる代物しろものであったけれど、彼女かのじょは兎とも角かくも、表題ひょうだい丈だけでも見みて置おこうと、封ふうを切きって、中なかの紙束かみたばを取出とりだして見みた。In most cases they turned out to be long-winded and utterly tedious things, but she decided she would at any rate glance at the title, so she broke the seal and drew out the bundle of paper inside.

それは、思おもった通とおり、原稿げんこう用よう紙しを綴とじたものであった。It was, as she had expected, a set of manuscript sheets bound together.

が、どうしたことか、表題ひょうだいも署名しょめいもなく、突然とつぜん「奥様おくさま」という、呼よびかけの言葉ことばで始はじまっているのだった。But for some reason there was neither a title nor a signature; it simply began, abruptly, with the form of address "Madam."

ハテナ、では、やっぱり手紙てがみなのかしら、そう思おもって、何気なにげなく二に行ぎょう三さん行ぎょうと目めを走はしらせて行いく内うちに、彼女かのじょは、そこから、何なんとなく異常いじょうな、妙みょうに気味きみ悪わるいものを予感よかんした。How odd, so it is a letter after all? With that thought she casually let her eyes run over two or three lines, and as she did so she sensed in it something vaguely abnormal and strangely unsettling.

そして、持前もちまえの好奇心こうきしんが、彼女かのじょをして、ぐんぐん、先さきを読よませて行いくのであった。And her natural curiosity drove her to read on and on, faster and faster.

奥様おくさま、Madam,

奥様おくさまの方ほうでは、少すこしも御存ごぞんじのない男おとこから、突然とつぜん、此様このような無躾ぶしつけな御手紙おてがみを、差上さしあげます罪つみを、幾重いくえにもお許ゆるし下くださいませ。I beg you a thousand times to forgive the offence of a man wholly unknown to you, who so suddenly presumes to send you so impertinent a letter as this.

こんなことを申上もうしあげますと、奥様おくさまは、さぞかしびっくりなさる事ことで御座ございましょうが、私わたくしは今いま、あなたの前まえに、私わたくしの犯おかして来きました、世よにも不思議ふしぎな罪悪ざいあくを、告白こくはくしようとしているのでございます。I dare say, Madam, that you will be greatly astonished when I tell you this, but I am now about to confess before you a crime, most strange in all the world, that I have been committing.

私わたくしは数ヶ月すうかげつの間あいだ、全まったく人間界にんげんかいから姿すがたを隠かくして、本当ほんとうに、悪魔あくまの様ような生活せいかつを続つづけて参まいりました。For several months I have hidden myself entirely from the world of men and have led a life truly like that of a devil.

勿論もちろん、広ひろい世界せかいに誰だれ一人ひとり、私わたくしの所業しょぎょうを知しるものはありません。Of course, in all the wide world there is not one soul who knows of my deeds.

若もし、何事なにごともなければ、私わたくしは、このまま永久えいきゅうに、人間界にんげんかいに立帰たちかえることはなかったかも知しれないのでございます。Had nothing happened, I might never have returned to the world of men, but remained as I was for ever.

ところが、近頃ちかごろになりまして、私わたくしの心こころにある不思議ふしぎな変化へんかが起おこりました。Of late, however, a strange change has come over my heart.

そして、どうしても、この、私わたくしの因果いんがな身みの上うえを、懺悔ざんげしないではいられなくなりました。And I find I can no longer keep from confessing my wretched, ill-fated condition.

ただ、かように申もうしましたばかりでは、色々いろいろ御不審ごふしんに思召おぼしめす点てんもございましょうが、どうか、兎とも角かくも、この手紙てがみを終おわりまで御お読よみ下くださいませ。Merely saying this much, I fear, will leave you with many doubts, Madam, but I beg you, whatever else, to read this letter to the very end.

そうすれば、何故なぜ、私わたくしがそんな気持きもちになったのか。Then you will understand why I have come to feel as I do.

