Cover of 秘密 (Himitsu)

Part 7 of 11 · JLPT N1

秘密 Himitsu, part 7: A Note Slipped Into a Sleeve

by Tanizaki Jun'ichirō · 1,332 characters · from A Taste for Secrets

In this part

Envy of the woman's beauty turns into desire, and the disguised narrator slips her a note in archaic style asking her to meet him again. As the crowd leaves she whispers that he is 'arrested at last'. At the temple he finds her reply hidden in his hood: she recognised him from the start and agrees to meet, but only if a rickshaw man takes him, blindfolded, to her house.

AI translation · independently checked

私わたくしは美貌びぼうを羨うらやむ嫉妬しっとの情じょうが、胸むねの中なかで次第々々しだいしだいに恋慕れんぼの情じょうに変かわって行いくのを覚おぼえた。I felt the envy with which I had begrudged her beauty changing, little by little, within my breast into amorous longing.

女おんなとしての競争きょうそうに敗やぶれた私わたくしは、今いま一度いちど男おとことして彼女かのじょを征服せいふくして勝かち誇ほこってやりたい。Defeated in the contest as a woman, I now wished to conquer her once more as a man and to exult in my triumph.

こう思おもうと、抑おさえ難がたい欲望よくぼうに駆かられてしなやかな女おんなの体からだを、いきなりむずと鷲掴わしづかみにして、揺ゆす振ぶって見みたくもなった。At this thought, driven by an irresistible desire, I even felt like suddenly seizing that supple woman's body roughly in my clutches and shaking it.

君きみは予よの誰だれなるかを知しり給たまうや。Dost thou know who I am?

今夜こんや久ひさしぶりに君きみを見みて、予よは再ふたたび君きみを恋こいし始はじめたり。Seeing thee tonight after so long, I have begun once more to love thee.

今いま一度いちど、予よと握手あくしゅし給たまうお心こころはなきか。Hast thou no wish to clasp my hand once again?

明晩みょうばんもこの席せきに来きて、予よを待まち給たまうお心こころはなきか。Hast thou no wish to come to this seat tomorrow night as well, and wait for me?

予よは予よの住所じゅうしょを何人なんぴとにも告つげ知しらす事ことを好このまねば、唯ただ願ねがわくは明日あすの今頃いまごろ、この席せきに来きて予よを待まち給たまえ。Since I care not to make my abode known to any person, I ask only this: come to this seat tomorrow at this same hour, and wait for me.

闇やみに紛まぎれて私わたくしは帯おびの間あいだから半紙はんしと鉛筆えんぴつを取出とりだし、こんな走はしり書がきをしたものをひそかに女おんなの袂たもとへ投なげ込こんだ、そうして、又またじッと先方せんぽうの様子ようすを窺うかがっていた。Under cover of the darkness I took paper and pencil from the folds of my obi, dashed off these lines, and slipped them secretly into the woman's sleeve; then I went back to watching her intently to see what she would do.

十一じゅういち時じ頃ころ、活動かつどう写真しゃしんの終おわるまでは女おんなは静しずかに見物けんぶつしていた。Until the moving pictures ended at about eleven o'clock, the woman sat quietly watching.

観客かんきゃくが総立そうだちになってどやどやと場外じょうがいへ崩くずれ出だす混雑こんざつの際さい、女おんなはもう一度いちど、私わたくしの耳元みみもとで、In the crush, as the audience rose all at once and came pouring noisily out of the hall, the woman once again, close to my ear,

「……… Arrested at last. ………」"……… Arrested at last. ………"

と囁ささやきながら、前まえよりも自信じしんのある大胆だいたんな凝視ぎょうしを、私わたくしの顔かおに暫しばらく注そそいで、やがて男おとこと一緒いっしょに人ひとごみの中なかへ隠かくれてしまった。whispered, and after fixing a bolder, more assured gaze than before on my face for some moments, she presently vanished into the crowd together with the man.

「……… Arrested at last. ………」"……… Arrested at last. ………"

女おんなはいつの間まにか自分じぶんを見み附つけ出だして居いたのだ。Without my noticing, the woman had found me out.

こう思おもって私わたくしは竦然しょうぜんとした。At this thought I shuddered.

それにしても明日あすの晩ばん、素直すなおに来きてくれるであろうか。Even so, would she obligingly come tomorrow night?

