Cover of 秘密 (Himitsu)

Part 10 of 11 · JLPT N1

秘密 Himitsu, part 10: The Street with the Seal-Maker's Sign

by Tanizaki Jun'ichirō · 1,582 characters · from A Taste for Secrets

In this part

The narrator insists, and the woman reluctantly removes the cloth covering his eyes. He glimpses a lively, unfamiliar street with a seal-maker's signboard before she covers his eyes again and tearfully begs him to think of her only as a woman in a dream. Later he retraces the rickshaw's route on foot by daylight and finds the alley, but in the dry autumn sun it is a shabby, ordinary street near places he already knows, and his excitement fades.

AI translation · independently checked

いろいろに言葉ことばを尽つくして頼たのんだが、私わたくしは何なんと云いっても聴きき入いれなかった。She pleaded with me in every way she could, but whatever she said, I would not give in.

「仕方しかたがない、そんなら見みせて上あげましょう。………その代かわり一寸ちょっとですよ。」"Very well, there is nothing for it — I shall let you see. ……But only for a moment, mind."

女おんなは嘆息たんそくするように云いって、力ちからなく眼めかくしの布ぬのを取とりながら、The woman said this with something like a sigh, and as she listlessly drew away the cloth that bound my eyes,

「此処ここが何処どこだか判わかりますか。」"Do you know where we are?"

と、心許こころもとない顔かおつきをした。she asked, with an uneasy look upon her face.

美うつくしく晴はれ渡わたった空そらの地色じいろは、妙みょうに黒くろずんで星ほしが一面いちめんにきらきらと輝かがやき、白しろい霞かすみのような天あまの川がわが果はてから果はてへ流ながれている。The ground of the beautifully clear sky was strangely dark, stars glittered across the whole of it, and the Milky Way, like a white haze, flowed from one end of the heavens to the other.

狭せまい道路どうろの両側りょうがわには商店しょうてんが軒のきを並ならべて、燈火とうかの光ひかりが賑にぎやかに町まちを照てらしていた。Along both sides of the narrow road the shops stood eaves to eaves, and the light of their lamps lit up the street in a lively glow.

不思議ふしぎな事ことには、可かなり繁華はんかな通とおりであるらしいのに、私わたくしはそれが何処どこの街まちであるか、さっぱり見当けんとうが附つかなかった。Strange to say, though it seemed to be a fairly busy thoroughfare, I had not the faintest idea what street it was.

俥くるまはどんどんその通とおりを走はしって、やがて一二いちに町ちょう先さきの突つき当あたりの正面しょうめんに、精美せいび堂どうと大おおきく書かいた印形屋いんぎょうやの看板かんばんが見みえ出だした。The rickshaw sped briskly along that street, and presently, a block or two ahead, straight in front of us where the road ended, there came into view the signboard of a seal-maker's shop, with the name Seibidō written on it in large characters.

私わたくしが看板かんばんの横よこに書かいてある細ほそい文字もじの町名ちょうめい番地ばんちを、俥くるまの上うえで遠とおくから覗のぞき込こむようにすると、女おんなは忽たちまち気きが附ついたか、When, from my seat in the rickshaw, I leaned forward to peer from afar at the street name and number written in fine characters beside the signboard, the woman seemed at once to realise what I was doing,

「あれッ」"Oh, no!"

と云いって、再ふたたび私わたくしの眼めを塞ふさいで了しまった。she cried, and once more covered my eyes.

賑にぎやかな商店しょうてんの多おおい小路こうじで突つきあたりに印形いんぎょう屋やの看板かんばんの見みえる街まち、―――どう考かんがえて見みても、私わたくしは今迄いままで通かよったことのない往来おうらいの一ひとつに違ちがいないと思おもった。A narrow street full of lively shops, with a seal-maker's signboard visible at the end of it — however I considered it, I felt sure it must be one of the streets I had never yet walked along.

子供こども時代じだいに経験けいけんしたような謎なぞの世界せかいの感かんじに、再ふたたび私わたくしは誘いざなわれた。Once again I was drawn into that feeling of a world of riddles, such as I had known in my childhood.

「あなた、あの看板かんばんの字じが読よめましたか。」"Tell me, could you read what was written on that sign?"

「いや読よめなかった。一体いったい此処ここは何処どこなのだか私わたくしにはまるで判わからない。私わたくしはお前まえの生活せいかつに就ついては三さん年ねん前まえの太平洋たいへいようの波なみの上うえの事ことばかりしか知しらないのだ。私わたくしはお前まえに誘惑ゆうわくされて、何なんだか遠とおい海うみの向むこうの、幻まぼろしの国くにへ伴つれて来こられたように思おもわれる。」"No, I could not. I have no idea at all where on earth we are. Of your life I know nothing but what passed upon the waves of the Pacific three years ago. I feel as though you had seduced me and carried me off to some phantom country far across the sea."