又また何故なぜ、この告白こくはくを、殊更ことさら奥様おくさまに聞きいて頂いただかねばならぬのか、それらのことが、悉ことごとく明白めいはくになるでございましょう。And why, of all people, it must be you, Madam, who hears this confession; all these things will become entirely clear.

さて、何なんから書かき初そめたらいいのか、余あまりに人間にんげん離ばなれのした、奇怪きっかい千万せんばんな事実じじつなので、こうした、人間にんげん世界せかいで使つかわれる、手紙てがみという様ような方法ほうほうでは、妙みょうに面おもはゆくて、筆ふでの鈍にぶるのを覚おぼえます。Now, where am I to begin? These are facts so far removed from humanity, so monstrously strange, that in a method such as this, a letter, as used in the world of men, I feel oddly abashed, and my pen grows heavy.

でも、迷まよっていても仕方しかたがございません。Yet hesitating will not help.

兎とも角かくも、事ことの起おこりから、順じゅんを追おって、書かいて行いくことに致いたしましょう。Be that as it may, I shall write it all down in order, from the very beginning of the affair.

Vocabulary

WordMeaningJLPT
登庁とうちょうgoing to one's government officeUsed of officials. The opposite is 退庁 (leaving the office).—
書斎しょさいstudy (room for reading and writing)N3
閨秀作家けいしゅうさっかwoman writer, authoressOld-fashioned and literary. 閨秀 means a talented, cultured woman.—
崇拝者すうはいしゃadmirer, worshipperFrom 崇拝 (worship, adoration) and 者 (person).—
原稿げんこうmanuscript原稿用紙 is squared manuscript paper.N2
代物しろものthing, piece of work (often dismissive)Suggests something of low quality or doubtful value.—
予感よかんto have a presentiment, sense in advanceN1
持前もちまえinnate, natural (trait)dictionary form: 持ち前Means 'that one is born with', as in 持ち前の明るさ.—
無躾ぶしつけrude, impertinentdictionary form: 不躾Common in humble apologies. The usual modern spelling is 不躾.—
所業しょぎょうdeeds, doings (usually bad)—
懺悔ざんげconfession, repentanceHas religious overtones, stronger than 告白 (confession).—
面はゆくておもはゆいembarrassed, abasheddictionary form: 面映ゆいLiterally 'one's face glows'. Literary.—
奇怪千万きっかいせんばんextremely strange, monstrous千万 after an adjective-noun intensifies it: 'utterly, in the extreme'.—

Grammar

〜て了う (〜てしまう) N4 finish doing; do completely

了う is an older kanji spelling of しまう. Here it stresses that the seeing-off is completely over before Yoshiko's own time begins.

夫の登庁を見送って了うと

once she had seen her husband off to his office

〜ことにしている N4 make it a rule to do

This expresses a personal habit or policy that the speaker has decided on. In the past form, ことにしていた, it describes Yoshiko's settled practice of reading every letter.

一通りは読んで見ることにしていた

she made it a practice to read through it once

AをしてBさせる N1 make/cause A to do B

This is a literary causative in which をして marks the person who is made to act. Here curiosity is the cause and Yoshiko is the one driven to read.

持前の好奇心が、彼女をして、ぐんぐん、先を読ませて行くのであった

her natural curiosity drove her to read on and on

〜ないではいられない N2 cannot help doing

This expresses an urge the speaker cannot resist. With なくなりました it means the writer has reached a point where he can no longer hold back his confession.

懺悔しないではいられなくなりました

I can no longer keep from confessing

〜ねばならぬ N2 must, have to

This is a literary form of 〜なければならない, with ぬ as the old negative. 頂かねばならぬ means 'must humbly have (you) do'.

殊更奥様に聞いて頂かねばならぬのか

why it must be you, of all people, Madam, who hears it

〜かも知れない N4 might, may

This expresses possibility. Here it is in a past, counterfactual context, 'might never have returned', and ends with the humble のでございます.

人間界に立帰ることはなかったかも知れないのでございます

I might never have returned to the world of men