Cover of 秘密 (Himitsu)

Part 6 of 11 · JLPT N1

秘密 Himitsu, part 6: A Former Lover in the Darkened Theatre

by Tanizaki Jun'ichirō · 1,427 characters · from A Taste for Secrets

In this part

The woman beside the narrator reads out a film caption, and by her husky voice he recognises T, a woman he had an affair with on a voyage to Shanghai and then deserted. She is now even more beautiful and commanding, and she draws every eye in the cinema away from his own female disguise. He feels jealous and humiliated, and wonders whether she knows him and is taking an ironic revenge.

AI translation · independently checked

「……… Arrested at last. ………」"……… Arrested at last. ………"

と、女おんなは小声こごえで、フィルムの上うえに現あらわれた説明書せつめいしょを読よみ上あげて、土耳古とるこ巻まきの M. C. C. の薫かおりの高たかい烟けむりを私わたくしの顔かおに吹ふき附つけながら、指ゆびに篏はめて居いる宝石ほうせきよりも鋭するどく輝かがやく大おおきい瞳ひとみを、闇やみの中なかできらりと私わたくしの方ほうへ注そそいだ。So the woman read aloud, in a low voice, the caption that had appeared upon the film, and, blowing the fragrant smoke of a Turkish-rolled M. C. C. into my face, she turned upon me through the darkness, with a sudden flash, her great eyes, which shone more keenly than the jewels on her fingers.

あでやかな姿すがたに似合にあわぬ太棹ふとざおの師匠ししょうのような皺嗄しわがれた声こえ、―――その声こえは紛まぎれもない、私わたくしが二三にさん年ねん前まえに上海しゃんはいへ旅行りょこうする航海こうかいの途中とちゅう、ふとした事ことから汽船きせんの中なかで暫しばらく関係かんけいを結むすんで居いたT女てぃーじょであった。A husky voice like that of a teacher of the thick-necked shamisen, ill-suited to her bewitching figure: there was no mistaking that voice. It belonged to T, with whom, two or three years before, on the voyage out to Shanghai, I had by some chance formed a brief liaison aboard the steamer.

女おんなはその頃ころから、商売人しょうばいにんとも素人しろうととも区別くべつのつかない素振すぶりや服装ふくそうを持もって居いたように覚おぼえて居いる。Even in those days, as I recall, she had a manner and a style of dress that made it impossible to tell whether she was a professional woman or a respectable one.

船中せんちゅうに同伴どうはんして居いた男おとこと、今夜こんやの男おとことはまるで風采ふうさいも容貌ようぼうも変かわっているが、多分たぶんはこの二人ふたりの男おとこの間あいだを連結れんけつする無数むすうの男おとこが女おんなの過去かこの生涯しょうがいを鎖くさりのように貫つらぬいて居いるのであろう。The man who had accompanied her on board and the man with her tonight were utterly different in bearing and in looks; but very likely between those two there ran countless other men, linking them, threading through the woman's past life like a chain.

兎とも角かくその婦人ふじんが、始終しじゅう一人ひとりの男おとこから他ほかの男おとこへと、胡蝶こちょうのように飛とんで歩あるく種類しゅるいの女おんなであることは確たしかであった。At any rate, it was certain that she was the kind of woman who forever flits from one man to the next, like a butterfly.

二に年ねん前まえに船ふねで馴染なじみになった時とき、二人ふたりはいろいろの事情じじょうから本当ほんとうの氏名しめいも名乗なのり合あわず、境遇きょうぐうも住所じゅうしょも知しらせずにいるうちに上海しゃんはいへ着ついた。Two years earlier, when we had grown intimate aboard the ship, circumstances of one kind and another kept us from telling each other our real names, and we reached Shanghai without having revealed our stations in life or where we lived.

そうして私わたくしは自分じぶんに恋こい憧あこがれている女おんなを好よい加減かげんに欺あざむき、こッそり跡あとをくらまして了しまった。And then I deceived, carelessly enough, the woman who was pining for me, and quietly vanished without a trace.

以来いらい太平洋たいへいよう上じょうの夢ゆめの中なかなる女おんなとばかり思おもって居いたその人ひとの姿すがたを、こんな処ところで見みようとは全まったく意外いがいである。Ever since, I had thought of her only as a woman in a dream upon the Pacific Ocean, and to see her in such a place as this was wholly unexpected.

