Cover of 秘密 (Himitsu)

Part 1 of 11 · JLPT N1

秘密 Himitsu, part 1: In Search of a Hidden Corner

by Tanizaki Jun'ichirō · 1,378 characters · from A Taste for Secrets

In this part

On a whim, the narrator withdraws from his busy social life and rents a room in a Shingon temple hidden in a tangled slum quarter of Asakusa. He reflects that even in his native Tōkyō there must be countless streets he has never walked. He recalls a childhood visit to the Hachiman Shrine in Fukagawa, where the unexpected river and ferry behind the shrine seemed like a dream world far from the city he knew.

AI translation · independently checked

その頃ころ私わたくしは或ある気紛きまぐれな考かんがえから、今迄いままで自分じぶんの身みのまわりを裹つつんで居いた賑にぎやかな雰囲気ふんいきを遠とおざかって、いろいろの関係かんけいで交際こうさいを続つづけて居いた男おとこや女おんなの圏内けんないから、ひそかに逃のがれ出でようと思おもい、方々ほうぼうと適当てきとうな隠かくれ家がを捜さがし求もとめた揚句あげく、浅草あさくさの松葉町まつばちょう辺へんに真言宗しんごんしゅうの寺てらのあるのを見み附つけて、ようよう其処そこの庫裡くりの一ひと間まを借かり受うけることになった。At that time, prompted by a certain whim, I resolved to withdraw from the lively atmosphere that had until then enveloped my life, and to slip quietly out of the circle of men and women with whom I had kept up acquaintances of one kind or another. After searching high and low for a suitable hiding place, I came upon a temple of the Shingon sect near Matsubachō in Asakusa, and at length arranged to rent a room in its priests' quarters.

新堀しんぼりの溝みぞへついて、菊屋橋きくやばしから門跡もんぜきの裏手うらてを真まっ直すぐに行いったところ、十二じゅうに階かいの下したの方ほうの、うるさく入いり組くんだ Obscure な町まちの中なかにその寺てらはあった。If one followed the ditch of the Shinbori canal and went straight on from Kikuyabashi along the back of the Monzeki temple, there, in an Obscure quarter of tiresomely tangled streets down at the foot of the Twelve Storeys, the temple stood.

ごみ溜ための箱ばこを覆くつがえした如ごとく、あの辺へん一帯いったいにひろがって居いる貧民窟ひんみんくつの片側かたがわに、黄橙色だいだいいろの土塀どべいの壁かべが長ながく続つづいて、如何いかにも落おち着ついた、重々おもおもしい寂さびしい感かんじを与あたえる構かまえであった。Along one side of the slum that sprawled across that whole district like an overturned rubbish bin, a long earthen wall of yellowish orange stretched away, and the place had an air of deep calm, gravity and solitude.

私わたくしは最初さいしょから、渋谷しぶやだの大久保おおくぼだのと云いう郊外こうがいへ隠遁いんとんするよりも、却かえって市し内ないの何処どこかに人ひとの心附こころづかない、不思議ふしぎなさびれた所ところがあるであろうと思おもっていた。From the very first I had thought that, rather than my retreating to some suburb such as Shibuya or Ōkubo, there would surely be, somewhere within the city itself, a strange and forsaken spot that people never notice.

丁度ちょうど瀬せの早はやい渓川たにがわのところどころに、澱よどんだ淵ふちが出来できるように、下町したまちの雑沓ざっとうする巷ちまたと巷ちまたの間あわいに挟はさまりながら、極きわめて特殊とくしゅの場合ばあいか、特殊とくしゅの人ひとでもなければめったに通行つうこうしないような閑静かんせいな一郭いっかくが、なければなるまいと思おもっていた。Just as still, stagnant pools form here and there in a swift mountain stream, so, I thought, there must surely be some quiet pocket wedged between the crowded thoroughfares of the old downtown, a place through which hardly anyone would pass except on the most unusual occasions, or unless they were unusual people themselves.

同時どうじに又またこんな事ことも考かんがえて見みた。At the same time, I also turned over thoughts such as these.

――――――

己おれは随分ずいぶん旅行りょこう好すきで、京都きょうと、仙台せんだい、北海道ほっかいどうから九州きゅうしゅうまでも歩あるいて来きた。I am a great one for travel, and I have wandered from Kyōto, Sendai and Hokkaidō all the way to Kyūshū.

