Cover of 人間椅子 (Ningenisu)

Part 7 of 10 · JLPT N2

人間椅子 Ningenisu, part 7: A Lover Hidden in the Dark

by Edogawa Ranpo · 1,310 characters · from The Man Inside the Chair

In this part

The chair-maker says that after his astonishing discovery, theft became secondary to the strange world of touch inside the chair, where he could be close to beautiful women he could never approach in the bright world. He stays hidden in the hotel for months, cramped and half-crippled, unable to abandon this world. As guests come and go, he remembers his many unwitting 'lovers' by the shapes of their bodies rather than by their faces.

AI translation · independently checked

この驚おどろくべき発見はっけんをしてからというものは、私わたくしは最初さいしょの目的もくてきであった盗ぬすみなどは第だい二にとして、ただもう、その不思議ふしぎな感触かんしょくの世界せかいに、惑溺わくできして了しまったのでございます。Ever since I made this astonishing discovery, I set aside theft, my original purpose, as a secondary matter, and simply lost myself completely in that strange world of touch.

私わたくしは考かんがえました。I thought to myself:

これこそ、この椅子いすの中なかの世界せかいこそ、私わたくしに与あたえられた、本当ほんとうのすみかではないかと。Was not this, this world inside the chair, the true dwelling that had been granted to me?

私わたくしの様ような醜みにくい、そして気きの弱よわい男おとこは、明あかるい、光明こうみょうの世界せかいでは、いつもひけ目めを感かんじながら、恥はずかしい、みじめな生活せいかつを続つづけて行いく外ほかに、能のうのない身体からだでございます。A man as ugly and as faint-hearted as I can do nothing in the bright world of light but go on living a shameful, wretched life, forever feeling himself inferior.

それが、一度ひとたび、住すむ世界せかいを換かえて、こうして椅子いすの中なかで、窮屈きゅうくつな辛抱しんぼうをしていさえすれば、明あかるい世界せかいでは、口くちを利きくことは勿論もちろん、側そばへよることさえ許ゆるされなかった、美うつくしい人ひとに接近せっきんして、その声こえを聞きき肌はだに触ふれることも出来できるのでございます。Yet once I changed the world I lived in, so long as I endured the cramped confinement inside this chair, I could draw close to beautiful women whom, in the bright world, I would never have been permitted to speak to, nor even to stand beside, and I could hear their voices and touch their skin.

椅子いすの中なかの恋こい(!)それがまあ、どんなに不可思議ふかしぎな、陶酔的とうすいてきな魅力みりょくを持もつか、実際じっさいに椅子いすの中なかへ這入はいって見みた人ひとでなくては、分わかるものではありません。Love inside a chair (!) What a mysterious, intoxicating charm it holds, no one could possibly understand unless he had actually crept inside a chair himself.

それは、ただ、触覚しょっかくと、聴覚ちょうかくと、そして僅わずかの嗅覚きゅうかくのみの恋こいでございます。It is a love of touch and of hearing alone, and of a little smell.

暗闇くらやみの世界せかいの恋こいでございます。It is a love in a world of darkness.

決けっしてこの世よのものではありません。It is assuredly not of this world.

これこそ、悪魔あくまの国くにの愛慾あいよくなのではございますまいか。Might this not be the very passion of the land of devils?

考かんがえて見みれば、この世界せかいの、人目ひとめにつかぬ隅々すみずみでは、どの様ように異形いけいな、恐おそろしい事柄ことがらが、行おこなわれているか、ほんとうに想像そうぞうの外ほかでございます。When one considers it, what monstrous and terrible things are being done in the hidden corners of this world, where no eye can see, is truly beyond imagining.

無論むろん始はじめの予定よていでは、盗ぬすみの目的もくてきを果はたしさえすれば、すぐにもホテルを逃にげ出だす積つもりでいたのですが、世よにも奇怪きっかいな喜よろこびに、夢中むちゅうになった私わたくしは、逃にげ出だすどころか、いつまでもいつまでも、椅子いすの中なかを永住えいじゅうのすみかにして、その生活せいかつを続つづけていたのでございます。Of course, my original plan had been to flee the hotel as soon as I had accomplished my theft; but I had grown so infatuated with this most uncanny of pleasures that, far from fleeing, I made the inside of the chair my permanent home and went on and on living that life.

夜々よなよなの外出がいしゅつには、注意ちゅういに注意ちゅういを加くわえて、少すこしも物音ものおとを立たてず、又人またひと目めに触ふれない様ようにしていましたので、当然とうぜん、危険きけんはありませんでしたが、それにしても、数ヶ月すうかげつという、長ながい月日つきひを、そうして少すこしも見みつからず、椅子いすの中なかに暮くらしていたというのは、我われながら実じつに驚おどろくべき事ことでございました。On my nightly excursions I took the utmost care, making not the slightest sound and keeping out of everyone's sight, so naturally I came to no harm; even so, that I lived inside the chair for the long span of several months without once being discovered was, I must say myself, truly astonishing.

殆ほとんど二六にろく時じ中ちゅう、椅子いすの中なかの窮屈きゅうくつな場所ばしょで、腕うでを曲まげ、膝ひざを折おっている為ために、身体中からだじゅうが痺しびれた様ようになって、完全かんぜんに直立ちょくりつすることが出来できず、しまいには、料理場りょうりばや化粧室けしょうしつへの往復おうふくを、躄いざりの様ように、這はって行いった程ほどでございます。Because I kept my arms bent and my knees folded in the cramped space inside the chair almost day and night, my whole body grew numb, I could no longer stand fully upright, and in the end I was reduced to crawling like a cripple on my trips to and from the kitchen and the lavatory.

私わたくしという男おとこは、何なんという気違きちがいでありましょう。What a madman I am!