あの時分じぶんやや小太こぶとりに肥こえて居いた女おんなは、神々こうごうしい迄までに痩やせて、すッきりとして、睫毛まつげの長ながい潤味うるみを持もった円まるい眼まなこが、拭ぬぐうが如ごとくに冴さえ返かえり、男おとこを男おとことも思おもわぬような凜々りりしい権威けんいさえ具そなえている。The woman, somewhat plump in those days, had grown slender to the point of seeming divine, and refined; her round eyes, long-lashed and moist, were as clear as if wiped clean, and she even possessed a gallant authority, as though she thought nothing of men.

触さわるるものに紅くれないの血ちが濁染にじむかと疑うたがわれた生々なまなましい唇くちびると、耳朶みみたぶの隠かくれそうな長ながい生はえ際ぎわばかりは昔むかしに変かわらないが、鼻はなは以前いぜんよりも少すこし嶮けわしい位くらいに高たかく見みえた。Her lips, so vivid that one might suspect they would stain whatever they touched with crimson blood, and the long sweep of her hairline, which seemed almost to hide her earlobes, were alone unchanged; but her nose looked higher than before, almost a little severe.

女おんなは果はたして私わたくしに気きが附ついて居いるのであろうか。Had she, then, really noticed me?

どうも判然はんぜんと確たしかめることが出来できなかった。I could not make sure of it at all.

明あかりがつくと連つれの男おとこにひそひそ戯たわむれて居いる様子ようすは、傍そばに居いる私わたくしを普通ふつうの女おんなと蔑さげすんで、別段べつだん心こころにかけて居いないようでもあった。Whenever the lights came up and she fell to whispering and flirting with her companion, she seemed rather to dismiss me, sitting at her side, as an ordinary woman, and to pay me no particular attention.

実際じっさいその女おんなの隣となりに居いると、私わたくしは今迄いままで得意とくいであった自分じぶんの扮装ふんそうを卑いやしまない訳わけには行いかなかった。Indeed, sitting next to that woman, I could not help despising the disguise of which I had been so proud until then.

表情ひょうじょうの自由じゆうな、如何いかにも生いき生いきとした妖女ようじょの魅力みりょくに気圧けおされて、技巧ぎこうを尽つくした化粧けしょうも着き附つけも、醜みにくく浅あさましい化物ばけもののような気きがした。Overwhelmed by the charm of this enchantress, whose features moved so freely and who seemed so thoroughly alive, I felt that my make-up and my dressing, for all the art I had lavished on them, made me an ugly, wretched monster.

女おんならしいと云いう点てんからも、美うつくしい器量きりょうからも、私わたくしは到底とうてい彼女かのじょの競争きょうそう者しゃではなく、月つきの前まえの星ほしのように果敢はかなく萎しおれて了しまうのであった。In womanliness, as in beauty of face, I was no rival of hers at all; I simply withered away, as frail as a star before the moon.

朦々もうもうと立たち罩こめた場内じょうないの汚よごれた空気くうきの中なかに、曇くもりのない鮮明せんめいな輪郭りんかくをくッきりと浮うかばせて、マントの蔭かげからしなやかな手てをちらちらと、魚さかなのように泳およがせているあでやかさ。Such loveliness: amid the foul air of the hall, thick and hazy with smoke, she stood out in a clear, unclouded outline, and from the shadow of her cloak her supple hands flickered now and then, swimming like fish.

男おとこと対談たいだんする間あいだにも時々ときどき夢ゆめのような瞳ひとみを上あげて、天井てんじょうを仰あおいだり、眉根まゆねを寄よせて群衆ぐんしゅうを見下みおろしたり、真まっ白しろな歯並はなみを見みせて微笑ほほえんだり、その度たび毎ごとに全まったく別趣べっしゅの表情ひょうじょうが、溢あふれんばかりに湛たたえられる。Even while talking with the man she would lift her dreamy eyes from time to time, gazing up at the ceiling, or knitting her brows as she looked down upon the crowd, or smiling to show her pure white teeth; and each time an entirely different expression filled her face to overflowing.

如何いかなる意味いみをも鮮あざやかに表あらわし得える黒くろい大おおきい瞳ひとみは、場内じょうないの二ふたつの宝石ほうせきのように、遠とおい階下かいかの隅すみからも認みとめられる。Her great black eyes, able to express any meaning vividly, could be picked out even from the far corners of the floor below, like two jewels in the hall.