けれども未いまだこの東京とうきょうの町まちの中なかに、人形町にんぎょうちょうで生うまれて二十にじゅう年ねん来らい永住えいじゅうしている東京とうきょうの町まちの中なかに、一度いちども足あしを蹈ふみ入いれた事ことのないと云いう通とおりが、屹度きっとあるに違ちがいない。And yet within this city of Tōkyō, this very city of Tōkyō where I was born in Ningyōchō and have lived these twenty years, there must surely still be streets on which I have never once set foot.

いや、思おもったより沢山たくさんあるに違ちがいない。No, there must be far more of them than I imagine.

そうして大都会だいとかいの下町したまちに、蜂はちの巣すの如ごとく交錯こうさくしている大小だいしょう無数むすうの街路がいろのうち、私わたくしが通とおった事ことのある所ところと、ない所ところでは、孰方どっちが多おおいかちょいと判わからなくなって来きた。And I found I could no longer quite tell which were the more numerous among the countless streets, great and small, that criss-cross like a honeycomb through the downtown districts of this great city: those I had passed along, or those I had not.

何なんでも十じゅう一いち二に歳さいの頃ころであったろう。I must have been eleven or twelve at the time.

父ちちと一緒いっしょに深川ふかがわの八幡様はちまんさまへ行いった時とき、Once, when I went with my father to the Hachiman Shrine in Fukagawa,

「これから渡わたしを渡わたって、冬木ふゆきの米市こめいちで名代なだいのそばを御馳走ごちそうしてやるかな。」"Now then, shall we take the ferry across, and I'll treat you to the famous soba by the rice market in Fuyuki?"

こう云いって、父ちちは私わたくしを境内けいだいの社殿しゃでんの後うしろの方ほうへ連つれて行いった事ことがある。With these words, my father led me round towards the back of the shrine buildings within the precincts.

其処そこには小網町こあみちょうや小舟町こぶなちょう辺へんの掘割ほりわりと全まったく趣おもむきの違ちがった、幅はばの狭せまい、岸きしの低ひくい、水みずの一杯いっぱいにふくれ上あがっている川かわが、細こまかく建たて込こんでいる両岸りょうがんの家々いえいえの、軒のきと軒のきとを押おし分わけるように、どんよりと物憂ものうく流ながれて居いた。There a river utterly different in character from the canals around Koamichō and Kobunachō, narrow, low-banked, its water swollen to the brim, flowed sluggishly and wearily, as though pushing apart the eaves of the houses crowded close along both banks.

小ちいさな渡わたし船ぶねは、川幅かわはばよりも長ながそうな荷に足たりや伝馬てんまが、幾艘いくそうも縦たてに列ならんでいる間あいだを縫ぬいながら、二ふた竿さお三竿みさおばかりちょろちょろと水底みなそこを衝ついて往復おうふくして居いた。A small ferryboat was plying back and forth, threading its way between several barges and lighters, each seemingly longer than the river was wide, moored end to end, and nimbly pushing its pole against the riverbed two or three strokes at a time.

私わたくしはその時ときまで、たびたび八幡様はちまんさまへお参まいりをしたが、未いまだ嘗かつて境内けいだいの裏手うらてがどんなになっているか考かんがえて見みたことはなかった。I had often visited the Hachiman Shrine before then, yet never once had I wondered what lay behind its precincts.

いつも正面しょうめんの鳥居とりいの方ほうから社殿しゃでんを拝おがむだけで、恐おそらくパノラマの絵えのように、表おもてばかりで裏うらのない、行いき止どまりの景色けしきのように自然しぜんと考かんがえていたのであろう。I had always simply bowed to the shrine from the main gate in front, and had probably taken it for granted that it was a dead-end scene, all front and no back, like a panorama painting.

現在げんざい眼めの前まえにこんな川かわや渡わたし場ばが見みえて、その先さきに広ひろい地面じめんが果はてしもなく続つづいている謎なぞのような光景こうけいを見みると、何なんとなく京都きょうとや大阪おおさかよりももっと東京とうきょうをかけ離はなれた、夢ゆめの中なかで屡々しばしば出逢であうことのある世界せかいの如ごとく思おもわれた。Now, with such a river and ferry landing before my very eyes, and beyond them a riddle of a scene, broad land stretching on without end, it somehow seemed to me a world farther removed from Tōkyō than even Kyōto or Ōsaka, a world such as one often meets in dreams.