大分だいぶ昔むかしよりは年功ねんこうを経へているらしい相手あいての力量りきりょうを測はからずに、あのような真似まねをして、却かえって弱点じゃくてんを握にぎられはしまいか。Might I not, by playing such a trick without measuring the strength of an adversary who seemed to have gained a good deal of experience since the old days, instead end up letting her get hold of my weak point?

いろいろの不安ふあんと疑惧ぎぐに挟さしはさまれながら私わたくしは寺てらへ帰かえった。Beset by all manner of unease and misgiving, I returned to the temple.

いつものように上着うわぎを脱ぬいで、長襦袢ながじゅばん一いち枚まいになろうとする時とき、ぱらりと頭巾ずきんの裏うらから四角しかくにたたんだ小ちいさい洋紙ようしの切きれが落おちた。As I was taking off my outer kimono as usual, about to strip down to nothing but my long under-kimono, a small scrap of Western paper folded into a square fluttered out from the lining of my hood.

「Mr. S. K.」"Mr. S. K."

と書かき続つづけたインキの痕あとをすかして見みると、玉甲斐絹たまかいきのように光ひかっている。When I held the traces of ink from these words up to the light, they shimmered like iridescent Kai silk.

正まさしく彼女かのじょの手てであった。It was unmistakably her hand.

見物けんぶつ中ちゅう、一二いちに度ど小用こように立たったようであったが、早はやくもその間あいだに、返事へんじをしたためて、人ひと知しれず私わたくしの襟元えりもとへさし込こんだものと見みえる。During the show she had seemed to get up once or twice to relieve herself; it appeared that in that brief time she had already written a reply and slipped it, unseen by anyone, into my collar.

思おもいがけなき所ところにて思おもいがけなき君きみの姿すがたを見み申もうし候そうろう。In a place I little expected, I beheld thee in a guise I little expected.

たとい装よそおいを変かえ給たまうとも、三さん年ねんこのかた夢寐むびにも忘わすれぬ御面影おんおもかげを、いかで見逃みのがし候そうろうべき。Though thou change thy attire, how should I fail to know the face I have not forgotten even in my dreams these three years past?

妾わらわは始はじめより頭巾ずきんの女おんなの君きみなる事ことを承知しょうち仕つかまつり候そうろう。From the very first I knew full well that the hooded woman was thou.

それにつけても相変あいかわらず物好ものずきなる君きみにておわせしことの可笑おかしさよ。And withal, how droll that thou shouldst be as fond of strange whims as ever!

妾わらわに会あわんと仰おおせらるるも多分たぶんはこの物好ものずきのおん興きょうじにやと心許こころもとなく存ぞんじ候そうらえども、あまりの嬉うれしさに兎角とかくの分別ぶんべつも出いでず、唯ただ仰おおせに従したがい明夜みょうやは必かならず御お待まち申もうす可べく候そうろう。I fear that thy wish to meet me is most likely but another sport of this same whim; yet so great is my joy that I can weigh nothing wisely, and shall simply obey thy bidding and without fail await thee tomorrow night.

ただし、妾わらわに少々しょうしょう都合つごうもあり、考かんがえも有之候これありそうらえば、九きゅう時じより九きゅう時半じはんまでの間あいだに雷門かみなりもんまでお出いで下くだされまじくや。Only, since I have certain circumstances of mine own, and certain designs besides, wouldst thou not be pleased to come to the Kaminarimon between nine and half past nine?

其処そこにて当方とうほうより差さし向むけたるお迎むかいの車夫しゃふが、必かならず君きみを見みつけ出だして拙宅せったくへご案内あんない致いたす可べく候そうろう。There a rickshaw man whom I shall send to meet thee will surely find thee and conduct thee to my humble dwelling.

君きみの御ご住所じゅうしょを秘ひし給たまうと同様どうように、妾わらわも今いまの在あり家かを御お知しらせ致いたさぬ所存しょぞんにて、車上しゃじょうの君きみに眼隠めかくしをしてお連つれ申もうすよう取とりはからわせ候間そうろうあいだ、右みぎ御お許ゆるし下くだされ度たく、若もしこの一事いちじを御ご承引しょういん下くだされ候そうらわずば、妾めかけは永遠えいえんに君きみを見みることかなわず、これに過すぎたる悲かなしみは無之候これなくそうろう。Even as thou concealest thine abode, so do I purpose not to make known to thee where I now dwell, and I have therefore arranged that thou be blindfolded in the rickshaw and so brought to me; I pray thee pardon this, for if thou wilt not grant this one thing, I shall never be able to see thee, and no sorrow could be greater than that.