私わたくしがこう答こたえると、女おんなはしみじみとした悲かなしい声こえで、こんな事ことを云いった。When I answered thus, the woman spoke these words in a voice full of quiet sorrow:

「後生ごしょうだからいつまでもそう云いう気持きもちで居いて下ください。幻まぼろしの国くにに住すむ、夢ゆめの中なかの女おんなだと思おもって居いて下ください。もう二に度どと再ふたたび、今夜こんやのような我わが儘ままを云いわないで下ください。」"I beg you, keep that feeling always. Think of me as a woman in a dream, who lives in a phantom country. And never again, I implore you, make such a wilful demand as you made tonight."

女おんなの眼めからは、涙なみだが流ながれて居いるらしかった。Tears, it seemed, were flowing from her eyes.

その後あと暫しばらく、私わたくしは、あの晩ばん女おんなに見みせられた不思議ふしぎな街まちの光景こうけいを忘わすれることが出来できなかった。For some time after that, I could not forget the scene of the strange street the woman had shown me that night.

燈火とうかのかんかんともっている賑にぎやかな狭せまい小路こうじの突つき当あたりに見みえた印形いんぎょう屋やの看板かんばんが、頭あたまにはッきりと印象いんしょうされて居いた。The seal-maker's signboard I had seen at the end of that lively, narrow street, with its brightly burning lamps, was vividly imprinted on my mind.

何なんとかして、あの町まちの在ありかを捜さがし出だそうと苦心くしんした揚句あげく、私わたくしは漸ようやく一策いっさくを案あんじ出だした。After racking my brains over how I might somehow discover where that street lay, I at last hit upon a plan.

長ながい年月としつきの間あいだ、毎夜まいよのように相乗あいのりをして引ひき擦すり廻まわされて居いるうちに、雷門かみなりもんで俥くるまがくるくると一ひとつ所ところを廻まわる度数どすうや、右みぎに折おれ左ひだりに曲まがる回数かいすうまで、一定いっていして来きて、私わたくしはいつともなくその塩梅あんばいを覚おぼえ込こんでしまった。Over the long years, as night after night I rode beside her and was dragged hither and thither, the number of times the rickshaw circled round and round on one spot at the Kaminarimon, and even the number of turns it took to the right and to the left, had become fixed, and before I knew it I had learnt the whole pattern by heart.

或ある朝あさ、私わたくしは雷門かみなりもんの角かどへ立たって眼めをつぶりながら二三にさん度どぐるぐると体からだを廻まわした後あと、この位くらいだと思おもう時分じぶんに、俥くるまと同おなじ位くらいの速度そくどで一方いっぽうへ駆かけ出だして見みた。One morning I stood at the corner of the Kaminarimon and, with my eyes shut, spun my body round two or three times; then, at the moment I judged to be about right, I set off running in one direction at roughly the speed of the rickshaw.

唯ただ好よい加減かげんに時間じかんを見みはからって彼方此方かなたこなたの横町よこちょうを折おれ曲まがるより外ほかの方法ほうほうはなかったが、丁度ちょうどこの辺へんと思おもう所ところに、予想よそうの如ごとく、橋はしもあれば、電車でんしゃ通とおりもあって、確たしかにこの道みちに相違そういないと思おもわれた。There was no other method than to guess the timing as best I could and turn down one side street after another, here and there; yet just where I expected, sure enough, there was a bridge, and there was a tramline, and I felt certain this must be the very road.

道みちは最初さいしょ雷門かみなりもんから公園こうえんの外郭がいかくを廻まわって千束町せんぞくちょうに出でて、龍泉寺りゅうせんじ町まちの細ほそい通とおりを上野うえのの方ほうへ進すすんで行いったが、車坂くるまざか下したで更さらに左ひだりへ折おれ、お徒町かちまちの往来おうらいを七八しちはち町ちょうも行いくとやがて又また左ひだりへ曲まがり始はじめる。The road first went from the Kaminarimon around the outer edge of the park and came out at Senzokuchō, then proceeded along the narrow street of Ryūsenjimachi toward Ueno; at Kurumazaka-shita it turned left again, and after going a good seven or eight blocks along the Okachimachi road, it presently began to bend to the left once more.

私わたくしは其処そこでハタとこの間あいだの小路こうじにぶつかった。There I suddenly came upon the narrow street of that night.

成なる程ほど正面しょうめんに印形いんぎょう屋やの看板かんばんが見みえる。Sure enough, straight ahead I could see the seal-maker's signboard.

それを望のぞみながら、秘密ひみつの潜ひそんでいる巌窟がんくつの奥おくを究きわめでもするように、つかつかと進すすんで行いったが、つきあたりの通とおりへ出でると、思おもいがけなくも、其処そこは毎晩まいばん夜店よみせの出でる下谷竹町したやたけちょうの往来おうらいの続つづきであった。With my eyes fixed upon it, I strode forward as if probing the depths of a cavern where some secret lay hidden; but when I came out onto the street at the end, it turned out, quite unexpectedly, to be a continuation of the Shitaya Takechō road, where night stalls are set up every evening.