それから私わたくしは、浅草あさくさの観音堂かんのんどうの真まうしろにはどんな町まちがあったか想像そうぞうして見みたが、仲店なかみせの通とおりから宏大こうだいな朱塗しゅぬりのお堂どうの甍いらかを望のぞんだ時ときの有様ありさまばかりが明瞭めいりょうに描えがかれ、その外そとの点てんはとんと頭あたまに浮うかばなかった。Then I tried to imagine what streets lay directly behind the Kannon Hall in Asakusa, but only the view of the vast vermilion hall's tiled roof, as seen from the Nakamise street, came clearly to mind; beyond that, nothing at all would surface.

だんだん大人おとなになって、世間せけんが広ひろくなるに随したがい、知人ちじんの家いえを訪たずねたり、花見はなみ遊山ゆさんに出でかけたり、東京とうきょう市し中ちゅうは隈くまなく歩あるいたようであるが、いまだに子供こどもの時分じぶん経験けいけんしたような不思議ふしぎな別世界べっせかいへ、ハタリと行ゆき逢あうことがたびたびあった。As I grew older and my world widened, visiting the homes of acquaintances and going out to view the blossoms or on pleasure trips, I seemed to have walked every corner of Tōkyō; and yet even now I would often stumble suddenly upon some strange other world like the one I had known as a child.

Vocabulary

WordMeaningJLPT
気紛れきまぐれwhim, capriceUsually written in kana today: 気まぐれ.N1
隠れ家かくれがhiding place, hideaway家 is read が here, an old reading kept in this compound.—
揚句あげくin the end, after (much effort)Now usually written 挙句.—
庫裡くりpriests' living quarters of a temple—
入り組んだいりくむto be tangled, intricatedictionary form: 入り組むUsed of streets, plots or relationships.—
貧民窟ひんみんくつslumOld-fashioned; 窟 means cave or den.—
隠遁いんとんretreat from the world, seclusion—
却ってかえってon the contrary, ratherMarks a result opposite to what one might expect.N2
淵ふちdeep, still pool in a riverContrasts with 瀬 (せ), the shallow, fast-running part.—
巷ちまたstreets, town quarterLiterary word; also means 'the world at large'.—
渡しわたしferry渡しを渡る is 'to cross by ferry'.—
境内けいだいprecincts of a shrine or temple—
物憂くものういlanguid, weary, listlessdictionary form: 物憂いLiterary; here describes the slow flow of the river.—
隈なくくまなくthoroughly, into every corner隈 is a nook or shadowed corner; literally 'with no corner left'.—

Grammar

〜た揚句 N2 after (a long process), in the end

Follows a past-tense verb to show that something finally happened after much effort or searching. The result here is the discovery of the temple.

方々と適当な隠れ家を捜し求めた揚句、浅草の松葉町辺に真言宗の寺のあるのを見附けて

after searching high and low for a suitable hiding place, I came upon a temple of the Shingon sect near Matsubachō in Asakusa

〜如く N1 like, as if

A literary equivalent of 〜ように. It follows a verb or a noun + の and introduces a simile.

ごみ溜めの箱を覆した如く、あの辺一帯にひろがって居る貧民窟

the slum that sprawled across that whole district like an overturned rubbish bin

〜なければなるまい N1 there must surely be, it must be so

なければならない combined with the classical negative conjecture まい. It expresses a strong conviction that something must exist or be the case.

閑静な一郭が、なければなるまいと思っていた

I thought there must surely be some quiet pocket

〜に違いない N3 must be, surely

Expresses the speaker's firm conviction. Here it is reinforced by 屹度 (きっと).

一度も足を蹈み入れた事のないと云う通りが、屹度あるに違いない

there must surely be streets on which I have never once set foot

〜に随い N3 as ~, in step with ~

A written form of 〜にしたがって. It shows that one change happens alongside another, here growing older and the narrator's world widening.

だんだん大人になって、世間が広くなるに随い

As I grew older and my world widened