
Part 6 of 11 · JLPT N1
秘密 Himitsu, part 6: A Former Lover in the Darkened Theatre
In this part
The woman beside the narrator reads out a film caption, and by her husky voice he recognises T, a woman he had an affair with on a voyage to Shanghai and then deserted. She is now even more beautiful and commanding, and she draws every eye in the cinema away from his own female disguise. He feels jealous and humiliated, and wonders whether she knows him and is taking an ironic revenge.
AI translation · independently checked
「……… Arrested at last. ………」"……… Arrested at last. ………"
と、女は小声で、フィルムの上に現れた説明書を読み上げて、土耳古巻の M. C. C. の薫りの高い烟を私の顔に吹き附けながら、指に篏めて居る宝石よりも鋭く輝く大きい瞳を、闇の中できらりと私の方へ注いだ。So the woman read aloud, in a low voice, the caption that had appeared upon the film, and, blowing the fragrant smoke of a Turkish-rolled M. C. C. into my face, she turned upon me through the darkness, with a sudden flash, her great eyes, which shone more keenly than the jewels on her fingers.
あでやかな姿に似合わぬ太棹の師匠のような皺嗄れた声、―――その声は紛れもない、私が二三年前に上海へ旅行する航海の途中、ふとした事から汽船の中で暫く関係を結んで居たT女であった。A husky voice like that of a teacher of the thick-necked shamisen, ill-suited to her bewitching figure: there was no mistaking that voice. It belonged to T, with whom, two or three years before, on the voyage out to Shanghai, I had by some chance formed a brief liaison aboard the steamer.
女はその頃から、商売人とも素人とも区別のつかない素振りや服装を持って居たように覚えて居る。Even in those days, as I recall, she had a manner and a style of dress that made it impossible to tell whether she was a professional woman or a respectable one.
船中に同伴して居た男と、今夜の男とはまるで風采も容貌も変っているが、多分はこの二人の男の間を連結する無数の男が女の過去の生涯を鎖のように貫いて居るのであろう。The man who had accompanied her on board and the man with her tonight were utterly different in bearing and in looks; but very likely between those two there ran countless other men, linking them, threading through the woman's past life like a chain.
兎も角その婦人が、始終一人の男から他の男へと、胡蝶のように飛んで歩く種類の女であることは確かであった。At any rate, it was certain that she was the kind of woman who forever flits from one man to the next, like a butterfly.
二年前に船で馴染みになった時、二人はいろいろの事情から本当の氏名も名乗り合わず、境遇も住所も知らせずにいるうちに上海へ着いた。Two years earlier, when we had grown intimate aboard the ship, circumstances of one kind and another kept us from telling each other our real names, and we reached Shanghai without having revealed our stations in life or where we lived.
そうして私は自分に恋い憧れている女を好い加減に欺き、こッそり跡をくらまして了った。And then I deceived, carelessly enough, the woman who was pining for me, and quietly vanished without a trace.
以来太平洋上の夢の中なる女とばかり思って居たその人の姿を、こんな処で見ようとは全く意外である。Ever since, I had thought of her only as a woman in a dream upon the Pacific Ocean, and to see her in such a place as this was wholly unexpected.
あの時分やや小太りに肥えて居た女は、神々しい迄に痩せて、すッきりとして、睫毛の長い潤味を持った円い眼が、拭うが如くに冴え返り、男を男とも思わぬような凜々しい権威さえ具えている。The woman, somewhat plump in those days, had grown slender to the point of seeming divine, and refined; her round eyes, long-lashed and moist, were as clear as if wiped clean, and she even possessed a gallant authority, as though she thought nothing of men.
触るるものに紅の血が濁染むかと疑われた生々しい唇と、耳朶の隠れそうな長い生え際ばかりは昔に変らないが、鼻は以前よりも少し嶮しい位に高く見えた。Her lips, so vivid that one might suspect they would stain whatever they touched with crimson blood, and the long sweep of her hairline, which seemed almost to hide her earlobes, were alone unchanged; but her nose looked higher than before, almost a little severe.
女は果たして私に気が附いて居るのであろうか。Had she, then, really noticed me?
どうも判然と確かめることが出来なかった。I could not make sure of it at all.
明りがつくと連れの男にひそひそ戯れて居る様子は、傍に居る私を普通の女と蔑んで、別段心にかけて居ないようでもあった。Whenever the lights came up and she fell to whispering and flirting with her companion, she seemed rather to dismiss me, sitting at her side, as an ordinary woman, and to pay me no particular attention.
実際その女の隣りに居ると、私は今迄得意であった自分の扮装を卑しまない訳には行かなかった。Indeed, sitting next to that woman, I could not help despising the disguise of which I had been so proud until then.
表情の自由な、如何にも生き生きとした妖女の魅力に気圧されて、技巧を尽した化粧も着附けも、醜く浅ましい化物のような気がした。Overwhelmed by the charm of this enchantress, whose features moved so freely and who seemed so thoroughly alive, I felt that my make-up and my dressing, for all the art I had lavished on them, made me an ugly, wretched monster.
女らしいと云う点からも、美しい器量からも、私は到底彼女の競争者ではなく、月の前の星のように果敢なく萎れて了うのであった。In womanliness, as in beauty of face, I was no rival of hers at all; I simply withered away, as frail as a star before the moon.