それ程ほどの苦くるしみを忍しのんでも、不思議ふしぎな感触かんしょくの世界せかいを見捨みすてる気きになれなかったのでございます。Even enduring such suffering, I could not bring myself to abandon that strange world of touch.

中なかには、一いちヶ月かげつも二にヶ月かげつも、そこを住居すまいのようにして、泊とまりつづけている人ひともありましたけれど、元来がんらいホテルのことですから絶たえず客きゃくの出入でいりがあります。Among the guests there were some who stayed on for a month or even two, as though the place were their home, but it was a hotel after all, and guests were forever coming and going.

随したがって私わたくしの奇妙きみょうな恋こいも、時ときと共ともに相手あいてが変かわって行いくのを、どうすることも出来できませんでした。Consequently, I could do nothing to prevent the objects of my strange love from changing as time went by.

そして、その数々かずかずの不思議ふしぎな恋人こいびとの記憶きおくは、普通ふつうの場合ばあいの様ように、その容貌ようぼうによってではなく、主ぬしとして身体からだの恰好かっこうによって、私わたくしの心こころに刻きざみつけられているのでございます。And the memories of those many mysterious lovers are engraved upon my heart not by their faces, as would ordinarily be the case, but chiefly by the shapes of their bodies.

あるものは、仔馬こうまの様ように精悍せいかんで、すらりと引ひき締しまった肉体にくたいを持もち、あるものは、蛇へびの様ように妖艶ようえんで、クネクネと自在じざいに動うごく肉体にくたいを持もち、あるものは、ゴム鞠まりの様ように肥こえ太ふとって、脂肪しぼうと弾力だんりょくに富とむ肉体にくたいを持もち、又またあるものは、ギリシャの彫刻ちょうこくの様ように、ガッシリと力強ちからづよく、円満えんまんに発達はったつした肉体にくたいを持もって居おりました。One had a body spirited as a colt's, slender and taut; one had a body bewitching as a serpent's, that writhed and moved freely as it pleased; one had a body plump as a rubber ball, rich in fat and springiness; and yet another had a body sturdy and powerful as a Greek statue, developed in perfect harmony.

その外ほか、どの女おんなの肉体にくたいにも、一人一人ひとりひとり、それぞれの特徴とくちょうがあり魅力みりょくがあったのでございます。Besides these, every woman's body, each and every one, had its own particular features and its own charm.

Vocabulary

WordMeaningJLPT
惑溺わくできto be infatuated with; to drown oneself in (a pleasure)dictionary form: 惑溺するLiterary word; 溺 means 'drown'.—
ひけ目ひけめsense of inferioritydictionary form: 引け目Usually used as 引け目を感じる, 'to feel inferior'.—
窮屈きゅうくつcramped; confiningUsed for tight spaces and for stiff, uncomfortable situations.N1
辛抱しんぼうendurance; putting up with hardshipN1
陶酔的とうすいてきintoxicating; rapturousFrom 陶酔 'rapture'; the suffix 〜的 turns it into a な-adjective.—
異形いけいgrotesque; monstrousAlso read いぎょう, especially for strange creatures.—
奇怪きっかいbizarre; uncannyAlso read きかい; きっかい is the more emphatic reading.—
永住えいじゅうpermanent residenceToday it is common in 永住権, 'permanent residency'.—
二六時中にろくじちゅうall day and night; constantlyOld expression: 2×6 = the twelve two-hour periods of the old day. The modern form is 四六時中.—
躄いざりa person who cannot walk and moves by shuffling or crawlingOld word that is now considered offensive; avoid it in modern speech.—
見捨てるみすてるto abandon; to give up on—
刻みつけられているきざみつけるto engrave; to imprint (a memory)dictionary form: 刻みつける—
精悍せいかんlean and spirited; vigorous—
妖艶ようえんbewitchingly seductive妖 suggests something uncanny, 艶 something glossy or alluring.—

Grammar

〜てからというもの N2 ever since ~

This pattern stresses that a lasting change began from a particular event. Here, everything after the discovery is different for the narrator.

この驚くべき発見をしてからというものは

Ever since I made this astonishing discovery

〜さえ〜ば N3 as long as ~ / if only ~

The pattern means that one condition is enough to bring about the result. Here it attaches to the て-form plus いる: していさえすれば, 'so long as I keep doing it'.

こうして椅子の中で、窮屈な辛抱をしていさえすれば

so long as I endured the cramped confinement inside this chair like this

〜でなくては〜ものではない N2 no one but ~ could ever ~

The construction 'unless it is X, it is not something that can be done' strongly limits understanding to people who have had the experience.

実際に椅子の中へ這入って見た人でなくては、分るものではありません

no one could possibly understand unless he had actually crept inside a chair himself

〜ではございますまいか N1 might it not be ~? (humble)

ではございますまいか is a very polite, literary form of ではないだろうか. まい expresses negative conjecture ('probably not'). Combined with か, it forms a rhetorical question that effectively asserts 'surely it is ~'. The politeness comes from ございます, in keeping with the letter's epistolary style.

これこそ、悪魔の国の愛慾なのではございますまいか。

Might this not be the very passion of the land of devils?

〜どころか N3 far from ~; let alone ~

The pattern rejects the first idea and replaces it with something much more extreme. Rather than fleeing, he settles in permanently.

逃げ出すどころか、いつまでもいつまでも、椅子の中を永住のすみかにして

far from fleeing, I made the inside of the chair my permanent home, forever and ever

我ながら N2 even though it is me saying so; I must admit

〜ながら here means 'although'. The speaker evaluates his own actions with surprise, as if from the outside.

我ながら実に驚くべき事でございました

was, I must say myself, truly astonishing