いつぞや小紋こもんの縮緬ちりめんを買かった古着ふるぎ屋やの店みせもつい二三にさん間けん先さきに見みえて居いる。Even the second-hand clothes shop where some time ago I had bought the figured crêpe kimono was in sight, only a few yards away.

不思議ふしぎな小路こうじは、三味線堀しゃみせんぼりと仲なかお徒町かちまちの通とおりを横よこに繋つないで居いる街路がいろであったが、どうも私わたくしは今迄いままで其処そこを通とおった覚おぼえがなかった。The mysterious street was one that ran crosswise, linking Shamisenbori with the Naka-Okachimachi road, and yet I had no recollection of ever having passed along it before.

散々さんざん私わたくしを悩なやました精美せいび堂どうの看板かんばんの前まえに立たって、私わたくしは暫しばらく彳たたずんで居いた。I stood lingering for a while before the Seibidō signboard that had tormented me so much.

燦爛さんらんとした星ほしの空そらを戴いただいて夢ゆめのような神秘しんぴな空気くうきに蔽おおわれながら、赤あかい燈火とうかを湛たたえて居いる夜よるの趣おもむきとは全まったく異ことなり、秋あきの日ひにかんかん照てり附つけられて乾涸ひからびて居いる貧相ひんそうな家並いえなみを見みると、何なんだか一いち時じにがっかりして興きょうが覚さめて了しまった。It was altogether unlike the street at night, crowned with a sky of glittering stars, wrapped in a dreamlike, mysterious air, and brimming with red lamplight; when I saw the shabby row of houses parched and dried out under the blazing autumn sun, I felt somehow disappointed all at once, and my fascination cooled.

Vocabulary

WordMeaningJLPT
尽してつくすto use up; to do everything possibledictionary form: 尽くす言葉を尽くす: to plead or explain using every possible word.N1
嘆息たんそくa sigh (of grief or resignation)Literary; everyday Japanese uses ため息.—
心許ないこころもとないuneasy, anxious, insecure—
見当けんとうan idea, a guess見当が付かない: to have no idea. 附 is an older spelling of 付.N3
印形屋いんぎょうやseal-maker's shop印形 is an old word for a personal name seal (today 判子・印鑑). There is no exact English equivalent.—
往来おうらいstreet, thoroughfareAlso means 'coming and going, traffic'. Old-fashioned in the sense of 'road'.—
後生ごしょうだからI beg you, for pity's sakedictionary form: 後生だからBuddhist in origin ('the next life'). Read こうせい, it means 'younger generation'.—
我が儘わがままselfishness; a wilful demandUsually written in kana today.N3
揚句あげくin the end, after (much effort)dictionary form: 挙げ句Today usually written 挙げ句 or あげく.—
塩梅あんばいthe way things go; the pattern or knackOriginally 'seasoning'; now also 'condition' or 'state of things'.—
相違そういdifference〜に相違ない is a formal 〜に違いない: 'it must be'.N2
夜店よみせnight stall, street stall open in the evening—
彳んでたたずむto stand still, to lingerdictionary form: 佇む彳 is a rare variant; the standard kanji is 佇.—
興きょうinterest, excitement興が覚める: to lose interest, to have the spell broken.—

Grammar

〜て上げましょう N4 I'll (do something) for you

て-form plus 上げる offers to do something for the listener; ましょう makes it a polite, resigned offer. Here T reluctantly agrees to show him where they are.

そんなら見せて上げましょう。

Then I shall let you see.

〜に違いない N3 must be; there is no doubt that

This expresses a strong conviction drawn from reasoning. The narrator concludes that the street must be one he has never walked along.

私は今迄通ったことのない往来の一つに違いないと思った。

I felt sure it must be one of the streets I had never walked along.

〜ように思われる N3 it seems as though; I can't help feeling that

The spontaneous passive 思われる presents an impression that arises by itself rather than a deliberate opinion. Combined with ように, it means 'it feels as if'.

幻の国へ伴れて来られたように思われる。

I feel as though I have been carried off to a phantom country.

〜た揚句 N2 after (much effort or trouble), finally

Attached to a past-tense verb, it marks the end result of a long, often troublesome process. Here a plan emerges only after much racking of brains.

苦心した揚句、私は漸く一策を案じ出した。

After racking my brains, I at last hit upon a plan.

〜より外(ほか)はない N3 there is no choice but to

〜より外(ほか)はない / 〜ほかない: there is nothing to do but ...; there is no choice but to .... Here the variant 〜より外の方法はない means 'there is no other method than ...'. 外 is read ほか and means 'other'.

彼方此方の横町を折れ曲るより外の方法はなかった

there was no other method than to turn down side streets here and there

〜でもするように N2 as if (one were) doing something like

The particle でも softens the action ('something like'), and ように turns the whole into a simile. Here it describes his manner of walking as if he were exploring a cavern.

秘密の潜んでいる巌窟の奥を究めでもするように、つかつかと進んで行った

I strode forward as if probing the depths of a cavern where a secret lay hidden