私わたくしはこの手紙てがみを読よんで行いくうちに、自分じぶんがいつの間まにか探偵たんてい小説しょうせつ中ちゅうの人物じんぶつとなり終おおせて居いるのを感かんじた。As I read on through this letter, I felt that I had somehow become, in every respect, a character in a detective story.

不思議ふしぎな好奇心こうきしんと恐怖きょうふとが、頭あたまの中なかで渦うずを巻まいた。A strange curiosity and dread swirled together in my head.

女おんなが自分じぶんの性癖せいへきを呑のみ込こんで居いて、わざとこんな真似まねをするのかとも思おもわれた。It occurred to me, too, that the woman might have grasped my peculiar tastes and be doing such things on purpose.

Vocabulary

WordMeaningJLPT
嫉妬しっとjealousy, envyBoth kanji contain 女 (woman).N1
恋慕れんぼamorous longing, loveLiterary; 恋慕の情 means 'feelings of love'.—
征服せいふくconquest; to conquer (with する)N1
鷲掴みわしづかみseizing roughly in one's gripLiterally 'an eagle's grab'; 〜にする = to grab hold of something roughly.—
袂たもとthe hanging pouch of a kimono sleeveOften used as a pocket for small things.—
窺ってうかがうto watch closely, to observe secretlydictionary form: 窺うDifferent kanji from 伺う (to visit / to ask, humble), though both are read うかがう.—
竦然しょうぜんshuddering with fearLiterary; 竦然とする = to shudder, to be horrified.—
年功ねんこうexperience gained over the years年功を経る = to grow seasoned with time.—
頭巾ずきんhood, cloth head-coveringPart of the narrator's female disguise.—
夢寐むびsleep, dreamsMainly found in the set phrase 夢寐にも忘れない, 'never forget even in one's dreams'.—
物好きものずきfondness for odd things; a person with curious whimsOften slightly teasing.N1
拙宅せったくmy humble homeHumble word used only for one's own house.—
眼隠しめかくしblindfolddictionary form: 目隠しUsually written 目隠し today.—
性癖せいへきdisposition, peculiar habit or taste—

Grammar

〜給う N1 classical honorific auxiliary

Added to a verb stem, 給う raises the action of the person addressed, much like modern お〜になる. The imperative 給え makes a courteous request, as in 待ち給え, 'wait for me'.

君は予の誰なるかを知り給うや。

Dost thou know who I am?

〜ねば N1 since (one) does not…

ね is the realis form (已然形) of the classical negative ず, and ば after the realis gives a reason or cause rather than a hypothetical condition. 好まねば therefore means 'as I do not like', the same as modern 好まないので.

予は予の住所を何人にも告げ知らす事を好まねば

Since I care not to make my abode known to any person

〜はしまいか N1 might it not be that…? (anxious doubt)

まい is a negative conjectural ending, and the question marker か turns it into an anxious question: 'might it not be that…?'. The particle は is inserted after the continuative form of the verb (here the passive 握られ) for emphasis. 握られはしまいか means 'might I not end up having (my weak point) seized?'

却って弱点を握られはしまいか。

might I not instead have let her take hold of my weak point?

〜ものと見える N2 it appears that…

This expresses an inference drawn from visible evidence. Here the narrator reasons back from the note he has found to how she must have planted it.

人知れず私の襟元へさし込んだものと見える。

it appeared that she had slipped it, unseen by anyone, into my collar.

〜候 (sōrōbun) N1 classical polite epistolary ending

候 (そうろう) works like a very formal です/ます in traditional letters. It combines with humble verbs such as 仕る and 申す and with classical forms such as 可く候 ('shall') and 無之候 ('there is not').

妾は始めより頭巾の女の君なる事を承知仕候。

From the very first I knew full well that the hooded woman was thou.

いつの間にか N3 before one knew it; without noticing

This describes something that happened unnoticed. Here it stresses that she found him out while he thought he was safely disguised.

女はいつの間にか自分を見附け出して居たのだ。

Without my noticing, the woman had found me out.