顔面がんめんの凡すべての道具どうぐが単たんに物ものを見みたり、嗅かいだり、聞きいたり、語かたったりする機関きかんとしては、あまりに余情よじょうに富とみ過すぎて、人間にんげんの顔かおと云いうよりも、男おとこの心こころを誘惑ゆうわくする甘味あまみある餌食えじきであった。Every feature of her face was far too rich in suggestion to be merely an organ for seeing, smelling, hearing or speaking; it was less a human face than a sweet bait to lure men's hearts.

もう場内じょうないの視線しせんは、一ひとつも私わたくしの方ほうに注そそがれて居いなかった。Not a single gaze in the hall was turned my way any longer.

愚おろかにも、私わたくしは自分じぶんの人気にんきを奪うばい去さったその女おんなの美貌びぼうに対たいして、嫉妬しっとと憤怒ふんぬを感かんじ始はじめた。Foolishly, I began to feel jealousy and rage toward the beauty of the woman who had stolen my popularity away.

嘗かつては自分じぶんが弄もてあそんで恣ほしいままに棄すててしまった女おんなの容貌ようぼうの魅力みりょくに、忽たちまち光ひかりを消けされて蹈ふみ附つけられて行いく口惜くやしさ。How galling it was to have my light put out in an instant and to be trampled underfoot by the charm of a woman whom I had once toyed with and cast off just as I pleased!

事ことに依よると女おんなは私わたくしを認みとめて居いながら、わざと皮肉ひにくな復讐ふくしゅうをして居いるのではないであろうか。Could it be that the woman had recognised me all along, and was deliberately taking an ironic revenge?

Vocabulary

WordMeaningJLPT
紛れもないまぎれもないunmistakable; beyond doubtLiterally 'without any confusion'.—
皺嗄れたしわがれるto become hoarse or husky (of a voice)dictionary form: 嗄れるUsually written in kana or as 嗄れる today.—
素人しろうとan ordinary, respectable woman (as opposed to a professional entertainer)Usually 'amateur'; here contrasted with 商売人, a woman of the pleasure trade.N2
風采ふうさいappearance; bearingLiterary word for a person's overall look and manner.—
胡蝶こちょうbutterflyLiterary equivalent of 蝶.—
欺きあざむくto deceivedictionary form: 欺くMore formal than だます.N1
跡をくらましてあとをくらますto disappear without a tracedictionary form: 跡をくらますLiterally 'to darken one's tracks'.—
気圧されてけおされるto be overwhelmed or overaweddictionary form: 気圧されるNot to be confused with 気圧 (きあつ, air pressure).—
器量きりょうlooks, beauty (especially a woman's)Also means 'ability, calibre' in other contexts.—
果敢なくはかないfleeting, frail, faintdictionary form: 果敢ないAteji spelling; normally 儚い or はかない.N1
餌食えじきprey; victim (here figuratively, a sweet morsel that lures men)Often 'victim', but here the lure that draws men in.—
嫉妬しっとjealousyN1
弄んでもてあそぶto toy with, trifle withdictionary form: 弄ぶUsed for playing with people's feelings as well as with objects.—
復讐ふくしゅうrevenge—

Grammar

〜ずにいるうちに N3 while (still) not doing ~

〜ずに is the written form of 〜ないで, and いるうちに means 'while the state continues'. The ship reached Shanghai before they had ever shared their names.

境遇も住所も知らせずにいるうちに上海へ着いた

we reached Shanghai without having revealed our stations in life or where we lived

〜ようとは N1 that one would ~ (expressing surprise)

The volitional form plus とは presents something unexpected; it is usually followed by words like 意外だ or 思わなかった.

こんな処で見ようとは全く意外である

to see her in such a place as this was wholly unexpected

〜ない訳には行かない N3 cannot help ~; cannot avoid ~

This double negative means the speaker is forced to do something. Here the narrator could not help despising his own disguise.

自分の扮装を卑しまない訳には行かなかった

I could not help despising my own disguise

〜んばかりに N1 as if about to ~; almost to the point of ~

This attaches to the ない-stem and describes something so intense it seems on the verge of happening. 溢れんばかり means 'so full it almost overflows'.

全く別趣の表情が、溢れんばかりに湛えられる

an entirely different expression filled her face to overflowing

〜得る N2 can ~; be able to ~

Added to the ます-stem, 得る is a written way of expressing possibility. It is read える here.

如何なる意味をも鮮やかに表し得る黒い大きい瞳

great black eyes able to express any meaning vividly

〜が如く N1 as if ~; like ~

This is the classical equivalent of 〜ように. 拭うが如くに means 'as though wiped clean'.

拭うが如くに冴え返り

as clear as if wiped clean