朦々と立ち罩めた場内の汚れた空気の中に、曇りのない鮮明な輪郭をくッきりと浮かばせて、マントの蔭からしなやかな手をちらちらと、魚のように泳がせているあでやかさ。Such loveliness: amid the foul air of the hall, thick and hazy with smoke, she stood out in a clear, unclouded outline, and from the shadow of her cloak her supple hands flickered now and then, swimming like fish.
男と対談する間にも時々夢のような瞳を上げて、天井を仰いだり、眉根を寄せて群衆を見下ろしたり、真っ白な歯並みを見せて微笑んだり、その度毎に全く別趣の表情が、溢れんばかりに湛えられる。Even while talking with the man she would lift her dreamy eyes from time to time, gazing up at the ceiling, or knitting her brows as she looked down upon the crowd, or smiling to show her pure white teeth; and each time an entirely different expression filled her face to overflowing.
如何なる意味をも鮮やかに表し得る黒い大きい瞳は、場内の二つの宝石のように、遠い階下の隅からも認められる。Her great black eyes, able to express any meaning vividly, could be picked out even from the far corners of the floor below, like two jewels in the hall.
顔面の凡べての道具が単に物を見たり、嗅いだり、聞いたり、語ったりする機関としては、あまりに余情に富み過ぎて、人間の顔と云うよりも、男の心を誘惑する甘味ある餌食であった。Every feature of her face was far too rich in suggestion to be merely an organ for seeing, smelling, hearing or speaking; it was less a human face than a sweet bait to lure men's hearts.
もう場内の視線は、一つも私の方に注がれて居なかった。Not a single gaze in the hall was turned my way any longer.
愚かにも、私は自分の人気を奪い去ったその女の美貌に対して、嫉妬と憤怒を感じ始めた。Foolishly, I began to feel jealousy and rage toward the beauty of the woman who had stolen my popularity away.
嘗ては自分が弄んで恣に棄ててしまった女の容貌の魅力に、忽ち光を消されて蹈み附けられて行く口惜しさ。How galling it was to have my light put out in an instant and to be trampled underfoot by the charm of a woman whom I had once toyed with and cast off just as I pleased!
事に依ると女は私を認めて居ながら、わざと皮肉な復讐をして居るのではないであろうか。Could it be that the woman had recognised me all along, and was deliberately taking an ironic revenge?
Vocabulary
| Word | Meaning | JLPT |
|---|---|---|
| 紛れもないまぎれもない | unmistakable; beyond doubtLiterally 'without any confusion'. | — |
| 皺嗄れたしわがれる | to become hoarse or husky (of a voice)dictionary form: 嗄れるUsually written in kana or as 嗄れる today. | — |
| 素人しろうと | an ordinary, respectable woman (as opposed to a professional entertainer)Usually 'amateur'; here contrasted with 商売人, a woman of the pleasure trade. | N2 |
| 風采ふうさい | appearance; bearingLiterary word for a person's overall look and manner. | — |
| 胡蝶こちょう | butterflyLiterary equivalent of 蝶. | — |
| 欺きあざむく | to deceivedictionary form: 欺くMore formal than だます. | N1 |
| 跡をくらましてあとをくらます | to disappear without a tracedictionary form: 跡をくらますLiterally 'to darken one's tracks'. | — |
| 気圧されてけおされる | to be overwhelmed or overaweddictionary form: 気圧されるNot to be confused with 気圧 (きあつ, air pressure). | — |
| 器量きりょう | looks, beauty (especially a woman's)Also means 'ability, calibre' in other contexts. | — |
| 果敢なくはかない | fleeting, frail, faintdictionary form: 果敢ないAteji spelling; normally 儚い or はかない. | N1 |
| 餌食えじき | prey; victim (here figuratively, a sweet morsel that lures men)Often 'victim', but here the lure that draws men in. | — |
| 嫉妬しっと | jealousy | N1 |
| 弄んでもてあそぶ | to toy with, trifle withdictionary form: 弄ぶUsed for playing with people's feelings as well as with objects. | — |
| 復讐ふくしゅう | revenge | — |
Grammar
〜ずにいるうちに N3 while (still) not doing ~
〜ずに is the written form of 〜ないで, and いるうちに means 'while the state continues'. The ship reached Shanghai before they had ever shared their names.
境遇も住所も知らせずにいるうちに上海へ着いた
we reached Shanghai without having revealed our stations in life or where we lived
〜ようとは N1 that one would ~ (expressing surprise)
The volitional form plus とは presents something unexpected; it is usually followed by words like 意外だ or 思わなかった.
こんな処で見ようとは全く意外である
to see her in such a place as this was wholly unexpected
〜ない訳には行かない N3 cannot help ~; cannot avoid ~
This double negative means the speaker is forced to do something. Here the narrator could not help despising his own disguise.
自分の扮装を卑しまない訳には行かなかった
I could not help despising my own disguise
〜んばかりに N1 as if about to ~; almost to the point of ~
This attaches to the ない-stem and describes something so intense it seems on the verge of happening. 溢れんばかり means 'so full it almost overflows'.
全く別趣の表情が、溢れんばかりに湛えられる
an entirely different expression filled her face to overflowing
〜得る N2 can ~; be able to ~
Added to the ます-stem, 得る is a written way of expressing possibility. It is read える here.
如何なる意味をも鮮やかに表し得る黒い大きい瞳
great black eyes able to express any meaning vividly
〜が如く N1 as if ~; like ~
This is the classical equivalent of 〜ように. 拭うが如くに means 'as though wiped clean'.
拭うが如くに冴え返り
as clear as if wiped clean